Mr. Xun stared at Mo Hua's clear eyes with his old and deep eyes and asked slowly, "Who taught you?"

"this--"

Mo Hua was silent, and after a moment, he sighed.

Now that the matter is, he can't hide it anymore.

Now he has used this trick under the attention of the sword contest.

Others may not be able to see the foundation of the magical sword, but Mr. Xun is the one who is there? Once this move is revealed, he will definitely see clearly.

Although Dugu’s ancestor specifically instructed him to let no one talk about it, he would definitely not be able to say anything about the situation in front of him.

"Yes-" Mo Hua whispered, "Old Ancestor Dugu - taught me -"

Mr. Xun's eyelids twitched, and he thought to himself, and then frowned and said, "How did he teach you when he was locked in the forbidden area of ​​Jian's house?"

Mo Hua said: "Every seven days, Dugu Ancestor will break through the void, pull me to the forbidden area, and personally teach my sword technique."

Mr. Xun suddenly realized it, and then was shocked.

His senior brother is so talented that he is completely blind and has always passed on swords. He always kowtows and begs him, but he likes to ignore him.

Never before, he took the initiative to pull people in front of him and personally taught the sword.

Unexpectedly, he was stubborn all his life, and half of his body was buried, but instead broke his own rules, "Come and take delivery."

Teach others to learn swords.

But Mr. Xun then frowned and puzzled.

The Jian family's forbidden area and the disciples living in the outer mountain are so far away and there is no intersection. How did his senior brother discover the child Mo Hua?

He even used the few remaining cultivation levels to break through the void, pull the ink painting in front of him, and pass on the sword technique in person?

Are there other causes and effects here?

The most important thing is that the child Mo Hua has no foundation in kendo.

He probably had never touched the sword before entering Taixu Sect.

In this way, can the senior brother teach him?

The more Mr. Xun thought about it, the more strange he felt, so he asked Mo Hua: "How did you learn this god - this sword technique?"

Ink painting is a bit hard to describe.

The process here is too complicated.

From the premonition of cause and effect before choosing a sect, to the clues I learned from Huangshanjun, to the blood-colored fishing village that I got the cause and effect,

Then we went to Dugu Ancestor to preach the teachings.

On this basis, we deduce step by step, think step by step, and then follow the objective conditions of our own weak sword path and strong Shinto,

Modify the methods of practice, overcome difficulties during this period, and with the accumulated understanding and practice, as well as the "hodgepodge" of various sword formations, sword flow and love-cutting paths.

This is what I finally learned.

To sum up, indeed—it’s hard to describe, but Mo Hua can only say: “Learn hard, learn as you learn…”

Mr. Xun looked speechless.

The true secret of Taixu’s Divine Thought Transformation of Swords, is this something you can learn by working hard?

What kind of "force" are you working on?

Is it the power of doing whatever you want?

However, seeing Mo Hua's complex expression and looking embarrassed, Mr. Xun probably guessed that this matter must have involved many inconvenient things.

What's more, if the senior brother teaches him this sword technique, he must have told him that he must not disclose it to anyone.

It is natural that Mo Hua obeys the orders of his senior brother.

As for the sword contest, the stunning sword was revealed at the sword contest conference, which was also for the Taixu Sect, the cultivation of the land for the Taixu Sect, the inner and outer disciples, to strive for the ranking of the sword contest and seek the most fundamental interests of the sect.

This is even more impossible to blame him.

Not only can you not blame it, but you should also be highly praised.

When Mr. Xun thought of this, he felt relieved. He turned a blind eye to certain things and said solemnly, "This sword technique hurts others and yourself. Don't use it easily until the moment of life and death."

"Especially, now you have a serious crime of killing and your life is in danger of death. You should not use your divine thoughts to kill, so that your sea of ​​consciousness will be overdrawn, otherwise you will be attracted!

If the evil spirit is moved, the Tao heart will be eroded and it will easily cause disasters."

