Font
Large
Medium
Small
Night
Prev Index    Favorite Next

Chapter 1693 Breaking the Delusion

 People say that people cannot judge people by their appearance, but they often habitually judge people by their appearance. Even though human aesthetic standards change with the changes of the times, most of the time, some clues can still be seen from history. Those with good appearance can not only get more opportunities, but can even save their lives. Although this is true for women, the same is true for men.

During the Spring and Autumn Period, a guy was stripped naked and prepared to beat the board. However, another minister passed by and saw his good body. He immediately turned around and found the king, saying that such a thin and tender body could not be ruined, so he was exempted from guilt...

So, there are naturally advantages for good looks. You either take advantage or be taken advantage of by others. If you come out, you will have to pay it back. For example, Confucius, after being praised to heaven, he will naturally suffer how miserable it will fall.

Confucianism can still be regarded as Confucianism in the Han Dynasty. If the later dynasties and Confucianism becomes Confucianism, even the emperor cannot say a word of illegitimate words from Confucius. Therefore, Fei Qian thought that at the beginning, he could clarify this point and pass on such thoughts through the children of the gentry in the Han Dynasty and these Confucian children who studied scriptures. Confucius was an individual, a person who made certain contributions, not a saint or a god.

Confucius himself did not judge others by his appearance, and often did not care much about others' evaluations. Even if he was a stray dog, Confucius laughed and was not angry. On the contrary, those who claimed to be his disciples in later generations were anxious and could not listen to a word of bad words.

According to Fei Qian's judgment, the unique appearance of Confucius' head was actually caused by malnutrition in childhood. During the Spring and Autumn Period and the Warring States Period, what concepts could be eugenic and excellent? Whether he could live depends on God's expression. Just like Qin Shihuang's unique appearance, it is also because of the deformation of the body produced in his long-term proton career. He is not the roots of a saint or a great man...

In the Han Dynasty, there were many people who had physical deformation caused by childhood or long-term work. After Fei sneaked out, he asked Huang Xu to send people to the surrounding area and brought a few similar people over.

When Zheng Xuan saw this, he laughed loudly, pointed to one of the civil servants who looked similar to the shape above Confucius' head and said, "Mr. Shuijing, is this also the root of a saint?"

Sima Hui was obviously a little unhappy, but he looked at Fei Qian, then shook his head, and did not continue to say anything. Obviously, Sima Hui was somewhat dissatisfied, but because of Fei Qian's identity and status, he didn't want to make a fuss too much.

Fei Qian smiled and waved his hand to ask Huang Xu to take the person away. Instead of chasing Sima Hui, he said to Zheng Xuan: "I heard that Mr. Zheng used Mao poetry as a note?"

Zheng Xuan's smile stopped immediately, he was silent for a moment, and nodded.

Sima Hui immediately smiled a little more, looked at Fei Qian with great enthusiasm, and then turned his eyes to Zheng Xuan.

There are four poems written by Han people, called the Four Poetry. The latter three are Lu Poetry, Qi Poetry, and Han Poetry. These three poems were originally established in the Imperial College of the Han Dynasty in the early Western Han Dynasty, but then Mao Poetry rose and gradually replaced the status of the Three Poetry. After Zheng Xuan made a note of Mao Poetry again, the poems of the Three Poetry were basically gradually lost.

Mao's poem refers to the ancient text "Poetry" compiled and annotated by Mao Heng and Mao Jian. Zheng's annotation was explained again by Zheng Xuan on Ermao's annotation, which was called annotation. On the one hand, it was easier to understand after the annotation, and on the other hand, Ma Rong and Zheng Xuan both praised Mao's poems, which had a great influence, which led to the popularity of Mao's poems later, while the other three schools naturally declined.

But is the problem of reading comprehension? It has always been based on the heart.

Fei Qian did some reading comprehension a lot when he was a teenager. Some questions are certainly correct, but some questions are...

Ma Rong, Zheng Xuan and others have a characteristic: they are opposition parties, and Mao's poems can also be regarded as "oppositions", so they resonate with each other, especially when the entire court of the Eastern Han Dynasty gradually came to an end. In fact, as Ma Rong and Zheng Xuan already had some sense of worry...

At the same time, Ma Rong and Zheng Xuan and others' sense of crisis was deeper than Jia Yi and Sima Qian in the early Western Han Dynasty, because after all, although Jia Yi repeatedly sighed for the current social situation at that time and was excited to write books, the Han Dynasty rose again and turned danger into safety, and the glory of the Han Dynasty was reunited.

