"Base Camp" is very snobbish. In fact, all programs are the same. Treating popular guests in the same way, while those who are not popular look different...

The treatment is simply a world of difference, and the entertainment industry is such a realistic circle.

As the saying goes, thirty years from Hedong, thirty years from Hexi, don’t bully the young and poor. Life is like impermanence. You may still be struggling a moment ago, but once you encounter an opportunity, you will turn your head and become an existence that many people look forward to!

But I didn't expect that Bai Xiaofei would rise so quickly.

In just one month, he jumped from an unknown junior to a billion director!

Speaking of which, when "Lost in Thailand" was promoted, Xu Zheng went to "Base Camp".

At that time, a group of hosts did not take Huang Bo, Xu Zheng, and Wang Baobao seriously at all, especially Xu Zheng.

I just fooled it in front and deal with the crew of "Lost in Thailand". The Korean star named Zhang Ruixi came out and saw that they were like slaves...

He Jiong said that Huang won the Golden Horse Award for Best Actor, Xie Na said with disdain, "I have to win the Golden Eagle Award," and the group of people applauded...

Big brother, fools know that the Golden Eagle Awards are not the same as the Golden Horse Awards. Besides, they are the winners of the Actors, what are you taking?

Then, "Lost in Thailand" had a box office of 1.2 billion...

When "The Legend of Gu Jian" was first broadcast, when Li Yifeng, Chen Wei and Ma Tian participated in the show, because "The Legend of Gu Jian" was not popular yet, they had to become the human background of Korean star Park Yoo-tung. Park Yoo-tung had a 23-minute personal show, while each of them was pitiful.

Then, "The Legend of the Ancient Sword" is so popular!

Xiaobai's "Knock on the Door of Heaven" even failed to enter the threshold of "Base Camp"...

No, after analyzing this, I suddenly felt that "Base Camp" is an alchemy stone. The more you are not optimistic about it, the higher the box office of the movie!

...

There is no direct Weibo post, but there are many people playing, especially this message is placed in the official post of "Bai Xiaofei", and soon a bunch of people replied...

"…It's so shameless. I feel that "Base Camp" is the most snobbish program in China!"

"I suddenly remembered something. The Happy Family promotes a new movie. A reporter asked: The box office and reputation of the movies you used to shoot were not ideal. What do you think? Sister Po pointed at the reporter: Children. We are not the leading actors in those movies. We are just supporting roles..."

"Resolutely resist such unnutritional programs!"

"I really want to know whether "Base Camp" will ban Bai Xiaofei..."

"You're thinking too much. With Xiaobai's current status, he is the only one who blocks such garbage variety shows!"

Yes, one billion directors...

Although there is no clear division, variety show stars and actors and directors are still incomparable. It is not uncommon to class division at all!

Several hosts of "Base Camp" looked at each other, and the scene was very awkward...

Xie Na couldn't help but feel angry: "No, I'm going to post a Weibo to clarify, why do we have to take the blame every time..."

You are the host, if you don’t take the blame, who will take the blame?

"Forget it, let's see how Bai Xiaofei responds..."

"He shouldn't pay attention to these things, right?"

Well, Xiaobai really doesn't pay attention to these...

He is settled with Chen Baolian, don’t get me wrong, he is really settled!

In the big cake with nearly 1.5 billion in "Charlotte's Troubles"!

...

The box office of 1.46 billion is definitely a very good result, but this huge sum will not fall into the pockets of anyone or a company. From theaters to distribution, from production to investment, this cake will be shared in many aspects.

First of all, the total box office of all films must be paid 5% of the special funds for the film industry to the "Special Fund Office", and each cinema will pay the "Special Fund Office" monthly to the "Special Fund Office" and handed over to the treasury.

Secondly, the total box office of all films must be paid a special business tax of 3.3%, which means paying various taxes to the national and local taxes, and the theater will directly deduct and pay from the total box office.

The above two items, totaling 5%+ 3.3%= 8.3%, are called "undivided box office", and the remaining 1 - 8.3%= 91.7% are "divided box office"!

That's 120 million...

Of course, the Film Development Committee awards 10 million yuan to movies with a box office of over one billion yuan. Is this encouraging domestic films to watch money?

