"Yujia wants to play La San! How could she choose such a song!" Ling Yuan was surprised to refer to the name of the music played by Yujia.

Of course she knew how difficult it was to "Lao San". Even if she was herself, she would not be willing to touch this song because the "tiredness" of playing was really unimaginable. After she got older, she had not played this huge work in full for a long time. Even if she taught this work to students with piano lessons, she only focused on demonstrations and never played it in full. It was not because she couldn't play it, but mainly because she couldn't bear it physically.

What surprised Ling Yuan was not just this, but also one thing: La San is a piano concerto, which is not just a piano, but also requires the cooperation of a symphony orchestra. However, Ling Yuan knew about the preparations for this concert from beginning to end and had never contacted any symphony orchestra. So, how did Wang Yujia play? Could it be that she was playing the accompaniment recording.

As soon as this idea came out, Ling Yuan immediately denied it himself, because so far, no pianist has accompanied himself in recordings at his solo concerts, especially in forms like piano concerts. The reason for this is that many large piano concerts have some improvisational and colorful parts. These improvisational parts, such as "Arsenic (slower)" and other places, are very free to control time, and everything is mainly based on the pianist's understanding of music.

At this time, the orchestra needs to cooperate. It is hard to imagine that a pianist who uses a long-recorded symphony orchestra to play a piano concerto, probably as awkward as walking with his hands and feet tied up. Because of this, there is no formal symphony accompaniment version for well-known piano concertos such as "Chai Yi La San Yellow River". Some amateur piano enthusiasts are looking for accompaniment everywhere every day, but they don't know that there will be no orchestra that will record such accompaniment.

Ling Yuan’s doubt also existed in the hearts of many music fans and reporters present.

After a quiet discussion, people were waiting for the orchestra to play, but after waiting for a while, no one was on the stage. However, Wang Yujia, who was in front of the piano, seemed to be ready to play.

"What is she doing? She is not going to perform dryly with a piano, at least, she can also make a double piano to cooperate. Concerto Concerto, how can she play a concerto with a piano?" Li Yundi in the corner thought strangely.

"Is this a simplified version of La San or her own adaptation? There are many places in the song that requires piano and orchestra to cooperate. How to play a piano?" Xie Ming was very curious. Seeing that Wang Yujia was ready to start playing, he quickly checked the equipment in his hand, and then looked at the center of the stage with concentration, preparing to see how Wang Yujia played this song "La San" with a piano.

"This little girl is really bold enough. She is not worried that she can't play halfway?" Among all the people, Lu Wei was probably the only one who knew what Wang Yujia wanted to do. Looking at the snow-white towel placed on the piano, he waved his hand gently and called the staff beside him over.

"Mr. Lu, is there anything wrong?" The girl who looked not old last year came to Lu Wei and asked kindly with a sweet smile at him. She is a volunteer from the third year of the Central Conservatory of Music, named Tian Yuan, who also studied piano. She naturally recognized her, not only recognized her, but also loved her very much. She almost tried to play it in "Starlight", "Harvest" or those works of Lu Wei before, although most of them could not play it.

Because he knew that Lu Wei had a performance task later, Tian Yuan wanted to say a few words to him several times, but he was always afraid of disturbing him. At this moment, he felt so happy when he saw him calling him on his own initiative.

"When you play on the stage for about ten minutes, you will go on stage to help the pianist sweat. From now on, you will be able to wait every five minutes, and wait every three minutes after twenty minutes. Do you remember?" Lu Wei said softly.

"Oh, that's it, no problem." Tian Yuan listened and subconsciously looked at his watch.

Thank you!" Lu Wei said with a smile.

"You're welcome, this is what I should do. I like your performance very much. Can you sign me after the performance is over?" Tian Yuan said, with a look of expectation on his face.

"Haha, this is no problem." Lu Wei happily agreed to the volunteer's request. Although the girl was not very beautiful, her cheerful look made people feel very friendly when they saw it.

"That's great." Seeing Lu Wei agreeing to his request, Tian Yuan cheered happily, and wanted to talk to him for a few more words. A piano sounded on the stage, and Wang Yujia's performance had already begun.

