The thick shade of green trees is on the water surface, and the rocks exude the meaning of ink and water. The waves of the pool water change the blurred reflections of the rocks and trees, gathering and scattering in the sky at the bottom of the water like clouds.

Walking on the Quqiao, you can enjoy the beauty of the Xiashan Mountain. Some of the strange stones on both sides are like jade cranes, with a calm shape; some are like rhinos looking at the moon, with a cute look. Looking up, you can pick out the rocks flying from the entrance of the valley, just like magpies climbing on the plum blossoms, and you can greet guests with a smile; looking into the distance, the monkeys on the top of the mountain are playing and having fun. It is such a beautiful scenery, making people dazzled.

Yun Luo and Yan Chenyu entered the cave room. At first, they felt a little gloomy, but then they got used to the slight light falling from the rock gap above the diagonally, and they felt that the cave room was spacious. The water in the small pond split into a branch and flowed into the cave. In addition, the lake stone was blue-gray, so I enjoyed the scenery in the cave in summer and felt even cooler.

You can walk through the cave room, climb up the steps, turn up several times and reach the top of the mountain. There is a small pavilion isolated on the rockery. There is an ancient pine tree in front of the pavilion, which extends out of the cliff, adding to the lush atmosphere of the summer mountain.

Yun Luo and Yan Chenyu stood in the pavilion, looking back at the rockery. In the cracks of the cave, the magnolias were mixed in roots, and the rain hit the banana leaves on both sides of the stone steps. Walking between them, I saw the thick shade and the green shadows, which made people feel relaxed and happy.

In order to better reflect the softness of the clouds, Xiashan carefully selected the top-grade Taihu stones with thin, transparent, leaking and wrinkle on the stone to stack them. Thin, transparent, leaking and wrinkle are traditional Chinese stone appreciation standards. Thin refers to the charming and colorful lines of its lines; translucent and leaking refer to the porous and exquisite stones, while wrinkle refers to the texture that describes its vicissitudes.

Xiashan not only pays attention to the use of stones, but also fully utilizes the landscape painting principle of "building stones into mountains, each stone has its own veins, and even thousands of stones are combined into one vein". Therefore, although Xiashan is varied, it has a smooth atmosphere.

The entire mountain is gentle and gentle, divided into two peaks. There are ancient cypresses on the top of the mountain, and there are small pavilions and wings. There are stone houses built by the water at the bottom of the mountain. Looking across the water, it is extremely deep. Xiashan mainly uses the stone stacking technique mainly used by the mountains, and uses the exquisiteness and translucency of lake stones and superb stone stacking techniques to express the gracefulness and softness of Jiangnan mountains and rivers. It is also a perfect combination of stone stacking technique and art.

The summer in the south of the Yangtze River is "drift every family during the yellow plum season. Frogs are everywhere in the pond. Therefore, here the west bank of the pond is surrounded by lake stones, and the pond is surrounded by lake stones, which are winding and concave. The water lilies in the pond, whether it is light red or light purple, are dotted with the lush greenness of summer with the lightest figure. Commonly known as "the croaking of frogs in the lotus pond".

A curved bridge is installed on the water, and the bluestone bridge deck is folded three times and directly to the entrance of the cave and extends to the abdomen of the mountain, so that the water is hidden, giving people an infinite deep feeling.

A lake stone stands on the side of the curved bridge. This stone is slender and elegant, with three nearly round holes from bottom to top, like a clean fish bone. This slender and elegant lake stone covers the holes below, and the upper part is very similar to the character "ugly" in Chinese characters.

Although Su Dongpo of the Song Dynasty was the prefect of Yangzhou and even deposed the "Wanhua Club" that disturbed the people as soon as he took office, he certainly had never seen this "ugly stone" that appeared in Yangzhou hundreds of years later.

However, he: "Stone is ugly, and the word "ugly" is a word "ugly" and the stone is in all its shapes." It seems that it is specifically said for this stone. The stone cannot be said to be the most charming person, or if this stone feels like a soulmate, it turns to confirm this word and stands silently in the city and forests.

