Chapter 1119 Hell Paintings (1)
The name Joseph Gottlieb Hess is very ordinary in Germany. Almost half of the Germans have more or less these three names in their names. It is precisely because of their ordinaryness that even if someone hears this name, he will quickly ignore it.
However, for those who are very familiar with World War II, especially those bounty hunters who make a living by pursuing World War II war criminals, the name Joseph Gottlieb Hess is absolutely special, so special that it is unforgettable even for the past decade.
The name Joseph Gottlieb Hess is not recorded in the United Nations list of World War II war criminals, but the name is recorded in the wanted order of the Jewish revenge organization, and is also the top ten German Nazis who were most hated by Jews.
The reason for such a big difference is mainly because all the crimes committed by Joseph Gottlieb Hess are legends, and there is no substantial evidence that this person has committed any unforgivable guilt. On the contrary, there is a lot of evidence about this person's good deeds. From these evidences, it can be seen that although this person is a member of the Nazi Party, he often opposes some of the brutal actions of the Nazi Party, and is even imprisoned in prison for this, and almost dies. In dealing with the matter of captives of the Allied Army, he also showed extraordinary justice, allowing a large number of captives to save their lives and not die outside the battlefield.
It is no exaggeration to say that if Joseph Gottlieb Hess had not disappeared after the war, perhaps the Allies would have awarded him a medal of justice in recognition of some of his righteous actions during World War II.
Therefore, when the Jews only used some legends without evidence as a basis to demand that the United Nations include Joseph Gottlieb Hess as a wanted order for World War II war criminals, European and American countries opposed this request. Even if the United Nations opposed it, the Jews still did not stop and included Joseph Gottlieb Hess among the Nazi demons they must hunt for.
The reason why the Jews hated Joseph Gottlieb Hess so much was mainly because the few Jews who escaped from Joseph said what they knew, and what they said was related to a horrible legend that had spread in Jewish concentration camps. Unfortunately, these survivors died of physical failure without having time to leave any written and pronunciation evidence.
In this legend, the secret police of the Nazis would find the tribesmen from the Jews who possessed the bloodlines of the ancient kings and prophets of Israel, and then feed them like livestock until their bodies are suitable enough, peel off their human skins alive, make them into canvases in a special way, and draw the scene of hell on them, so that when necessary, the most brutal devils in hell can be summoned to help the Nazis eliminate their enemies.
This legend sounds so ridiculous that at the meeting that decided on the list of war criminals, most of the participants stood up and left before the Jews finished speaking. As for the rest, they did not continue to listen to the Jewish representatives saying that Joseph Gottlieb Hess was the executor and leader of this absurd plan.
For the representatives of the Allied Forces, not to mention the good deeds and righteous deeds of Joseph Gottlieb Hess in allied prisoners of war and other things, Joseph alone could not have become the executor and leader of this major plan that was regarded as a last resort by the Nazis, of course, the premise is that the plan is true.
Joseph Gottlieb Hess was not a high status in the Nazi Party. At best, he was just a favorite of Hitler. On the surface, he was the chief painter of the official leader portrait, and on the private side, he was Hitler's painting teacher.
Hitler has always had an extraordinary enthusiasm for painting. Later, he hired more than one painting teacher, but those people were either fired or disappeared for various reasons. Only Joseph Gottlieb Hess was his personal painter. It is said that when Hitler committed suicide, in addition to Eva and several confidants, Joseph was also present, and he drew the last portrait of Hitler and others. However, this rumor is a bit unreliable, because the Allies have not found the so-called last portrait.
When the Allied people came, the Jews' description of Joseph Gottlieb Hess was really inconsistent. If the hell they said and what was released by the devil was the last method of the Nazis, then Hitler would definitely hand over this matter to the people he trusted and capable of. There were many such people in the Nazi Party. And Joseph Gottlieb Hess was just a painter, and he was a painter who was once imprisoned for speaking for Allied prisoners of war. If his paintings were not for Hitler's appetite, he would probably have been unable to come out of prison alive. Therefore, such a task that concerns the survival of the Nazis could not be handed over to Joseph Gottlieb Hess for execution.
