Finale, the final scene of the drama

A sonata with inserts.

Anyone who knows it knows that this piece of music is one of the most gorgeous and exciting music of all the works created for piano and orchestra.

It is also the most magnificent chapter that takes piano skills to the extreme, dazzling and wonderful.

It shows the grandest scene of the Russian nation.

As soon as the music enters the third movement, the orchestral part has a decisive and powerful ensemble with the main chord in d minor.

The theme is vivid and the stage atmosphere is jubilant.

Guided by a motivation, the piano enters the music and plays a cheerful theme with a horn tone.

It seems to kick off a carnival.

Qin Jian sat upright, his facial expression returned to indifference, his arms swung unconsciously, and his ten fingers calmly walked out with a sharp and powerful rhythm, depicting the scene of Russian folk festivals.

This scene is not the poet's imagination. Qin Jian confirmed that this scene must have happened in fact. Rachmaninov was at the scene at that time.

Qin Jian grasped the dynamic rhythmic sense of the march and suddenly stood up every fingertip in the seventeenth bar.

Use the technique of keeping the beating of the music to continue driving forward like a step forward, and continue walking with Rah's illusory figure.

As the music progressed to 27 bars, the band's performance seemed to have a bright dance sound from afar.

Qin Jian relaxes his wrists and plays the rhythm points with a weak rhythm, keeping the edges and corners of the music while accompanizing the dancers' pace.

A festive singing and dancing scene was presented to the audience.

Extremely vivid and vivid.

Interesting piano performances can break the barrier between the audience and interpreter, and here is the essence of the intriguing piano player.

This was Qin Jian’s lifelong homework, but he did a good job today.

It is not difficult to find that during this whole process, the expressions of many audience members in the audience changed with the development of the music. Some audiences would gently sway their heads or slapped the wooden handles between the seats when they heard the emotions.

All of this means that they are staying in the music at this time.

If a performance is connected to the audience's subjective world time and makes the time richer and more diverse, then the performance will be more than forty minutes.

Every listener will bring other concert memories when he visits a performance, which is the love history between the listener and the music. Like the structure of the Pangda La San, both are a complex network: the performer in front of him will give all these new lives.

No two love history will be completely overlapping, just as every piano player's expression may be exactly the same.

Qin Jian used a cheerful event to interpret the first half of the finale, which left a very good impression on many people.

But the music is like a float in the parade, moving forward without stopping for a moment.

While flowing, the sound quickly developed to 71 bars.

suddenly.

After a vertical and mixed triple sound stream, at the beginning of the 72 bar, Qin Jian's five fingers with his right hand suddenly fell.

"Bang-Bang-Bang-Bang-" made a row of solid upward chord connections, full of momentum.

This successive theme can be said to be the center of the finale, full of breathtaking excitement.

The scenes in the music also become more grand due to Qin Jian's deep and full performance.

When the picture was maintained until bar 103, the music changed again and entered the sub-member theme of G major.

In this passionate singing melody, the Helsinki Orchestra shows their depiction of the grand orchestral scene.

The broad atmosphere on the stage quickly extended to the audience, and the different parts of the band seemed to be chasing and fighting, bringing the music into a tense pursuit.

The piano also waited for an opportunity to transform into a juggling performer in a parade.

It is lively, full of clown's humorous and mysterious, and is as charming as a music box.

Gentle, pure, transparent.

The intercourse with the competing orchestra actually merged a musical color full of romantic fantasy.

The whole hall is like a romantic ocean at this moment.

Continue.

Suddenly, Sabina picked the baton and widened the theme melody again. The atmosphere of the music was filled with sad complaints, and the various parts of the orchestra also deepened the strength and level under the baton.

The colors of music are about to change.

At this moment, Qin Jian's quick finger skills unfolded, and the piano sound showed a coherent melody and continued to maintain the color fantasy.

There is another confrontation at this moment.

However, under this confrontation, the piano part formed a sharp contrast with the band, greatly enhancing the dramatic tension of the music.

The parade convoy was also moving forward, driving from early morning through afternoon and from dusk to dusk.

The music turns to E major, and the piano changes from fantasy and humor to a song-like romance, bringing the music back to a lyrical atmosphere, which is a feeling similar to memories and nostalgia.

This melody under Qin Jianwei is full of all the beauty of the sunset, like an old man in his twilight recalling the precious past.

In the musical scene, it was like a thin and melancholy old man walking out. He was reserved and serious.

The old music fans in the audience seemed to see the giant they had always admired appeared.

It's not just about a player satisfying the listener's expectations.

On the contrary, this is a player who can trigger expectations and meet the listener's memory.

Only in the present and in music can the figure of the wild romantic artist master appear.

Qin Jian is now like a bridge expert, connecting two worlds in some way.

On one side is the most exquisite but unnatural illusory world on the piano stage, and on the other side is the ordinary world in human daily life.

He uses superb musical techniques to accurately connect the external expression of music with internal movement.

If you sit in the middle of the bridge and play, you will show the most private space of music.

The sweet arpeggio here is like a harp, full of dazzling feeling.

Rachmaninov's unknown inner whispers were told bit by bit by bit by bit by bit by bit.

Every note and every phrase are natural and beautiful.

The music is coming to an end, and Qin Jian's face is covered in sweat again.

Section 243.

The main theme appeared for the last time. After the melody of this theme rang again, every audience member in the audience felt an unusual feeling appearing in the hall.

The piano melody comes from a long distance from the firm march rhythm and the ensemble of the clear instruments.
Chapter completed!