Jia Pingwa once said about the "ugly" of stone: "Stones regard ugly as beauty, and when they are extremely ugly, they are extremely beautiful as beauty." This fine product in stone is hard to come by. It is not easy to call it "the treasure of the garden".

Yunluo and Yan Chenyu look closely and look quite like the word "moon", pointing out that Yangzhou is the Moon City - the three-point bright moon night in the world. The two-point rogue is Yangzhou.

Behind the ugly stone, there is a stone fish, which opens its mouth and waves its tail, and its expression is vivid, which complements the goldfish in the pond. On the upper right side of the stone fish, there is a Yunnan Huangxin on the lake and stone mountain, and the undulating branches are close to the water surface. The breeze sways, as if a green waterfall hangs in front of the mountain, increasing a lot of business.

The stacked stones in summer are mainly blue-gray Taihu stones, and the stacked stones are like clouds and fog rolls. The gardener takes advantage of the unevenness, thinness, transparency, leakage and wrinkles of Taihu stones. There are many stacked stones but not messy, and they are smooth and smooth when viewed from a distance, as clever as clouds and strange peaks; myopia is exquisite and transparent, like peaks and hills, and like caves.

Fish swimming in the pond play between the stone caves, moving in quietness, and very interesting. On the right side of the pond, there is a curved bridge to reach the cave in Xiashan. The cave is deep and quite cold. A crane pavilion is built on the top of the mountain, which is bent by the old pine trees, and is about to leave.

When you cross the Qu Bridge and enter the Xiashan stone house, you will feel dim and uncomfortable at first. After a while, you will find a trace of light penetrates through the rockery, and the facade of the rockery will gradually become clear in front of you. The walls of the cave are varied and distinct. There are many holes along the mountain and the water. From the inside out, each hole is like a picture frame to choose the scenery outside the cave.

The pool water, rocks, flowers and trees in summer scenery move as the steps move, and the scenery also changes. This is the method of "framed scenery" and "changing scenery" in garden construction. Due to the limited space of private gardens in Jiangnan, this method is used more.

It uses the principle of aesthetic division to extend the space, so there is a saying in the garden that "the more you demolish it, the smaller you get, the bigger you get." Whenever in summer, ancient trees are breeze and come in water, which makes people feel refreshed.

There is a four-corner pavilion on the top of the Xia Mountain, called "Crane Pavilion". This is the place where the owner raises cranes, which means "the crane dances in the sky, and the fairy's blessed land". The couplet "standing like snow on the shore, flying like a pond and spring" describes the crane. The pines and cypresses are evergreen, and the cranes live long, which means that the pines and cranes prolong their lives.

The summer mountain is like clouds. If there are cranes dancing in it, it is a blessing place for immortals. At the southeast corner of the He Pavilion is the stone chamber of the Xiashan Mountain that penetrates the bright stone gap. The corner of the pavilion just protects the wind and rain, and the details are so thoughtful. There is an ancient cypress in front of the pavilion, with twisted branches and stretching out to the end, adding to the lush atmosphere of the summer mountain.

Standing on the top of the mountain and looking around, you can see the "rails" surrounded by lakes and stones. This not only ensures the safety of tourists, but also increases the height of the mountain. It is ingenious.

There is a wisteria in the east of Heting, standing on the edge of the rock at the exit of Xiashan Mountain Road. The branches and leaves are intertwined like covers, the vines are entangled, and the root paths have become one, as if they have experienced vicissitudes. Every late spring, a bunch of lavender butterfly-shaped flower spikes will bloom, about a foot long, hanging gently, emitting bursts of fragrance, fluttering in the early summer sunshine, which is particularly charming.

The summer mountains are soft and beautiful, with green trees and green waves, and a style of Jiangnan. From the east of the summer mountains, you can turn to an extraordinary corridor. This corridor is called the longest corridor in the world. The reason why I say this is just because walking to the end of the corridor is equivalent to walking from summer to autumn.

This is the Baoshan Tower in the garden connecting the two scenery of summer and autumn. The corridor in front of the building is like a long arm holding the two mountains in autumn and summer on its chest. The Baoshan Tower is named after it. Baoshan Tower is a seven-bedroom building with a plaque "Hutian is from the Spring" on it.