Tian Guo stuck out his tongue cutely. Then he looked at the watch on his wrist and recorded the time when Wang Yujia's performance started. The idol assigned the task, but he must complete it carefully. The instructions are not too fast, the minor tune. The free sonata style Wang Yujia gently put the keys on the left hand. Naturally, he played a few pounds of small, steady and thick bass.

Due to the use of a weak sound pedal, these sounds seem a bit distant, not like the tone of a piano, but like a layer of sound pad.

But this music immediately caused a shock to many music fans.

"This, which version of La San is this?" Li Yundi thought in shock. Looking at Wang Yujia on the stage, he suddenly realized that he couldn't understand it.

The notes played by Wang Yujia in the online magazine are indeed in "La San", but they are not the piano part, but the prelude to the strings and bass tubes!

Ling Yuan also discovered this situation, and she was also surprised because she had never seen this small version before.

After looking at Lu Wei who was sitting on a chair not far from him, he was watching the performance intently. Ling Yuan tried to see something from his facial expression, but she was disappointed. Lu Wei's expression was very calm and there was no surprise at all, as if Wang Yujia's performance was taken for granted.

"La Three. The prelude to the first movement is very short and it soon reaches the piano part.

The following performance confirmed everyone's guess that they have always been unsure of.

The melody with a slightly sad voice sounds outside this main melody. The accompaniment that hovers in the low and middle parts is imitating the main part of the symphony orchestra.

She actually tried to use a piano to show a complete "La San"! Seeing this situation, everyone showed an incredible look.

"Is this too bold? Is there anyone playing like this?" Li Yundi felt that his mind was a little lacking. Even if he was bold, he would not come up with such an idea! "Elephant" was difficult to play, and he had to use a piano to take into account the orchestra's part while playing. Is this possible?

Wang Yujia's next performance answered his question.

In the slow-plate part of the previous few seconds, there is no complicated place for the piano and orchestra, so this performance looks very easy and not too difficult.

However, this is just a brief peace before the rainstorm comes. If this is the case throughout the work, this work would not be called "elephant".

The first part of the show is here!

This is a clever and fast, colorful phrase with Russian style. It needs to be completed by both hands "relaying" together. That is to say, according to the requirements of the score, the performer needs to use two hands to alternately move up and down to complete a phrase. The difficulty of this technique lies in the coordination of the strength of the two hands. It must be evenly done. This is easy to say, but it is difficult to do it. Because the "strength" of a person's ten fingers is different. When the five fingers of one hand are required to play a single melody very uniformly, the performer also needs to listen carefully with his ears and control it carefully. The two hands take turns. The difficulty here is definitely not as simple as one plus one equals two.

Wang Yujia's wrists slightly sink. This posture can ensure that she can use a shorter distance to complete the keys. From the side, her hands are like "hanging" on the keys. In a professional term, it means "eating the keys" very deeply.

The hands quickly interlaced like a butterfly, and the force was evenly transmitted between the fingers. There was no overlap or interruption of the two notes, which was even more surprising. Wang Yujia's left hand moved rapidly against the keys, and the speed could not even keep up with the eyes. The effect of such a performance was that in addition to the main melody of the piano alternating between the hands, the piano bass was added to the piano. This part was the accompaniment part of the orchestra!

"She really did it!" Looking at Wang Yujia's performance, whether it was Ling Yuan, Li Yundi, or some other audience members, who knew this song showed unconcealed surprise on their faces! This was the first time they saw someone playing "La San" like this!

Wang Yujia looked down at the piano key. At this moment, the eighty-eight pounds in her mind were in front of her.

There is no tolerance for anything other than the key.

The complexity of the part that needs to be processed in each bar of the orchestra's "La San" is more than any of the works she played before! This song was adapted by Lu Wei inspiration. She only played it less than ten times in the piano room of Ailing Entertainment, and each time she performed it made her so tired that she was extremely tired. This song squeezed out all her playing potential, which can be said to produce a pound of herself. It is a great challenge! When she moved this song to her own piano concert, Wang Yujia also had a pound of small thought: I am Lu Wei's student! I must not behave too badly!
Chapter completed!