After Tutanmushi left, Xu Changqing did not come out of the shadow. He was waiting for the nobles of Liumin Naga to come here to take away the eggs that were about to be hatched.---

Through the fusion of the mind and spirit of this big tree just now, he got some blurry image segments. One of them was that whenever the eggs here entered the final hatching period, a six-eyed Naga noble would come here to take the eggs away. He just saw that several six-eyed Naga eggs had already entered the hatching period. I believe that in a short time, a six-eyed Naga noble would come to take the eggs away and send them to the official hatching room of the six-eyed Naga incubation room for hatching. Since the passage of this temple is as complicated as a maze, he didn't mind finding another guide.

When he was in the shadow, Xu Changqing was not idle either, but tried to search for the location of the earth god god through the breath of the earth god remaining on the big tree of the divine body. However, it was obvious that the earth god god had already considered this issue when he took out his divine body as bait, so it was difficult for Xu Changqing to find the location of the earth god god with the remaining aura of the big tree of the divine body alone.

Then, Xu Changqing added the magic mark he left on the earth god. This time he sensed the earth god. It was just that because of the interference of the spiritual veins and spiritual energy under the rainforest, his position could not be completely determined, and he only knew that he was not in the Vedic temple.

After confirming that he could capture the whereabouts of the earthly gods, Xu Changqing dissipated his divine thoughts and stopped exploring their locations, so as not to be noticed by the earthly gods. At this time, he felt a unique divine power breath of six-eyed Nagas coming from behind the stone wall and approaching quickly. At the same time, some very subtle sounds of snake crawling from the entrance of the secret room came from.

Not long after, a six-eyed Naga nobleman, who was much smaller than the normal six-eyed Naga, appeared at the entrance of the secret room. He wore some divine ornaments on this nobleman, which looked like a specific priestly decoration.

After reaching the entrance, the nobles of Liumin Naga did not come in immediately, but took out a sacrificial incense burner with extremely exquisite workmanship, then took out some wood debris that could not be seen, put them in the incense burner, cast spells to ignite it, closed the lid, and let the faint smoke escape from several snake heads on the incense burner cover. After the smoke came out, it took two animal skin strips connected to the incense burner, swung the incense burner, and recited unknown scriptures with the special voice of Liumin Naga.

As the sound of scriptures echoed in the secret room, the smoke from the incense burner also scattered into the air, and soon occupied the entire secret room space. This smoke seemed to contain special power. The tentacles of the flower letters that were originally wandering in the air quickly retracted into the flowers when they came into contact with the smoke, and the flowers gathered together into flower buds as if they had withered, and all the hanging branches shrank slightly upwards, revealing the six-eyed Naga eggs that were previously included.

The nobles of the Six-Ming Naga did not go in immediately. They still used smoke and special scriptures to influence the big tree until all the leaves became a little gray and curled up, and stopped their movements, extinguished the fire in the incense burner, took out the remaining wood debris again, wrapped it carefully, and then walked into the secret room and carefully checked the condition of each Six-Ming Naga egg.

Although there are a large number of six-eyed Naga eggs, it is obvious that this six-eyed Naga nobleman has examined such eggs. He quickly picked out the eggs that have entered the hatching period from it. Every time he took out an egg, it would take out another egg with obvious characteristics of the slave tribe and put it in its original position. Just as it was concentrating on doing things, it did not notice a shadow merged into the shadow under its tail that was almost faint enough to be seen.

After putting away all the eggs that entered the incubation period, the six-eyed Naga nobles left the secret room and moved further down the passage toward the deeper part of the temple center. After a period of time, the big tree in the secret room behind it quickly returned to normal. The hanging branches wrapped the eggs below again, and the flowers bloomed again, stretched out the wandering flower letter tentacles, and guided the power to the six-eyed Naga eggs as usual.

After the Six-Mind Naga nobles left the secret room, they circled around the labyrinth-like passage, with agile body, and did not feel the bulky feeling of those big Six-Mind Nagas walking.

Xu Changqing, who was hiding in his shadow, moved together easily under his guidance, and was also distracted to record every path the Six-Mind Naga nobles walked, and painted it into a drawing in his mind. According to the drawings he drew, he was almost about to reach the center of the temple, and the entire direction was still going down. He should have walked through the first floor outside the temple and entered the underground part.