Hu Tian Zhichun is taken from "Geyuan Ji" "It is obtained by his eyes and mind, and Hu Tian Zhichun is spring without leaving the house, and the dust and horses are all resting." It means that although the space of the garden is not as good as that of famous mountains and rivers, its scenery is a paradise and a fairyland on earth.

At the junction of Qiushan and Xiashan, the transition is coordinated by compressing the volume of the surround point. Xiashan Lake Stone extends to the flower platform embankment, like clouds spreading. Qiushan Yellowstone tries to choose round and thick vertical patterns to surround the flower beds to minimize the differences.

The Baoshan Tower Gate is a Fudao Gate. Visitors can stroll around the corridor whether they are above or below. They walk from summer to autumn without realizing it, so this corridor is also nicknamed the "time and space tunnel".

Standing on the corridor upstairs, you can see a small hexagonal pavilion on the east side of the pool in front of the building. The eaves and corners of the Qingyi Pavilion are clear and beautiful, forming a sharp contrast with the spectacularity of the Baoshan Tower. "The pavilion is the stop. People gather." The pavilion was a place for pedestrians to rest in ancient times, so there were many pavilions on the roadside.

The pavilion is free in space and flexible in layout. In architectural art, the pavilion concentrates the essence of the most ethnic form of ancient Chinese architecture. The pavilion in the garden can provide people with shade and shelter from the rain, rest and see the scenery, and also makes the scenery in the garden more beautiful.

There seemed to be some lake stones around Qingyi Pavilion, but because the pool water surrounded these lake stones became the bow of the boat that broke through the waves. A plaque "Qingyi" hung in the west of the pavilion, and there was a couplet in front of the pavilion: Where is the sound of a flute, drunkenly leaning against the spring breeze and playing with the bright moon; a few faint shadows, supporting the old trees to protect the secret pavilion.

If the moonlit night stands in the pavilion, the breeze comes and the clear water ripples, and the vague sound of the flute is still alive, it will be considered as if it will live up to the bright moon and spring breeze, and the old trees are in secluded pavilion.

If spring mountain is the beginning and summer mountain is the spread, then autumn mountain is. Walking east along the corridor and passing the overhead duplex corridor, you can directly reach the majestic autumn scenery of Huangshi Rockery.

Qiushan is made of yellow stones, and is magnificent. The plants are mainly maple trees, with pine and cypresses. The main Autumn Mountain faces the west. Whenever the sun sets, the pine green, the red maple red and the brown and yellow of the mountain are bright and painted in the twilight, which is very picturesque.

But the most exquisite thing is its internal mountain road design, which hovers up and down, stone bridges, stone beams, stone caves, and small buildings in the mountains, and is unpredictable.

Before visiting Qiushan, you should know in advance: the formula of "the light is not connected to the dark, the big is not connected to the small, the straight is not connected to the curve" will definitely add a lot of fun.

According to legend, Huangshi rockery was copied by Shi Tao, a famous painter in the late Ming and early Qing dynasties. The poem written by the Qing Dynasty Wang Quantai to the second son of the garden owner Huang Shi, said, "If you are young, you will be very complaining. You say that you have a home, and you will be very flirted with it. The cave of Dadishi House is high in the sky." (Dadizi is the nickname of Shi Tao).

The autumn scenery is also called Xiaohuang Mountain. It is steep and steep in appearance and is stretched endlessly. It is divided into three peaks in the west, middle and south, with the main peak in the middle and the two peaks in the west and south as auxiliary. The main and guest-centered teams are reflected in the uneven shape, forming a undulating mountain.

The center is the most steep, abrupt and amazing. The stones on the top of the peak seem to have not yet finished their work, which is even more intriguing. This is the effect formed by the stone stacker using the "picking and floating" technique. "picking" is the method of extending a stone horizontally from the mountain, and "floating" is the method of vertical stones at the top of the extended stone. (To be continued, please search for astronomy, the novel is better and faster!
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