Returning to Mizuha Production Company, she saw Kei Fujiwara approaching. Yui Mizuhara wanted to pounce on him and take a bite out of his face.

He was already handsome, but now he looks even more attractive.

"Fujiwara." Mizuhara Yui walked over and said, suppressing the excitement in her heart, "The ratings of the last episode of "Homeless Children" reached a historical level, ranking sixth in history."

Kei Fujiwara took the ratings report, glanced down, and said, "Not bad."

It is even better than the original "Homeless Child" in the parallel world. The final episode of the original "Homeless Child" has a broadcast score of 37.2%, which is already very good, but it has achieved better results in this world.

The reason why it is higher is that Kei Fujiwara, as a bystander and practitioner, knows the detailed ratings of each episode of the original version and the shortcomings of the show, so he made some changes.

Of course, Inoue Morimata's excellent acting skills are also part of the reason. Fujiwara Kei thinks she is better than Adachi Yumi.

After reading it, Kei Fujiwara returned the ratings report to Yui Mizuhara.

Mizuhara Yui took back the ratings report angrily, feeling a little disappointed with Fujiwara Kei's lackluster response.

Kei Fujiwara is a bit sultry... Maybe he would happily tie his tie on his head and do a striptease when he was alone at home...

I really want to see this guy lose his composure...

Mizuhara Yui seemed to have a little devil popping out of her heart, whispering to her.

"What are you thinking about?" Kei Fujiwara tilted his head and asked, seeing Yui Mizuhara a little dazed.

"Ah, it's nothing. I was wondering where to hold the celebration party?"

All the works have achieved good results, and they have held countless celebration parties. Now the creative team has become accustomed to celebrations, and they are not as excited as they were during "The Long Holiday".

If I had known earlier, I would not have taken them to such an expensive restaurant to celebrate. It seems that raising the threshold is not a good thing... Mizuhara Yui cursed.

"Keep everything simple," Kei Fujiwara said. "Go and tell the members of the creative team about the ratings, but you have to warn them to guard against arrogance and impetuosity. The battle has just begun."

"Battle? Do you mean "Housekeeper Mita"?" Mizuhara Yui said with a smile: "I checked, and there were almost no decent competitors in the same time period during the broadcast of "Housekeeper Mita"."

"Don't take it lightly." Kei Fujiwara said, "Now the outside world should have realized that the [Yue Ninth] plan is not our temporary nonsense, so I guess the other five conferences will unite to deal with us during this period. You should pay more attention

As soon as you hear about their production plans, please communicate with me in time."

The relationship between Japan's five major liberation groups is like five frogs in a bucket. Each frog wants to climb out of the bucket, but once there is a sign of climbing to the top, the other four frogs will try their best to pull it down.

There was a time when the Japanese broadcaster NBC relied on its excellent news programs and romantic dramas to dominate the world. However, the other five major broadcasters tried their best to suppress them during the broadcast time of their main TV series, which severely weakened their strength.

Not long ago, Dongdao TV also thought about getting rid of its position at the bottom of the five major TV stations, so it poached people from major TV stations and concentrated on producing programs. It originally planned to find another way to accumulate viewers through late-night dramas and morning dramas.

As soon as things started to improve, the other five major groups began to attack Dongdao TV. Various well-produced morning dramas and late-night dramas were launched one after another, which made Dongdao TV doubtful about life. In the end, it was decided that it would be better to safely show cartoons.

Of course, if everyone maintains the status quo, the five major TV stations will still get along very happily. They are all friendly businessmen and will not make things difficult for each other. If you have recently invested heavily in a TV series to be launched, as long as you let it out, other TV stations will tacitly pay attention to it.

Avoid and will not fight with you to the death.

When it comes to the award ceremonies for major awards, everyone can happily share the pork and spend the golden decade happily.

However, the emergence of Fujiwara Keihe's "Tsukijiu" plan is destined to break the balance. How did Fukuyama Channel join forces with other channels to attack Higashishima Channel and Nippon Broadcasting NBC? In the near future, the other parties will also

Treat others in their own way.

"Homeless Children" achieved the sixth highest ratings in history, which also shocked the industry. Although I knew that the final ratings of this drama would be good, I did not expect it to be so popular.

What does the 39% ratings mean? The reason why Hidaka Junaki has such a high status in the broadcast industry is because there is a drama in the top ten in history. The highest episode rating of that drama is around 37%.

Kei Fujiwara's "Homeless Child" not only defeated Hidaka Junaki's "Gemini Detective", but also defeated the drama in which he made history.

So, Hidaka Junaki lost well this time, but he might not have been able to win against the current Kei Fujiwara in his prime.

Due to the amazing ratings this drama achieved and the social impact it caused, the entertainment pages of major newspapers began to rush to report on it the day after the TV series ended.

The first is the old club Sankei Daily. Two-thirds of the entertainment pages are given to it. As for dramas in other time periods, I'm sorry, you can squeeze in the remaining one-third.

The report first mentioned the astonishing ratings achieved by this TV series: 39%. Since the 1990s, Fukuyama Channel has never had a single episode of a TV series with more than 35% broadcasted. This is a very remarkable achievement and deserves to be publicized.

Fan.

"Homeless Children" relied on the last episode to directly enter the historical level. Among the five dramas before it, three were filmed in the 1980s, and two were shot in the early 1980s.

After 1991, the TV programs of major commercial stations became explosive. The audience base did not increase much, but the number of TV programs more than doubled or tripled. After 2005, the Internet became popular and the TV industry became even worse. So as time goes by,

The higher the ranking, the higher the gold content.

Apart from its achievements, the most remarkable thing about this drama is the impact it has had on society.

[Sympathy for me! Just give me money!] directly won this year’s Newspeak/Buzzword Award and has become a mantra for many young people. The popularity of this drama has also made many people pay attention to the cause of child welfare. There are many

The staff of the orphanage said that since the TV series was launched, the number of voluntary volunteers in the orphanage has increased a lot, and the adoption rate of children, especially girls, has also increased a lot.

Just a few days before the TV series ended, a consortium made donations to several children's welfare homes in Japan, under the slogan: Give all homeless children a warm home.

Just three days after the TV series ended, the famous writer Momoka Kamiya also published an article in a magazine.

The article seems to be a film and television review of the drama "Homeless Child", but it also describes the "homeless" time I spent in my childhood. Momoka Kamiya is a well-known columnist.

, the article also caused a sensation after it was published. Unexpectedly, this great writer also had such a bitter childhood.

At the end of the article, Momoka Kamiya also praised Kei Fujiwara, the screenwriter of this drama, thinking that he is a very good observer. He can see the cracks in society and the weaknesses of people's hearts, so he can create such an excellent drama. And look forward to it.

He will be able to present more and better works in the future.

The portrait photos that Kei Fujiwara hired a photographer to take for Inoue Morita frequently appeared in various media. Inoue Morita suddenly became a hot new star, and he was constantly booked for filming.

The agent was quite reliable and did not take advantage of this opportunity to desperately accept scenes for Inoue and consume her spiritual energy. Instead, she let her settle down for a while. After a while, when public opinion became less impetuous, she would take on new films.

The senior leaders of Fukuyamadai wanted Kei Fujiwara to write the second part of "Homeless Children" quickly. Because the first part left the story suspenseful and had no ending, it was natural to shoot the second part.

But the sooner the second part is filmed, the better. The longer it is delayed, the greater the risk will be. For example, Kei Fujiwara is about to terminate the contract in more than a year; and Mori Inoue... How come he has grown so tall after just one film?

?

If he grows bigger, he is no longer a homeless child! He has become a runaway girl!
Chapter completed!