For many great scholars at this stage, including Sima Hui, what they encountered was different from before. At present, the entire court was in a state of intense turmoil and the whole country was in a state of disorder. The former glorious Han Empire was on the verge of collapse. Traditional beliefs had lost the power to maintain people's hearts, and new orders and beliefs had not been formed. Wars, famines, natural disasters, and the day was in danger, so naturally they thought more.

It can be said that Zheng Jian was born under such an environment, and also led many people in later dynasties to go on this path...

"The poem of Guanguan..." Fei Qian looked at Zheng Xuan and said, "Mao's poem is annotated by the mark, and Zheng Gong added an explanation... It is said that this poem is 'happy to get a lady, to match a gentleman, to love to promote the virtuous, and not to be lewd by his own beauty'. I wonder if this is the case?"

Zheng Xuan said: "That is, I am happy to get a lady, and I think that a gentleman likes to hate him, and I will not be obscene to his own destiny. I will be sad that I will lose my husband and wife in the world, and I will not be able to get this person, and I will not be able to destroy his love..."

Fei Qian didn't know if it was possible, and then continued, "But Mr. Zheng also noted, "I am happy to be a lady and a gentleman" is a sad and graceful sentence, thinking about talented people, and not hurting goodness. "I am a mistake in the different text of "heart"... Is there such a thing?"

Zheng Xuan nodded and said, "The notes of Mao Shi have an explanation of the sorrow of Yaopiao, so the 'symn' in a certain dialect is a mistake of "heart"."

"Therefore, the poems in the ears are not the pain of longing for love, but the joy of those who are worried?" Fei Qian laughed and continued, "Taoyao is not the joy of getting married, but the world is peaceful and people are at ease?"

Zheng Xuan turned his eyes and understood Fei Qian's meaning. He frowned slightly, but he still nodded and said, "Well... it's..."

Literature seems to have formed an indissoluble bond with politics from the very beginning. It can be said that this is the tradition of Chinese literature, but it has also taken many wrong paths. The most important thing is that because it often focuses on the role of literature in politics, it erases the original purpose of literature itself to convey emotions, which is also the root of the origin of many literary inquisitions in later generations. It is like "Qingfeng to flip books around", among which there are those who hold talent and arrogant people to be noble, but it is a waste of saying that it is a plot against the Qing Dynasty and revival of the Ming Dynasty. After all, the author was excited to be an official in the Qing Dynasty, smiling and holding his salary, and has nothing to do with the anti-Qing and revival of the Ming Dynasty, and it is just used to mock the Eight Banners children.

As for such a political interpretation, Mao Shi and Zheng Jian are the founder of the ancestors.

Just like Fei Qian said in "Chuan's Ear", it was originally a poem that expressed lovesickness, but Mao's poem said that this was a subtle meaning, not an ordinary lovesickness emotion, but the concubines in the harem were worried that the king could not seek talent, so they were worried day and night...

As for the same thing as "Taoyao" and so on, basically all the Book of Songs, whether it is emotional or not, Mao Chuan and Zheng Jian all believe that it is related to politics. The surface of the poems is literal, and the deep meaning is more important...

Just like the post "Back View" in later generations, it was originally the most sincere expression of emotions, but someone insisted that this was through a unique way of expression, reflecting the collision and inheritance between old morality and new ideas, which had special revolutionary nature and historical content, and had profound ideological connotations...

Fei Qian just wanted to say at that time that the orange in the tangerine peel.

So now I have seen the founder of this kind of forced political explanation. Well, I can't say that Zheng Xuan is the ancestor. After all, there was a Ermao before, but Zheng Xuan was undoubtedly one of the important figures who shines on him. So I said a little unceremoniously: "If according to Mr. Zheng's intention, the poems in the world all have subtle words, and the songs in the world all have great righteousness? Men seek love for women, are kings seeking talents? Feelings and grievances are thinking about the unfairness of the world? What everyone thinks is for the people of the world, and what everyone says and does is for the family, country and country?"

Zheng Xuan's face was a little bit untugged, but Sima Hui, who was beside him, smiled, "Okay! That's right! That's right! Seeing the beauty of the present, and seeing the mistakes of the present in the past! Let's ask the ancients how they knew the present? How could the articles and events throughout the ages be beautiful? Ancient poems express their feelings in ink and in meaning in the articles, without placing officials' words or political power, they will be spread throughout the ages! How can each article refer to the court? Kang Cheng! This is your fault!"

Sima Hui was defeated before, but now he saw Zheng Xuan being tricked by Fei, so he became happy.