Mr. Xun looked serious.

Mo Hua's face turned slightly pale, and obviously realized the seriousness of the problem, so he nodded seriously.

Then he thought of something and asked Mr. Xun:

"Old sir, where is Dugu's ancestor? He is fine, I haven't seen him for a long time, and he hasn't asked me to learn swords."

Ink painting is a little worried.

Mr. Xun was relieved and sighed deeply:

"Senior brother, he is a candle in the wind, and he is still suffering from disasters.

Mr. Xun wanted to speak but stopped, but finally he looked sad and said to Mo Hua, "Don't worry about this matter, either."

"Oh—" Mo Hua nodded, but she was still worried about Dugu's ancestor and looked worried.

Mr. Xun looked at the ink painting with gentle eyes, "You should rest, remember that during this period, your spiritual consciousness should not be wasted, overdrawn, and you should not have any thoughts of killing."

"Okay." Mo Hua agreed.

After Mr. Xun said that, he turned around and left.

He is old and has a slow pace, but not slow speed.

Seeing Mr. Xun's figure was about to disappear at the door, Mo Hua's heart thumped. Suddenly, he remembered that he had another serious matter and said:

"Old sir!"

Mr. Xun turned around and looked at Mo Hua, "Is there anything else?"

Mo Hua nodded and told Mr. Xun about the ancient Chinese literature of Dahuang.

Mr. Xun was a little surprised, "Dahuang Ancient Text? What are you learning this?"

Mr. Xun does not take any loopholes for ink painting.

Ink painting, who had originally planned to "stroll around", gave up.

He felt a little sorry.

Of course, learning ancient Chinese literature in the Great Wilderness is the most important thing. If you have a chance sooner or later in the future, don’t rush for a while.

The Sutra Pavilion in Neishan is the Taoist Scripture Library of the Inner Gate.

This is the true core inheritance of the Taixu Sect.

Compared with the outer mountain, the entire Sutra Pavilion is not only larger in scale, but also has a longer history, but also has an extremely rich heritage.

And the grade is mostly third grade or above.

There are countless collections of books, ancient scrolls, jade slips, and catalogs, stacked into walls, and the four walls are magnificent, and you can't see the bottom at first sight.

Mo Hua was amazed in her heart, and she could have personally experienced the true "cultural foundation" of Taixu Sect

But he is not qualified to see these.

He can only read the literature related to the ancient Chinese literature of Dahuang.

Ink paintings, remember Mr. Xun’s attachments, and only find documentary records related to the ancient Chinese texts in Dahuang in these vast collections.

After finding it, Mo Hua wrote it down one by one, then went to the elder of the Sutra Pavilion in the inner gate to register and borrow it.

Ancient Chinese Wilderness, trusting Qu Aoya, obscure abstract.

The Taixu Sect has a long history and has the remains of ancient sects. There are indeed many records of ancient Chinese literature on Dahuang and some deciphered documents in Neishan.

However, these documents are quite complicated.

Moreover, the notes about ancient Chinese are from the hands of different predecessors. Each person has different understandings and different interpretations.

Ink paintings can only be patient, record one by one, compare carefully, and then combine their own understanding to slowly learn and understand this process. It is quite long and laborious.

Fortunately, the ink painting is a formation master. What he learns, reads, and practices on weekdays are formation patterns that are more complex and obscure than these words.

Therefore, studying this type of ancient Chinese is actually quite interesting for ink painting.

In this way, Mo Hua calmed down, learned slowly, and realized slowly. After about half a month, he finally got a glimpse of the path and stumblingly deciphered the first line of ancient Chinese texts on the bone simplification.

When Mo Hua only looked at it, his pupils suddenly shrank.

At this moment, he finally knew what kind of ancient formation he had been looking for for a long time.

The Evil God Bone Shop, a very fierce formation is recorded on the ancient Chinese text of the Great Wilderness:

"The second grade twenty-four patterns, the wild ancient formation--"
Chapter completed!