Feelings are really valuable and have been tried and done every time. No matter how you do, someone will pay for it. This is the root of the sin!

If allowed, there would probably be a film company that would bring Cang Jingkong, Fan Daoai, Song Daofeng together to film a movie "The Women We Have Fucked in Those Years". The documentary mode lets them talk about their experience of becoming popular back then. It is estimated that the box office will be hundreds of millions...

When Jiao Unjun, Wu Jing and Fan Xiaopang appeared, Yu Feihong's eyes were wet, and the audience yelled excitedly...

Childhood plot!

Sister Yu hugged several people: "Long time no see! Why are you... here?"

"Of course we have to support your first movie!"

Nonsense, Yuehua has been doing so much effort, can she come...

The bass has turned on the blind Jiba ask mode:

"Hey, isn't it "Little Li's Flying Knife"? Why are you holding a sword on the poster?"

"Really, I don't remember it!"

Fan Xiaopang looked at the poster of "Little Li Flying Knife" magically. On the poster, Li Xunhuan looked solemn and held a sword in his hand...

Jiao Anjun thought about it seriously and then said, "I don't remember this..."

"It's "The Swordsman of the Passionate"..."

Wu Jing complained...

"How old are you when you filmed this drama?"

"I am thirty, Bingbing was 17 years old at that time, and he was very young..."

"It was quite embarrassing when the filming was taken, because many special effects need to be added later..."

A few people said something, and I said something about that time...

The audience off the venue watched with relish.

...

On May Day, many movies have been released.

The first thing to be affected is Lu Chuan's "Nanjing! Nanjing!", a movie called "Commemorating the Nanjing Massacre"...

In fact, whether it is "Kokexili" or "Nanjing", Lu Chuan has major flaws in his plays, and what is very uncomfortable is that Lu Chuan always stands at a moral commanding height, making it difficult to criticize his films. For example, we will respect "Kokexili" because of its hardship, or praise him because of its courage, but none of this can conceal Lu Chuan's serious failure as a screenwriter and director.

What is the essence of the Nanjing Massacre? - It is a beastly act.

What is the essence of the Japanese army? - It is a bad person.

This is the final conclusion. If all reflections are derived, it is fart.

This is also the initial starting point. If all reflections deviate from this starting point, it is also fart.

No matter how abused the word "big right and wrong" has been abused, we still have to say: big right and wrong cannot be confused.

"Nanjing! Nanjing!" takes the Japanese army as the perspective, but in fact, it may not be a useful attempt.

It is understandable to take the Japanese army as humans rather than animals. Many of the Japanese army are not born evil, so that is natural.

But you must not show the Japanese army so warmly and compassionately, and even let two Chinese people go and commit suicide by drinking and shooting.

In a group of Japanese troops who can use murder as a competition to entertain, Kadokawa can have roles like this, but how can he play the leading role?

Kadokawa is too "normal", so normal that there is no extreme. Will such an abnormal atrocities as the Nanjing Massacre be a group of "normal" people?

Let's just change the name to "Kakukawa! Kadokawa!"...

Art has no borders, but artists have borders. Lu Chuan might want to use this subject to pretend, so that the audience can think that he is an artist who has transcended national boundaries. Who knows that most Chinese people don’t buy it?

This movie gives people the feeling that there are seven petals on a flower, and the other six petals are big and gorgeous, while the remaining one is small and ugly. Lu Chuan insists on pointing at the small petal and saying that it is ugly. What can others do? He is right, you can't refute it, but it's just a disgusting!

"Nanjing! Nanjing!" is not a bad movie, but it brings more disappointment than any bad movie.

Even if "The Promise" is made into a piece of shit, everyone has smiled, but they just feel sorry for the money they pay.

But "Nanjing! Nanjing!", you are moving on the theme of the Nanjing Massacre, and you are sorry for the two exclamation marks in the title of your movie.

Of course, this theme does have its own difficulty, and none of the previous films with the same theme were considered successful.

Maybe we can indeed say: there is still controversy in how we view history, and it is still "not yet time to discuss Nanjing."

But the problem with this movie "Nanjing! Nanjing!" is not how to view history at all, but whether history is respected.

A movie that plays tricks everywhere is wrong, but it is wrong.

Jiang Wen said it very well, "I am very opposed to those pseudo-humanitarian works, which means that it is necessary to reflect that the Japanese are raised by their fathers and their parents - it must be clear that they are Japanese fathers and Japanese mothers. Human nature is not necessarily good. Under certain conditions, such as in war, it may be evil."

So, it is understandable that such a movie has a poor box office...

By the way, during the promotion, Lu Chuan promised that as long as the box office of "Nanjing Nanjing" exceeded 150 million, he would go naked.

From now on, Lu Chuan doesn't have to run naked...

Good!

...

In addition to "Nanjing! Nanjing!", which accounts for 30% of the filming schedule, Wang Jing's "The Empire of Money" was also released on the 29th. In addition, there is also a "Wolverine" scheduled to be released on May 3rd...

The schedule chosen for "Love has a Next Life" is not very good!

At least that's what the industry thinks!

Then, at 0:00 on the 29th, the midnight show of "Love Has a Next Life" set a record for the midnight show in 2009 with 31,000 people watching movies and 1.01 million box office.

On that day, "Love Has a Next Life" ranked first in the single-day average film ranking among the top 15 cities in the country with 36.02%...

The box office was not disappointing. On the first day of 32 million, it won the first day of box office championship in 2009. Not only that, Weibo, Tieba, and some newspapers and magazines are filled with praises about "Love has a Next Life".

“A very beautiful movie!”

"I really admire Yu Feihong. The first time I became a director, I dared to edit and direct, and act together. The story is complete and the characters are portrayed well. It tells a very sad love story, which is quite good!"

"I finally saw a normal story..."

On the second day of the release, the scale of "Love Has a Next Life" expanded again, and the schedule reached 42%...

Once again, it won a single-day box office of 34 million...

The audience who were originally somewhat suspicious bought tickets immediately, and they did not want to miss a domestic masterpiece.

Manipulating the box office is probably the most traditional marketing method of Chinese films.

The difference is that at this stage of original time and space, due to the opacity of information and the backwardness of the secondary market, the issuer dared to swear unscrupulously - there is no regulatory agency anyway...

After 2011, information became more and more public, and multiple mobile software could view box offices in real time. The phenomenon of boasting was basically gone, but it turned into a new method of fraud - self-produced and self-selling.
Chapter completed!