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Chapter 302 Impressionism

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A green forest appeared on the screen. Then, the camera advanced silently, and the golden sunlight cast a series of mottled light and shadows in the gaps between the branches and leaves. The ground was green grass, and among the colorful unknown wild flowers, a few colorful butterflies were chasing and playing. A beautiful view of the forest in the early morning was presented to everyone. However, from beginning to end, no sound was made in the sound.

The video was played in less than 60 seconds, and the host Zhou Tao asked Tatling with a smile. Anton said, "Are you ready?" After seeing the other party nodding, Zhou Tao reached out and did a "please" posture.

"Okay, please start."

Tatling Andong sat in front of the piano and thought for a while.

The audience and judges looked at the contestant in front of the piano, unconsciously showing a curious expression. Although this part, in terms of tension, is not as good as the first performance part, it is obviously much higher in terms of fun. People are very curious about what kind of melody this contestant will use to express their understanding of this picture.

Putting his hands on the keys, Tatling Andong played two six-degree notes with a very gentle force. Then, the two notes alternated with the two notes below, gently alternating, creating a quiet and fresh atmosphere. Then, as the strength gradually grew, the two notes stopped and turned into a series of fast and lively downward clauses. Then, with both hands, several open major chords, from the beginning to the end, in less than twenty seconds.

He stood up with a smile, and Tatling Anton nodded to the host and said that he had finished playing.

"Is this over?" Lu Wei couldn't help laughing. Although it was an impromptu performance, Tatling Andong's performance was a bit too "random". It felt a bit like an impressionist feeling.

Several of the judges on the side also showed a smile on their faces, but no one laughed out loud.

"Okay, the performance of the No. 1 contestant Tatling Andong has all ended. Please give all the judges a score for his performance. Please ask the judge Mr. Lazar Bellman to comment on Tatling Andong's performance." Zhou Tao said, and signaled to a judge on the stage.

Lazar Bellman is a Russian pianist. Zhou Tao chose him to comment on Tatling Anton, whether it was intentional or intentional.

"Good. I'll comment on the performance of Tatling Andong."

Because Lazar Bellmann uses Russian, the two translators are synchronizing the real-time translation of English and Chinese.

"The song "Black Key" you played by Chopin is very good in terms of overall musical grasp and skills. As a suggestion, the melody is hidden after the 65th bar. I think you should highlight it a little more. Of course, this song is a very difficult song. Be careful not to play it wrong when playing it." Lazar Bellman said it very objectively and did not "show mercy" because he and the contestant were "members". His objective comments have also won the recognition of many judges and audiences.

"As for your improvisational part, I personally think it is more in line with the picture, very lively and poetic, and the only disadvantage is that it is a little shorter." Lazar Bellman said it very tactfully, but some viewers still laughed in a low voice after hearing this sentence.

After Lazal Bellman finished commenting, the judges did not immediately show their score. Then, Zhou Tao announced that the second player would appear.

And this second player to play was Sun Yingdi, who competed on the same stage with Lu Wei in the Beijing Trials!

He was still dressed in a gentle and gentle manner, and the glasses placed on his nose highlighted his scholarly temperament, with a humble smile on his face as always.

However, it was such a gentle and gentle contestant who looked like she was sitting down in front of the piano and suddenly raised her hands and played a brilliant melody with extremely exaggerated movements!

Chopin's work: Polish dance music No. 3----------------------------------------------------------------------------------------------------------------

Sun Yingdi in front of the piano changed her literary and weak temperament just now, as if she had changed her body, her upper body was straight, like an extremely arrogant general. Every bright and brilliant chord was accompanied by a chic movement of her body, which was pleasing to the eye. "Oh, this child's playing is really exciting."

"He was so charming in his devotion!"

In the hearts of every audience member, he couldn't help but exclaim for Sun Yingdi's performance.

This song full of spirit and high emotions uses a large number of double tones of the right hand and large positions of the left hand to cross the chords, full of majestic momentum. Sun Yingdi's left hand was quickly thrown in the bass and midrange areas of the piano, and the large positions were not broken at all in the fast connection, so freely, while the bright chords of the right hand still maintained a pleasant sound even under very strong strength, without making a slight dry sound, showing Sun Yingdi's superb control ability. From beginning to end, even the most picky judges did not hear even a wrong sound from this song.

The moment when Sun Yingdi stood up in front of the piano, the audience expressed their recognition of Sun Yingdi in their hearts with warm applause and cheers, and the judges also showed a look of satisfaction on their faces.

"It's really strong, and it's worthy of being the first player in the future Liszt piano competition." Lu Wei thought to himself. Compared to the Beijing selection competition, Sun Yingdi's performance today is obviously better. It seems that Lu Wei is not the only player in the competition. Sun Yingdi seems to be very excited on the field.

In the second impromptu display, Sun Yingdi got a video of a deep sea scene from beginning to end. This video is not difficult for Sun Yingdi. Using a large number of short arpeggios with the long sentences of the left hand, Sun Yingdi performed this quiet and beautiful underwater scene very well. However, Lu Wei heard several shadows of "Aquatic Dance" in his melody. Fortunately, Sun Yingdi was very smart, and added great changes in both the mode and the rhythm, but there were some similarities in the general structure. However, for such a performance, the judges naturally couldn't say it was similar.

The performance in both competitions was excellent. Amid the audience's applause, Sun Yingdi walked off the stage, and at the same time, Zhou Tao also announced the score of Titling Andong: 95.7 points.

Relatively speaking, this is not a very high factor, which also made the audience respond very enthusiastically after Zhou Tao reported this score, and the applause seemed a little sparse. Lu Wei turned his head and looked at Tatling and Anton not far away. It was obvious that he also had a look of frustration on his face, obviously not satisfied with his achievements.

Lu Wei knew that although he played two wrong sounds, it is undeniable that the appearance of Tatling Anton as the first place also had a great impact on his grade. Because this has become a habit of the judges: no matter how outstanding the contestants are, the judges are often very cautious in giving scores to those who appear in the first place. After all, if they play higher, if there are even better ones in the future, it will be difficult to score. But it is precisely because of this habit that the contestants in the top are at a disadvantage.

The Italian pianist Pompano Antonio, who played the sixth song of Liszt's "Paganini Etude", was also very skillful. In fact, you can see from the information that those who can be called pianists must be very rich in terms of technical level and performance experience. Compared with some contestants who are still in school or even participate in world-class piano competitions for the first time, they undoubtedly have a great advantage. But there is no way to do so, after all, this is international

Of course, the applicants for piano competitions are not limited to students in the Conservatory of Music. In fact, those who are still in school and who come to participate in the competitions can be said to be too small among the dozens of contestants. After all, compared with those pianists with skillful skills and rich performance experience, their disadvantages are too great. If they are not particularly outstanding, there will be no chance for them to play in such competitions. Being able to stand here requires considerable strength!

Belarusian pianist Brinov Yuri appeared fourth, playing the work "Moonlight" by the famous Impressionist master Debussy (no wonder, this moonlight is not Beethoven's "Moonlight" sonata. In the piano piece, there are more than two works with the title "Moonlight"). However, Lu Wei, who was not very interested in Debussy's works, was drowsy. The audience who had already admired the four-person competition was obviously a little tired, and many people also showed a hint of tiredness on their faces.
Chapter completed!
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