At measure 43, the first theme began to change. The main melody was switched to the left hand, and Fan Ning's right hand began to strike in turn in the high notes of three different octaves, and the D-sharp notes of three different timbres sounded, like

Someone was ringing a bunch of bells, adding a strange color to the melodious and joyful atmosphere.

The melody in bar 51 returned to the right hand, but the audience found that the notes became denser triplet. While Fan Ning maintained the long-distance jumping melody sound, his right hand was actually mixed with fast ring fingers!

After being baptized by the "depth of thought" in "Choral Fantasia in C Minor", many senior music critics were dazzled by Fan Ning's clean and neat skills, with the word "convinced" written all over their faces.

After a series of semitone passages, Fan Ning's ring fingering intensity increased by one, and he changed from the low voice to the high voice, from 1/2 fingers to 3/4/5 fingers, 68 measures, decorative sound

The part was changed from ring finger to vibrato, but the melody was moved to the middle level by Fan Ning. While he kept the vibrato of the 3/4 finger even and refreshing, he also had to take into account the skipping image of the 1/2 finger melody!

What surprised everyone even more in hindsight was that this was only the right hand part!

So music fans miraculously discovered that the fastest vibrato at the top was like the second hand, the medium-tempo melody in the middle was the minute hand, and the chords and sustains in the left hand were like the hour hand. They moved interlacedly, creating a wonderful effect like a clock face.

"This way of writing, this way of playing...it's so right! I asked this guy for a score immediately after the concert! This will be my repertoire for encores at future concerts!!!"

The thick and steady bass, the melodious and moderate "bell theme", and a series of fine and crisp ticking notes made Viadlin's eyes light up in the audience, and his ten fingers could not help but move.

At section 75, Fan Ning felt that fine beads of sweat were already oozing out from his vest and forehead, but the high-speed colorful run had just begun.

Each measure here is squeezed into 31, 32 or even more than 40 notes. Fan Ning's right hand turns into an afterimage and sweeps back and forth on the keyboard, while his left hand plays a few basic bass notes like a sudden fire.

Such a fast speed, but the strength is not strong, and there are ups and downs of wave-like changes. This way of showing off skills while maintaining dignity and elegance is simply heart-breaking.

"The heating... is too big... it's so hot..." Fan Ning, whose forehead was covered with beads of sweat, was complaining in her heart.

In the long vibrato starting from bar 84, the melodious bell theme reappears, and gradually transitions to the second playful theme transformation with stronger sound effects.

"Why are all the sounds so far apart? Such a long jump is almost life-threatening!"

"Is this something that can be seen clearly with the eyes... The person playing the piano can't even see clearly!!"

The audience was stunned to find that the cadenza behind each melody sound was a big jumping movement of both hands, and the direction was in the opposite direction.

From time to time, they saw Fan Ning knocking out a dense melody note in the alto range, and then the afterimages of his hands flashed past, and several widely spaced keys were accurately sunk on the keys. When they saw clearly what happened

What, the left and right fingers have already accurately stood in the highest and lowest registers respectively!

"Dang-dang-dang-dang-dang-dang-dang-dang!!..."

In the alternation of exciting major chords, Fan Ning's right hand began to strike a thrilling tremolo melody in the high register. The speed became more and more compact, the intensity became stronger and stronger, and the pedal became deeper and deeper.

A long series of reverse octave chromatic scales from both hands made the color and mind tense to the limit. With a strong blow of ff, the most intense and violent chord group at the end of the sentence finally played.

Fan Ning, who had sweat dripping down his face, turned into a ruthless piano smashing machine. His open hands frantically struck back and forth in the piano's major ranges, and the metallic bass beat made the audience feel like they were

His head was about to be stuffed into the big bell, and the whirlwind blow from his right hand was about to break the strings, and the entire symphony hall was surrounded by the sound of landslides and earth shattering!

“Dang——dang,dang,dang,dang,dang!————”

In the last sentence, the right hand repeatedly hits the chords with fff intensity, and the left hand whizzes over five octaves from low to high. The last G-sharp minor major chord is vibrated, and Fan Ning's hands hover in the air as if opening his arms.

"bravo!!!"

"Caroline Van Nin!—"

“Great pianist!!”

The audience burst into overwhelming applause, and quite a few ladies even began to respond with ear-piercing screams.

After Fan Ning completed the outstanding performance of "Choral Fantasy in C Minor" and led the performance, he returned to the performance of "The Bell" with explosive virtuosity. Music fans finally inherited his title of "composer and conductor"

Finally, there is a new understanding of pianists at the same "grid" level!

Fan Ning put away the handkerchief after wiping sweat, and then gracefully bowed out with a faint smile.

"Bata -" When his figure was about to disappear in the side passage, he raised his right hand high and snapped his fingers.

The audience subconsciously looked towards the center of the stage and discovered that Master Schillings, who was listening to the piano at the side, had stood on the conductor's podium at some point and had already stopped filming!

“Da da da da da da da…”

The band played nervous sixteenth notes at the beginning, with a strong and uneasy momentum, and a tense atmosphere swept over instantly!

Immediately, the music directly enters a chromatic progression, and dramatically, the unusually strong ensemble sound suddenly turns into a weak hum produced only by string instruments.

The second encore is Rimsky-Korsakov's four-act opera "The Story of the Sadan", Act 2, Scene 1 Interlude: "Flight of the Bumblebee"!

Continue to increase the dosage, and continue to thank the leaders of the alliance!
Chapter completed!