Zheng Xuan defended himself: "Since ancient times, good birds and herbs have been better than gentlemen, and bad birds and smelly things. They often refer to traitors and slander, use words to illustrate politics and use rules to strengthen principles, which is the great righteousness of articles! Men and women love and longing for each other, which is the small way! Can the cavalry only seek the small way and make a small thing more righteous?"

"Haha..." Fei Qian waved his hand and said, "Is it a big way? Let's not talk about it for now... If someone remembers it well, both gentlemen don't seem to like prophecies very much, nor do they like the students who are now talking about the great meanings, and they all seek to get rid of the redundant and seek truth, eliminate the complexity, and pinch the key points..."

Zheng Xuan hesitated for a moment, understood Fei Qian's meaning, and remained silent.

Sima Hui laughed haha, looking at Zheng Xuan without saying anything, but also acted like he was watching the show. Sima Hui was also very dissatisfied with Zheng Xuan before. After all, no matter whether it was in the Han Dynasty or not, whoever had the power of explanation was the boss. Zheng Xuan had the power of explanation before, and now this power is being questioned by Fei Qian, which naturally made Sima Hui throw all the previous little unhappiness behind him.

Zheng Xuan took a breath, and did not look angry, but bowed and said, "In this way, how can the poem be annotated according to the cavalry? Lu Qi, Han and Mao have different differences and different characters and different words, so how can they be interpreted?" Yes, you said that there is something wrong with the annotation, so how do you think the Book of Songs should be annotated?

Since Fei Qian asked this question, he naturally had his own answer, so he said: "Lu Qi, Han Mao are both righteous and different, not the fault of poetry, but because the characters and texts are different... The annotation and interpretation should be emphasized, not the definition... As the saying goes, reading text is like drinking water, knowing hot and cold, and each has something to gain, why not divide it into a small way?"

"The word "text" is different?" Zheng Xuan frowned and repeated.

Speaking of this, it is basically half of Qin Shihuang's pot. The original texts of some of the Books of Songs before the pre-Qin period were basically unavailable in later generations. It was not that Qin Shihuang burned books and buried scholars, but because Qin Shihuang began to write the same text after unifying the whole country, and the earliest Books of Songs were written in different languages ​​in their respective countries. Therefore, some of them were naturally lost in this process.

Since the Han Dynasty, scholars have begun to pay attention to the different texts of the Book of Songs, but they have not paid as much attention as Fei Qian, and they have emphasized it particularly. Just like the texts of the Book of Songs at this time, they are actually between the ancient and modern texts, and even the four schools have circulated. However, the Book of Songs passed down by various schools and schools have some different texts in the texts, and no one has specifically explained and investigated this issue, and they are often mentioned casually.

Pre-Qin literature has been far away from the present era. The text fonts have undergone several major changes, and the document carriers have also undergone several turns, which determines that the reasons for the occurrence of different texts are very complicated.

The reasons are roughly the following: First, the different characters formed by the changes in the text itself, such as in the Warring States Period, Qi-based characters, Jin-based characters, Qin-based characters, Chu-based characters and Yan-based characters, etc., have certain differences in character shapes; Qin Shihuang unified the characters, official script, regular characters, and common characters become regular characters, etc., which will all have some changes in the characters shape, thus forming different texts.

The second aspect is because of the changes in the text, just like the traditional Chinese characters in later generations. From the Spring and Autumn Period to the Warring States Period to the Han Dynasty, some fonts also produced radical changes in radicals, and even due to avoiding taboos on the kings, some different characters were produced, "turning". This writing "turning" and "turning" are new characters produced later.

On the other hand, because of the relationship between the authors in different eras, and typos are difficult to avoid, it also leads to problems in inheritance. Just like in the pre-Qin period, the two words "no, suffix" were used differently, but in the Han Dynasty, such differences were eliminated, let alone typos accidentally written during the copying process...

"For example, in "Zhou Nanru Tomb", the sentence "分" here should be "分", which is a different word "分". Mao's note uses "分" to make the word "分", which is a word that moves the word, so it is to seek the closeness of the word..." Fei Qian gave an example to illustrate, "This is what we do, passed on and inherited, not limited to limit it!"

"The two of you are full of knowledge and knowledge, both of them are talented in the world!" After suppressing, they naturally had to hold on. Fei Qian continued, "It is the work of ordinary people to chew words, so we should do the right way to write articles! In the past, Cang Jie wrote a book, but the sky was raining and millet, and ghosts cried at night! Now I don't know if there are great sages who want to correct the font and break the delusions and spread them through the ages?"
Chapter completed!
Prev Index    Favorite Next