After passing a vent-type passage, the Liumin Naga nobles entered a very magnificent tunnel. This tunnel should be the real main passage of the temple. The road has eight carriages to walk side by side, and there are wide sidewalks on both sides. The layout is atmospheric and reasonable. However, from the overall design of this road, it is obvious that this road does not lead to the upper level of the temple, but is like an underground passage, leading to the exit of other places, which facilitates the entry and exit of a large number of gods and the transportation of sacrificial objects. However, the Brahmin gods later buried other underground passages leading to this place, leaving only this road below the temple, making its real effect almost equivalent to being abandoned.

The ground of the entire road is paved with the same kind of stone, and then it is integrated with divine artifacts, and then various divine arrays and divine texts are carved on the surface, and they are filled with a mixed spiritual material. Most of these divine arrays are decorative and have no actual attack effect. Although it feels a bit strange, after all, the main passage of Brahmin holy land like the Vedic Temple does not have any protection, which is really incredible, but it is not difficult to understand the reason after thinking about it carefully. When this Vedic Temple was built, it happened to be the most glorious time of the Brahmin gods. In fact, it is as powerful as the three pure blood gods, and there is no danger at all. If an enemy can attack here, it means that the Brahmin gods are almost dead, and it is meaningless to have a guardian divine formation.

The stone walls on both sides of the entire passage are also integrated into a whole like the road. The entire stone wall is tilted forward, more than ten feet upward, leaning against each other, and the whole is triangle. This shape allows people walking on this road to feel an invisible sense of oppression. If combined with a divine array and magical technique, it is easy to make people feel awe.

There is a groove at every distance of the stone wall, and there is a statue of god inside the groove. Now these statues have been destroyed by the hatred Liumin Naga, but I think the statues set up at that time should be all the ancestors of the Brahmin gods. Although the statues were destroyed, the words about the deeds of the ancestors were still preserved on the stone platform under the feet of the statue. There are many places where these characters are somewhat similar to Sanskrit. After reading them all, Xu Changqing can also understand them.

From the architectural style and design intention of this passage, it is not difficult to see that the passage and the temple part on the ground were completely built by two gods in two periods. When building this main passage, the Brahmin gods were ambitious and full of energy. Expansion was their only idea. It was regarded as a shame for them to stick to it, so they used this open road to show a state of mind of pioneering and flying.

However, when the temple above was built, the Brahmin gods had already fallen. They thought more about defending foreign enemies and treating this holy land as the last fortress. Building narrow and changeable passages, setting up various secret rooms and traps in the passages, burying the underground passages that could have been unblocked to the outside world, etc., are enough to show that they had no confidence in themselves at that time. The reason why they wanted to build the magnificent temple on the ground was completely to show that they were still strong to other pure-blood gods in this way, and at the same time, they were also to commemorate the great era that stood at the top of the gods before.

Walking forward from this main passage, the nobles of Liumin Naga soon arrived at the center of the temple. This was a huge square, with only one statue standing in the square. This statue was the statue of the three-phase god of the Brahmin gods, and it was also the only statue of the god in the entire temple that had not been destroyed. The statue was wrapped in a big tree, which was the body of the earth god. This tree was much larger than the big trees in other secret rooms, and the aura of the gods was also very strong. However, because Liumin Naga kept looking at the branches from the tree, the original energy of the big tree had been exhausted, and the whole tree was withered, and it might disappear completely at any time.

Although the Six-Mental Nagas were extremely hated by the Brahmin gods, they were still grateful for the Great Brahma, one of the three-phase gods who created them. However, there was no statue of Great Brahma in the entire Vedic temple, so they could only take the second best and use this statue of the Three-phase god of the predecessor of Great Brahma as a substitute.

Perhaps because this three-phase god statue represents the birth of the Six-Minute Naga clan, the Six-Minute Naga clan also followed this meaning and built a huge hatching room here. All eggs that entered the hatching period taken from other hatching rooms will be sent here and hatched in a unified manner.
Chapter completed!