Generally speaking, what the audience likes is an "explosive" actor.

For example, he has a particularly aura, such as crying very empathetic, and for example, he has a strong foundation in line and the role he plays makes people feel inexplicably impacted.

In the eyes of the acting people in the industry, these are not worthy of praise.

Because this is the basic skill of being an actor.

And simply speaking of explosive power, many actors may not be very good at doing it. They are supported by some external factors such as dubbing, special effects, makeup, etc., which can have some effects that will amaze the audience.

But these bursts are very short-lived.

On the contrary, the most difficult character to express is not a brief outbreak, but a continuous and stable output of emotions.

For example, Wei Xun now plays the role of Cheng Yong.

His mental journey, his state of being tempered by life, he gritted his teeth and smuggled imported medicines, and then he decided to give up his interests and smuggle drugs for the patients for free because of the poor leukemia patients and because of Lu Shouyi's death.

This is an ordinary little person who has a personality change in a story, has independent thinking ability, has stains and shining points.

Whether it is from the script or the characters, this is a very good story, and the characters are also full of characters.

This kind of high-quality script is lacking in the film industry.

So after watching "I'm Not a God of Medicine", Jiang Duzhou and Shao Bing were both moved by this story and took the initiative to participate in this project.

Now that after watching Wei Xun's performance, Shao Bing wants to say that Wei Xun's story is not only written perfectly, but also interprets perfectly.

"Click."

Shao Bing, who was sitting behind the monitor, shouted and stopped, then stood up with admiration and said, "Awesome, your performance is getting more and more stable now. I was not there at the Hongmen Banquet last time in "Let the Bullets Fly". Later, Lao Jiang kept praising you to me. Today, I sat behind the monitor and watched you act, and found that it was indeed a kind of enjoyment."

Why do great directors like to work with big actors?

Because this talented actor knows everything, you don’t need to say much, and others can perform everything perfectly by themselves.

For example, Cheng Yong, who just played Wei Xun, is a depressed and unsuccessful little person who lived at the bottom.

The vicissitudes and numbness in his eyes, and his words and behaviors were so real that it made people feel that he was Cheng Yong himself.

Jiang Duzhou muttered from the side: "This is too perverted. You can get into the show just by going on stage, and there is no need to adjust at all."

They came out of the dressing room together just now.

Then Wei Xun went directly to the stage, seamlessly switched to Cheng Yong, acting was as casual as eating and drinking.

And Yi Heng and An Shi also looked admiring and amazed.

The movie directed by the director of the disease is so powerful that it makes people provoke, but standing in front of the camera, their acting skills are also beyond their reach.

The feeling of returning to nature and being smooth and naturally as if you can easily pick it up. If you didn’t have great skills, how could you do such a lightweight job?

"I'm different from you. After all, I wrote this script myself. When I was writing the script, I was already thinking about the role of Cheng Yong."

Wei Xun smiled and said, "So it's not as exaggerated as you think, and..."

"Mr. Wei."

At this time, a venue came over and said in a low voice to Wei Xun: "The people from "Movie Weekly" have come here. I just watched a performance from you. The editor-in-chief came in person. If you finish your business, go and chat with them."

Wei Xun nodded when he heard this, looked at Shao Bing and said, "Then you guys take a photo first, I'll go there for an exclusive interview."

"Movie Weekly" came here this time to talk to Wei Xun about acting.

Wei Xun intends to weaken his image as a commercial actor and transition to an acting-style actor, so he agreed to this interview.

Because it was an exclusive interview with the crew, the venue was relatively simple and was in an indoor studio.

"Hello, Director Wei, I am Yuan Ye, the editor-in-chief of "Movie Weekly". I was lucky enough to watch your live performance just now, which is amazing."

Yuan Ye is a middle-aged man in his fifties and looks a little bookish. He looked at Wei Xun and got to the point as soon as he came up. He asked in admiration: "I would like to ask why you can play this role so... well, such a vivid image. Or, I have never read the script of "The God of Medicine" and I don't know what the story it looks like, but just watched your performance, which made me feel clearly aware of what the role you played."

Wei Xun smiled and said, "Because when I was acting, I turned myself into Cheng Yong himself, and did what he should do according to the idea of ​​the character Cheng Yong."

Yuan Ye was a little surprised when he heard this: "But there is no character named 'Cheng Yong' in reality. How can you imitate it? For example, Zhang Mazi in your previous work "Let the Bullets Fly" will not have a prototype."

imitate?

Wei Xun smiled and shook his head, saying, "In fact, imitation is only the shallowest way of expression in the performance system and is not very good at the stage. A true acting master will turn himself into the role itself and then experience the role's emotions."

"How do you experience a character fabricated out of thin air?"

Yuan Ye asked: "As far as I know, it seems that the saying "experience role" has not been mentioned in our existing performance system."

Wei Xun nodded in agreement and said, "Yes, I think our current performance system is too vague, and we have not divided the various performance methods. In my opinion, the performance system can be roughly divided into three factions, expressionism, methodology, and experience."

Yuan Ye's eyes lit up.

This time he came to explore some acting-related knowledge with Wei Xun. This is also an important reason why "Movie Weekly" can become an authoritative film magazine in China, and its professionalism.

But Yuan Ye didn't expect to hear the private goods of "performance faction classification" from Wei Xun's mouth.

Because no one has ever clearly divided the performance categories so clearly before.

Yuan Ye asked: "Is it convenient to talk about the conceptual theories of these three factions in detail?"

"You can talk briefly, for example, the method school is actually the imitation school you call. It is essentially a performance. When the character is sad, he cries, and when the character is happy, he laughs, and he hides the awkward and inconsistent parts and shows a seemingly qualified character. But in fact, such performances are stereotyped and coreless."

Wei Xun thought and said, "The experiential school is to turn itself into the character itself, start from the self, and live in the character's situation. Only the 'self' can complete the real experience, that is, 'really listening, seeing, and feeling', and bringing oneself into various character situations can we truly shape the character from the body to the soul."

If a person can justify himself in a certain theory, he can become a theoretical master in this field.

Yuan Ye actually didn't pay much attention to Wei Xun's "performance faction theory" at the beginning.

After all, everyone has their own ideas, and then organize them in their own language to express them.

But after listening to Wei Xun's explanation, Yuan Ye felt his heart beating faster.

Because he felt that Wei Xun's "performance faction theory" was very informative, sounded convincing and amazing!

Maybe this interview can be sorted out and it can trigger a big discussion in the performance industry.

Thinking of this, Yuan Ye suppressed his excitement and continued to ask: "What about the Pharmaceutical Sect? How do you understand the Pharmaceutical Sect?"
Chapter completed!