...

Mo Hua muttered in his heart for a long time, and finally, Lu Chengyun shook his wrist and wrote quickly, leaving several patterns under his pen.

These array patterns and ink paintings look unfamiliar.

He matched these array patterns with the Lingshu array and found that the two were just in line, which was enough to make up for the missing "back door" in the formation.

The Mo Hua looked confused on the surface, but her heart was like a mirror. With a moving thought, she recorded these patterns in her heart.

As soon as Lu Chengyun finished writing, he subconsciously realized something was wrong. He turned his head and saw that Mo Hua looked exactly like that, so he felt relieved...

The incomplete array patterns have also been obtained.

After returning, Mo Hua used these array patterns to make up for the gaps in the Lingshu array and blocked Lu Chengyun's back door.

After spending a few more days to comprehend and debug, Mo Hua finally mastered the Lingshu Formation.

At the same time, his understanding of the Lingshu Formation became even deeper.

The formation of the Lingshu array is to clarify the spiritual power structure, and to use the formation center to provide meticulous control of the spiritual power.

The key to this kind of control is the spiritual silk.

Split and refined the spiritual power into a smaller hairspring, and use the hairspring to achieve more detailed control.

At the same time, similar spiritual pivot arrays will echo each other.

Just like in Sinan's mother formation, the mother formation echoes the son formation, and the spiritual power fluctuations sensed by the son formation will be reflected in the mother formation.

Similar spiritual pivot arrays will echo and connect with each other.

This connection is the control of spiritual power.

The total array controls the secondary array, and the secondary array controls the base array, so that a small amount of spiritual consciousness can be used to control a large number of zombies or puppets.

This type of formation function is something that Mo Hua never discovered in the Five Elements Formation.

"The ultimate formation really involves the essence of spiritual power, seizing the creation of heaven and earth..."

The ink painting was a little shocked and said silently in his heart.

After learning it, he tried the complete spiritual pivot formation on the little tiger.

Mo Hua has a bunch of small tiger puppets on her body.

These are all done by Mr. Pu, who has been asked for ink paintings and is preparing to test the Lingshu array.

He picked out one of them, the one that was slightly larger, called it "Big Tiger", and then drew the Lingshu General Array on the Big Tiger.

Later, the Lingshu array was drawn on the other six or seven little tigers.

Mo Hua uses spiritual consciousness to control the Lingshu general array, and uses the formation to control the big tiger.

Then, using the Lingshu General Array as the basis, it radiates to the secondary array of other little tigers, and controls the small tiger through the secondary array.

All levels of spiritual pivot formations are displayed in the sea of ​​consciousness of the ink painting.

The spiritual consciousness of the ink painting moves slightly.

The big tiger ran up silly on the table.

At the same time, the formation on its body turned its spiritual power into a gosspring, touched other secondary formations, and also led other little tigers to run together.

Seven or eight tiger puppets appeared alive, chasing each other on the table, and there was joy...

However, the spiritual sense consumed by controlling these puppets is not much.

This is just a control of the small puppet. If you control zombies and control them step by step, you may really be able to control thousands of zombies with your own spiritual sense.

One man formed an army.

This is quite terrible.

Mo Hua tutted her tongue.

Mo Hua thought about it and then sank his spiritual consciousness into the sea of ​​consciousness.

He wanted to see if there was any change in the spiritual power manifested by the divine thoughts.

In the sea of ​​consciousness, ink paintings appear, and then close your eyes and think, revealing spiritual power.

After a while, he found that the spiritual power he had manifested became more and more subtle, and finally became "spiritual silk", like light blue silk tights, or like sticky lotus silk threads.

Spiritual power transforms into silk!

Like the refined spiritual power gosspring in the Lingshu array.

"This is what the master said. The deeper the understanding, the more true the manifestation."

As soon as the spiritual consciousness of ink painting moves, it is almost effortless. These spiritual silks flow lightly according to the intention of ink painting.

With ink painting and fingers, the fireball technique condensed into the fingertips in an instant.

This time, the fireball technique also brought some silk transformations to the fire.

It's like a large ball of fiery red cotton wool entangled together.

But this "cotton wool" is accumulated, wrapped, and compressed by the accumulation, entanglement and compression of the flame spirit silk.

The spiritual power is surging and orderly.

The ink painting was a little stunned.

The fireball technique in my reality and the fireball technique that manifests the sea of ​​consciousness seem to be completely different.

The fireball technique in reality is dark red, with spiritual power compressed, and has great power, and there are already signs of light coagulation.

The fireball technique in the sea of ​​consciousness is still bright red, but the spiritual power differentiates the gossip spring, which is more detailed, and seems to have a stronger power of differentiation.

For a moment, I didn’t know if this was good or bad.

Which one is more powerful?

It is to make the fireball technique of reality converge to the fireball technique that manifests itself in the sea of ​​consciousness.

Or should we manifest the more realistic fireball technique in reality in the sea of ​​consciousness?

The ink painting is a bit inaccurate.

"When you go out, ask Mr. Puppet..."

In addition to fireball techniques, the pace of ink painting is also more exquisite.

The Shuibu relies on spiritual consciousness to control spiritual power.

The stronger the control of the spiritual consciousness, the deeper the pace.

The water pricking technique in the sea of ​​consciousness is used faster and more restrained.

It used to be a spiritual power-turning lock, but now it is a spiritual power-turning silk, and then it is a lock, which is enough to entangle the enemy to death.

The most important thing is the formation.

Try ink painting.

With the movement of the divine thoughts, the speed of drawing the ground into a formation was twice as fast.

In a few breaths, Mo Hua stood still, and relying solely on his spiritual sense, he could manifest a one-grade nine-patterned formation.

Mo Hua thought of a set of combos for himself:

You can first use the water prick technique to fix the enemy. After a few breaths, you can then manifest the control arrays such as the Golden Lock Array, the Water Cover Array, the Wood Prison Array, and the Quicksand Array to lock the enemy.

After locking, the enemy is the target of living.

You can use fireball to kill.

It can manifest the earth fire array bombing.

It can also form a smelting array to refine.

This set of combos is strictly controlled, and the attack form can also be adapted to the "enemy" and there are many changes.

As long as it is a divine mind body in the foundation-building stage, its spiritual consciousness does not exceed twelve lines, and if it is eaten with one set of moves, even if it is not invisible and spiritual, it is probably dying.

Mo Hua nodded, very satisfied.

Use the sea of ​​consciousness as a prison, and use the divine thought as a weapon of killing.

Can be trapped or killed.

The self in the sea of ​​consciousness is much better than in reality.

Mo Hua snorted: "I see if anyone dares to trek into my sea of ​​consciousness again, I'll kill one!"

But now the surroundings of the sea of ​​consciousness are empty, with no evil spirits.

Ink paintings have a bit of a "hero is useless".

The ink painting had a little itchy hands, his eyes turned, and he thought to himself:

"I have to find something to try..."

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Chapter completed!