The "Notice on Subsidies for the Creation and Production of Domestic High-tech Format Videos" clearly stipulates: "ZF will reward domestic 3D, giant screen and other high-tech format videos entering the market for release and screening according to the film's box office revenue: the box office is between 50 million and 100 million yuan, and the reward is 1 million yuan; the box office is between 100 million and 300 million yuan, and the reward is 2 million yuan; the reward is between 300 million and 500 million yuan, and the reward is 5 million yuan; the reward is more than 500 million yuan.^"

I don’t understand why the Film Bureau formulates such regulations. Most countries, such as South Korea and Japan, reward them with awards to movies...

Many domestic films at this stage have such large investments, and the production costs often exceed 100 million yuan. Aren’t the producers worried that they will not be able to recover the costs?

Yes, if it were just the film company to pay, they would definitely be worried!

Don't worry, we have special funds for premium movies!

It is often said that eight or nine out of ten domestic films lost, but in fact it is not the case. The important reason is the various subsidies, support and rewards from the country and local ZF.

It has been 21 years since the launch of the special fund for high-quality films in 1996. The annual investment of RMB 100 million is a considerable amount of funds for the film industry. It is two major film subsidy projects alongside the "Special Fund for the Development of the National Film Industry" and an important source of income for some films.

For example, Chen Kaige's "Orphan of Zhao" and "The Legend of the Demon Cat", including the previous "Jing Ke Assassination of Qin King", which one does not have the support of the local ZF?

In addition to the 8.3% non-divided box office, 1% to 3% is required to pay to China Film Digital as an issue agency fee, referred to as "China Film Digital Agency Fee". It is paid to "China Film Digital" by theaters.

Please note that this fee is not a "copy fee".

At this stage, all theaters use digital screenings, and the ones that directly sold copies did not exist in the past!

Why charge this money?

There are two reasons.

On the one hand, this is a historical problem. In the early 1990s, when digital technology replaced film, most theaters across the country had no funds to replace digital film projectors. It was the investment of "China Film Digital" that completed the equipment upgrade, which made indelible achievements in the digitalization process of Chinese films.

To this day, at least 70% of theaters across the country are still using digital projectors of "China Film Digital", so it needs to be paid.

On the other hand, as of the end of 2016, at least half of the digital films in the country were distributed by "China Film Digital". If you ask your partner why you have to pay it?

The screening secret key can be made through DCP, but most of the projectors in theaters are invested by "China Film Digital", so it does not recognize the secret keys made by other units, especially private enterprises.

As of the end of 2017, the secret keys for the films released in mainland China were either produced by "China Film Digital", "Hua Film" or produced by the National Press and Publishing **** Film Digital Program Management Center, and there is no other possibility.

When every theater in the country was first established, it would obtain an 8-digit code from the National Press and Publication Film Bureau, which is the unique identification code; does the server of every theater in the country also have a unique identifier similar to the network IP address? Before any film is displayed, a dedicated and individual key is required to read the digital copy and be displayed.

To make a digital copy, "China Film Digital" will charge the issuer 300 yuan. A video distributed to cities at all provinces and levels across the country requires about 2,000 digital copies, totaling 300×2,000=600,000 yuan. This fee is the "copy fee", which is borne by the publisher or producer.

Two thousand years later, although videos can be transmitted through satellites or clouds, since a digital movie is generally above 100G (3D is about 200G, IMAX or China giant screen is about 400G), the network bandwidth of the theater is required to be very high, generally gigabit optical fiber is required, and the transmission stability and security are often not guaranteed.

Therefore, as of the end of 2016, digital copying of mail/express are still mainly used, which is no essential difference from the "running film" in the film era.

So, is it 1% or 3%?

It is like this: the smaller the box office, the more state supports it. Therefore, "China Film Number" collects 1% of movies with box office results below 600 million yuan, 2% of movies with box offices exceeding 800 million yuan, and 3% of movies with box offices exceeding 900 million yuan...

"Charlotte's Troubles" of course belongs to the latter.

3% has no choice but to run!

Together, it's 11.3%!

165 million…

Among the remaining box offices, after deducting the "medium-small agency fee" and the box office after the "unseparable box office", the cinema shared 57%, while the producer and publisher shared 43%.

What is 43% of 88.7%?

Thirty-eight percent left!

Why can theaters share so many?

738 million!

The producer and publisher can only get 555 million?

Sorry, our country is quite special, and theaters are just awesome!

If you don’t agree, go to the United States for a screening!

Old American theaters are weak and can only get 40% at most!

It should be said that the proportion of the producers' share accounts is the lowest in the world in China.

I have to thank Zhang Weiping. The initial share ratio was 32%, and he gradually increased the proportion to 43%...
Chapter completed!