After the Allies ignored the request of the Jewish organization, the Jews' revenge organization, which they saw as sufficient, did not give up and offered a very high reward for this. Bounty hunters from Europe and the United States were attracted by the bounty and pursued Joseph Gottlieb Hess. But until now, there is no conclusion on whether Joseph Gottlieb Hess' life or death, and whether those paintings using human skins as canvas exist is also a secret. Later, because there was no clue to prove what the Jews said for a long time, the bounty hunters also lost their way to it, and the reward order became a piece of paper. Only the Jewish revenge organization was still tirelessly looking for the whereabouts of Joseph Gottlieb Hess.
Before becoming an art thief, Campbell was a bounty hunter for a while. Because of the damage he suffered during World War II, he hated the Nazis in particular, so the targets he pursued were mainly Nazis. Compared with the United Nations, led by the United States, the rewards paid by the United Nations to pursue the Nazis, the Jews were obviously much richer. People who dared to do so at will usually carry a wanted order written by the Jews with him, and he was naturally no exception.
It is precisely because of this experience that Campbell recognized the origin of the painting after seeing the true face of this painting. Although no one has ever seen this almost legendary painting of hell, there is no information about these paintings, because the Jews have been supplementing relevant information over the years.
According to the Jewish explanation, the method of making this hell painting originated from King Solomon's Seventy-Two Demon Pillars. However, the method passed down for various reasons was very broken and was scattered into the hands of several descendants of Jewish prophets. However, with the Nazis hunting the Jews, one of the methods was put into the hands of the Nazis. The Nazi created the hell painting through this incomplete manuscript. The Jews later used other incomplete manuscripts plus various unproven rumors and evidence-free information to infer the general situation of the hell painting.
According to the Jewish speculation, the paintings of hell should be a set of twelve paintings. In addition to the scene of hell, each painting should also be painted with an ancient demon and seventy-two demons, just like the paintings Campbell has seen now. The bounty hunter also gave them the name of Hell Soul-Suppressing Song because of the Jewish description of this painting.
At this moment, Campbell was shocked and felt inexplicably disgusted, because he thought of the fact that he had touched and pinched more than once in order to study what kind of cortex this canvas was. Now that he thought that it might be human skin, he couldn't help but get goose bumps on his body and the hairs became treed. The originally stuffy basement also had a gloomy feeling inexplicably. Even with the strong cold lights, he still felt that the surroundings seemed particularly dim.
"It's not a prank, right?" Although he had a positive answer in his heart, Campbell still couldn't help but feel a little suspicious. After all, this fact was too incredible. Countless Jews who were proficient in hunting had painted something that had not been found for decades, but by chance he stole it.
Just as this slight doubt arose, Campbell immediately thought of the situation at the Bronte Museum. It was obvious that Bronte knew very well about these twelve paintings. After all, the oil paintings covered on them were from his hands, but he was willing to hide them and was unwilling to hand them over to the Jews to receive a large bounty that was almost astronomical. The only thing that could be explained was that he could not or dared to hand over these paintings because he would be implicated.
At this time, Campbell remembered information about Bronte. Although Bronte was quite famous in Florence as a rich man, he went deep into the middle and few people saw him. Some people had investigated his source of funds, but in the end there was no result. It was only until several huge amounts of funds were transferred from Swiss banks to his account in Italy, and he himself claimed that these funds were from a certain business extreme and Jewish foundation. In the past, Campbell would not have doubts about these funds, but now he couldn't help but think of the nameless accounts in Swiss banks that originally belonged to Jews and later belonged to the Nazis.
In addition, the time when Bronte appeared is also suspicious. He seemed to have suddenly appeared in Spain after World War II, and Spain was one of the Nazi base camps during World War II. Later, he traded between Spain, France and Italy, but finally gave up everything in Spain and suddenly moved to Florence to settle down. The time for Florence happened to be the most active years when European and American countries pursued Nazi war criminals. This situation is difficult to explain by coincidence.
"Go back and take a look!" At this moment, a thought suddenly appeared in Bronte's mind. He thought that Bronte must have known that the painting had been lost. If he had a ghost in his heart, he would definitely not call the police, but would run away immediately. So now, go back to the Bronte Museum to check the situation and confirm whether his guess is correct.
(To be continued.)
Chapter completed!