After that, the 6,000-word chapters that maintain the basic daily update will be updated every day, and the Thursday and Sunday will be updated one chapter. If nothing unexpected happens, this rhythm should be maintained until the end.

This is already the highest speed I have worked hard at the moment. A book of more than 4 million words is basically equivalent to an old man in his seventies or eighties. It is no longer appropriate to use the standard of young people to ask for it... I understand very well that many readers are urging updates and not reading enough, but they are indeed powerless. The first goal now is to maintain their level, complete the book safely, and write an ending that makes everyone satisfied. So, everyone should understand that if it really doesn't work, just raise it a little and give me some time to consider it carefully.

To ending, I had already thought about it when I opened the book, and I had no plans to modify it at all. It was a semi-open ending. I am personally very satisfied with this ending. As for the specific reason why I wrote it like this, some readers have already guessed it roughly. This is the only solution. I will not spoil it out for now, and I will explain it after I really finish the book.

In terms of word count, the current estimate is more than 500,000 or less, and within 1 million, which is the complete book of more than 5 million words that I originally promised.

According to the plot of the book, there will be another 1 to 2 large cycles to finish all the ending parts. In terms of time, it will be about one year after Mr. Pei graduated and he will basically complete the book officially.

Some readers may hope that this book can be written with 8 million, 10 million words, etc. I understand that everyone likes Mr. Pei and Tengda, and don’t want to see the end of the story. In fact, I am personally reluctant to leave. Moreover, from the current data, the recent data has risen compared to before, which is better than I expected. If we only look at the data point of view, it is reasonable to write with 4 or 5 million words.

However, it is precisely because of the rise in the data that I feel that I should be kept in the most appropriate place, starting and ending well, and not writing without limitations.

Why did such an arrangement be made mainly for two reasons.

First of all, the routines of each book are exhausted. Some people say, "If you write too much anti-routines, it will become a routine." How can you say this? Indeed, it is quite right, but it is a very correct but meaningless sentence...

No book has no routine. Other novels have a cycle of fighting monsters and upgrading to make money, and there are so many things back and forth. It’s nothing to be surprised. Why do people expect counter-routine things to bring you the initial surprise forever? This is impossible in itself.

If a book can always bring surprises to people if it is written without restrictions. That's a hell.

I have always said that I was tired of seeing the anti-routines and asked me to change the routines, but I didn't understand it because I couldn't change it. I have explained why I couldn't change it many times, so I won't repeat it. The only solution is that the big routine remains unchanged. Change the smaller routines and details, and create more tricks. This is the optimal solution I found. At present, it may also be the optimal solution for this topic. After all, I have never seen others writing anti-routines that can be stable to 5 million words.

The reason why many people say that the anti-routine method is broken by 500,000 words, but I can write 5 million is because I understand this principle more than them. I am very clear-headed and know what should be kept and what should be abandoned.

But no matter how fine-tuning is done, it has its limits. This is the lifespan of a book.

I had been at the stage of almost completing the book before. In fact, it means that the wonderful plots I could think of were almost written, and the thoughts I wanted to express were explained clearly. There was nothing to write.

It’s not that the number of words has reached, so the book needs to be completed, but that the content has disappeared, so the book needs to be completed. This content does not mean the plot, but the exciting plot. The plot can be extended infinitely, but the exciting plot is very limited.

I can write that Mr. Pei is 80 years old, but if he has been doing similar things for the next fifty years, what's the point?

Just like mining, the harder it is to dig out high-quality ore the more you go, and it is almost time to stop. It doesn’t mean you have to dig to a depth before you can stop, nor does it mean you have to dig out the last piece of ore to be considered as the end.

Of course, you ask me if I have dug up the anti-routine things? Have I dug up the game things? I can say with certainty that there is no.

But I have dug up all the things that can be written in this book, and the rest are all things that cannot be written in this book.

This brings up the second question: the subject matter has reached its peak.

Some people may mock you, "Oh, your book starts well, and then starts higher and lower, so it's just a dish that's not written at 100,000 yuan or the wrong one. I have to say, how many books on urban themes do not open high and end low?"

Let alone urban cultivation and spiritual revival, it is not considered urban themes at all. The urban themes I am talking about are similar to pure urban cities like entertainment, without any combat system.

Because urban themes are a theme that is strong in the early stage and weak in the later stage. The urban substitution is strong, and the refreshing point comes quickly in the early stage, but the protagonist is also prone to lose his goals and motivation. Take entertainment as an example. The protagonist makes money and wins awards when making movies. This is too simple. It was very good at the beginning, but it was not possible after a few times. The pleasure point cannot be improved, and it cannot be fun.

However, it is impossible to continue to dig deeper highlights in this context, so the city is destined to be a subject that is difficult to take off in the later stage.

In fact, if I had to write 10 million words, can I write it? I first left this interface, which is a sudden change in technology, exceeding reality. These contents are enough for me to write for a long time. But after careful consideration, I still chose to give up.

I have laid the groundwork at the beginning before, saying that the technological development of this world is different from our real world, and will change suddenly and accelerate development. I have also made a little super realistic attempt, including AI and autonomous driving in the game. In fact, the initial consideration is to use this setting to expand the plot when the plot is still there but the plot is used up.

But after trying it, I felt that the effect was not good. Some readers didn't agree with it. They just said that this technology is too outrageous and not real at all. In fact, this is where I can go. I have never touched the kind of intubation behind my head...

But this is normal, maybe because the entire worldview is closer to reality. The more technology pushes up, the more the worldview will feel a sense of tear for readers, which may lead to a deviation.

So, the technology line of this book stops here and keep going.

If I force it, I guess I can still leave more than 600% of the readers at present, but I have no confidence in the excitingness of these plots, and I think it may not be very good and will waste these ideas. And the higher the technology and the larger the company's scale, the more exciting the generated points will not be improved accordingly, but will decline. It is because of the limitations of urban themes themselves. Some things cannot be written due to well-known reasons. The more difficult it is to avoid them, and the more it is impossible to avoid them, which is very embarrassing.

If someone says, ah, I don’t agree, there is no such thing as a city that opens high and leaves low, it’s your food! I can only say that this is the consensus I have discussed with one of the best-written authors in the past two years. In the future, you may see many successful authors who have come out of the city to give up urban themes and switch to other themes because everyone thinks that the ceiling of a pure city is not high enough. Of course, what I mean by giving up urban themes is not to give up urban background, but to give up the content and writing of a pure city.

If you put things that you haven't dug in the next book and dig in, there will be a more suitable subject and background. I will definitely be reluctant to give up these things, so I have saved them for the next book. In fact, I already had a general idea three or four months ago, but I won't disclose them for the time being.

Of course, everyone can rest assured that I will definitely write to a level that makes me satisfied before I finish it, and will not force myself to advance. If I really exceed 1 million words and have not reached the end, then I will continue to write it until the natural transition. After all, although this book has entered the final stage, the data is obviously better than my expectations, and it is better than the data at the peak of many books. It can often reach the top ten best-selling, so I don’t have the urge to open a new book or finish it. What I need is a finishing touch that satisfies myself enough.

I’m synchronizing the current status and plan with you. Thank you for your understanding and support, thank you!
Chapter completed!