Yang Jing didn't worry about what happened next in the archaeological team. In order to hand over these two sets of treasures to the country, he had already had too much effort. Now that the matter was completed, the subsequent things had little to do with him.

After leaving the water, Yang Jing greeted Mr. Wang and started climbing the mountain with the wooden box wrapped in plastic bags.

Since the tomb of Wu Zetian below cannot be preserved, we have to find another place for Yuechengzi to settle down. In fact, the original Yuecheng Temple was the best, but the Taoist temple was about 100 meters below the water surface. So after thinking about it, Yang Jing decided to bury the remains of Yuechengzi on the hillside of this mountain.

In Chinese Feng Shui, people cannot be buried on the top of the mountain after death, because burying the grave on the top of the mountain is a taboo in burying their descendants and their descendants lose their family and money. Although Yuechengzi probably has no descendants, Yang Jing would not be so stupid as to bury his remains on the top of the mountain.

After burying Yuechengzi and returning to the water, Princess, accompanied by Morris and the others, was driving a speedboat waiting for Yang Jing.

"How is the matter going? I saw that Mr. Wang's expression was a little heavy." As soon as Yang Jing got on the speedboat, the princess asked.

"It's better. I'm just a leader. I discovered this here, and only I can take them in. As for how the above decisions are made in the future, it's the above matter, so I won't care. I'll call the master later. If nothing happens, let's go home."

The speedboat quickly broke through the water surface and galloped on the water surface of Xiaolangdi Reservoir. It felt so comfortable to gallop on the water surface in this summer.

Yang Jing called the master Liu Lao, told the situation here roughly, and asked the master if he could go back.

The master asked Yang Jing to wait. After more than half an hour, the master called over and told Yang Jing that he would come back if he wanted to come back. He had nothing to do with him.

This is good news. Although it is beautifully surrounded by mountains and rivers, no one wants to stay outside all day in such weather, which is simply a life-threatening thing. Where can I stay here in the air-conditioned house at home? Not to mention, Old Mike's treasures are about to enter the country, and Yang Jing still has to go back to serve those treasures. How can he waste time here?

After staying in Gucheng Town for a night, Yang Jing and his group drove back to Tianqu early the next morning.

On the way, Wang Jiazan kept calling. It turned out that the treasures that were airlifted from the United States had arrived in Tianqu. Wang Jiazan, who volunteered to take full responsibility for this matter, was a little stunned after seeing so many precious antique artworks. As a last resort, he kept urging Yang Jing to come back quickly.

Fortunately, the museum's underground vault is large enough and the space is fully utilized, so even if there are many antique artworks transported from the United States, they can still be put down.

Yang Jing called the master and the others on the way and asked the Palace Museum to provide support.

Now, including the old objects collected by Lao Na and Pitt Wu, plus these antique artworks transported from the United States through "cultural exchange" methods, the two underground vaults of the Grand Canal Museum are now full of tens of thousands of items.

The most important thing is that most of these antique artworks and old objects are fine products. There are so many good things, and it is absolutely impossible to rely on Wang Jiazan.

When Mr. Liu and his friends heard that Yang Jing had brought many good things from abroad, and they had not seen all the treasures Yang Jing collected in Yanjing before, so after hearing the disciple's request, they immediately reported to Dean Shan. After seeking the consent of Dean Shan, the four people took more than ten experts and dozens of staff from the hospital to Tianqu on the high-speed rail to help the disciples dress up these treasures.

Mr. Yang, who lives in Tianqu, also started a relationship and invited a lot of personnel from the Tianqu Museum and the Provincial Museum to help pick up these treasures together.

With the addition of these experts, it will be much easier to organize these treasures. For these experts and masters, it is extremely rare to be able to pass these fine antique artworks by themselves. Not to mention that most of these treasures are something they have never heard of before.

Therefore, although sorting these treasures is a very hard job, it is like drinking Gan Yi for these people. They are eager to do such a job every day.

Yang Jing's grandfather, Mr. Yang and his old friends who rushed over after hearing the news, saw so many priceless fine products concentrated in the Tianqu Museum. These older generation masters also sighed in secretly about the work and courage of Yang Jing, a young man.

These masters are all knowledgeable, but they can't imagine that besides the Palace Museum, there is another private museum in China that can compare with the Grand Canal Museum. Even the collections of most provincial museums are far inferior to this private museum that is not famous now.

Similarly, if you want to talk about treasures, even if the collections of the Grand Canal Museum are not as good as those of the Palace Museum, they are definitely not much worse.

Don’t be dissatisfied with this! There is no Chaiyao whole artifact for the Forbidden City? There is no original work of the Forbidden City in "Preface to the Lanting Collection"? There is no original work of the Forbidden City in "Yongle Encyclopedia"? There is no original work of the Forbidden City in "Along the River During the Qingming Festival"...

Not to mention the treasures Yang Jing bought from overseas, many of them are not even famous museums such as the Metropolitan Museum in the United States and the Louvre.

But in terms of the quantity and quality of top-level museums, the Grand Canal Museum is no less than the top international museums. The Grand Canal Museum lacks only the quantity.

The number of collections of tens of thousands of pieces sounds quite large, but compared with the Forbidden City, the Metropolitan Museum, and the Louvre, which often has millions of pieces, the number of collections in the Grand Canal Museum is really small.

However, there are really many top-notch museums in the Grand Canal Museum, just like the three treasures of the Louvre are "Broken Arm Venus", "Story of Victory" and "The Smile of Mona Lisa", but Yang Jing also has three bronze sculptures and Da Vinci's "Lida and the Swan"! It is not worse than the Three Treasures of the Louvre.

The four treasures of the Metropolitan Museum in New York are Degas' "Dance Classroom", Ducio's "The Virgin and the Child", Reutz's "Washington Crossing the Delaware River" and the Temple of Danduer. However, Yang Jing also has "Portrait of the Sculptor" by Leonardo, Raphael's "The Smile of the Virgin" and "The Virgin Under the Tree" and many other famous painters.

Everyone knows that whether it is Degas, Ducio, or Reutz, how can it be compared with painters of the level of Leonardo da Vinci, Raphael, Angel, Monet, and Cézanne?

Yes, there is indeed no large collection like the Temple of Danduer in Yang Jing's collection, but Yang Jing has one golden scepter and a golden mask of the ninth pharaoh Amenhotep III of the 18th dynasty of ancient Egypt, as well as one golden scepter and a golden mask of the tenth pharaoh Amenhotep IV of the 18th dynasty of ancient Egypt! In addition, there is also the scepter held by Her Majesty Eminent when Her Majesty Episode to the throne and a pair of imperial golden armors of King Philip V of Spain!

The combined value of these things is absolutely no worse than that of the Temple of Danduer, and even far more than that of the Temple of Danduer!

Not to mention that Yang Jing still has sixteen Easter eggs, and the manuscripts written by famous writers such as Shakespeare, Tolstoy, Hugo, etc....

These things can cause a sensation when put in the Western world. Compared with these treasures, Picasso and Van Gogh's works can only be regarded as ordinary collections!

If the country really promised to bring the Nine Cauldrons of Dayu, the Twelve Qin Jin people imitated by Wu Zetian, and the four fossils of the skull of the North/Beijing/human skulls to the Grand Canal Museum for exhibition, then Yang Jing would not even think of any top museum in the world that dared to challenge his Grand Canal Museum!
Chapter completed!