"Southern Weekend" is one episode a week, and Zhang Junsheng is indeed on the cover, with the title "The New Navigator of Domestic Movies"!

This title is very important!

New Pioneer!

Who is the old one?

You want to create a world, have you asked them for their opinions?

However, in the eyes of a group of movie fans, Zhang Junsheng does represent the hope of Chinese films!

And the purchasing power of this group of movie fans is very strong!

So, the 500,000 copies of the "Southern Weekend" were launched and sold out immediately. As a last resort, 500,000 copies were printed. In just two days, they were sold out again...

It directly refreshed the sales of "Southern Weekend"...

The sales volume of the "Four Big Flowers" episode was only 600,000 copies...

Zhang Junsheng’s ability to sell goods is so powerful that it is awesome!

Unfortunately, Zhang Junsheng rarely receives exclusive interviews, and even if there is, he will give "Three Links"...

There are many discussions on the Internet, some are monopolizing the film industry during discussions, while others are discussing art films and commercial films.

"China Film Monopoly is undisputed to reach the facts, and it is even more firmer than the family planning policy!"

"China Film Group has established 7 cinema chains through its shareholding, signed contracts to join more than 400 cinemas, and its box office accounts for about half of the national market share..."

"I also have a movie channel!"

"Dongyang Media's masterpieces, "1942" and "Mobile 2" are all loaned to China Film Studio for distribution. This shows that China Film Group has reached a point where no one can compete with it and everyone can all join forces with it. This monopoly in the film industry is like PetroChina in the energy industry and China Mobile in the telecommunications industry, which may not be a blessing to the industry!

I admire Zhang Junsheng’s courage to fight against Zhongying. Although I don’t like this person, I have to say that Zhang Junsheng is an indispensable figure in the Chinese film industry!”

"The market has to compete fairly, and you can make more money if you have the ability. How can you rely on policy support?"

"Movies are an art. Simply using box office to measure quality is too bad for colleagues. However, under the current conditions of China's film market, paying attention to box office and the feelings of ordinary audiences is more valuable than talking about art. Because over the years, countless film experts have almost 'talked' Chinese films to death, and art has become the best excuse for directors who do not want to be responsible to the audience to excuse themselves for their incompetence."

"The new century is about to be in its tenth year. Among the younger generation of directors, those who are good at 'talking about art' are increasing. In a vicious cycle without market reference, most of these young directors are less and less able to make movies, and they will only rely on small quarrels that "touch the soul" to gambling!"

"In fact, the narrative level of Chinese genre films is still at the level of the 1960s. A single thinking runs through the end from the beginning and cannot arouse the audience's interest at all. "Crazy Stone" proves that many Chinese directors are still playing with commercial films casually, and the younger generation is finally willing to tell stories honestly!"

"At present, China does need a big-name movie like "Crazy Stone". But a good box office does not mean a good movie. If you watch a real good movie, you will think about it. But what can you think about it after watching "Crazy Stone"? No! I'm sure such a commercial movie is just a passing cloud, and you won't remember anything after being crazy!"

"The pen on the upper floor has been approved!"

"Shad Pen 1..."

"If you have any problems, movies will bring people to think. Why don't you say crosstalk, sketches will bring people to think? Do we Chinese audiences lack education?"

There are all kinds of quarrels between the media and the Internet, but the initiator Zhang Junsheng never spoke up. Even his Weibo updates have not been updated for three days...

Many people speculate that Zhang Junsheng would not be interviewed, right?

Until noon, Zhang Junsheng released the latest news ‘with Lucbesson at the Europa Film Studio!’

...

Zhang Junsheng visited France and Luc Besson personally met.

The two came to Europa Cinema...

Lucbesson's greatest contribution to French films!

The Cinema City is located in the suburbs of the north of Paris, close to Carrefour Pleyel Metro Station.

It covers an area of ​​60,000 square meters, 15,000 square meters of office space and 12,000 square meters of comprehensive venues, including: temporary on-site production office, actor lounge, art prop studio, storage room, photography equipment rental company, lighting equipment rental company, post-production company, restaurant and cafe, etc.

The soundproofing studio covers a total area of ​​10,000 square meters, is equipped with air conditioning and a working ceiling covering the entire studio. Five of them are equipped with a 3-meter-deep swimming pool for underwater shooting.

There have been numerous films, advertisements, TV shows and music films here.

"There has never been a large-scale film and television city in Europe. Five years ago, I contracted a used factory in the former French Electric Power Company and wanted to transform it into the largest film and television city in Europe."

"Our goal is to receive crews from all over the world to come to France for filming!"

"In five years, it is almost ready to be put into use! The biggest feature of the cinema is that it completely synergizes the studio and other supporting facilities of the cinema."

Lucbesson's assistant walked and introduced enthusiastically.

"Now, we have already settled here with Lumier National Film Academy, European Media Group, Europa Films, and Von Delin Conta Media Group, and have built nine studios!"

Zhang Junsheng visited with great interest...

Since we want to acquire media companies with distribution capabilities across Europe, there are not many choices. The film industry across Europe has long been no longer the last century under the impact of Hollywood. Most of the remaining film companies in various countries are independent film production companies. Relying on the support of the country, it can barely fall...

EMI Film Company and Gaomeng Film Company have long been no longer the pioneers of the film industry in the past!

France, or in Europe, the two largest film companies were Gormont and Edai. The history of their two companies was almost the history of early French films and even the entire European films. The glory of the two companies in their early days has become the pride of the French film industry, but now, both companies are like the sun that is about to set, and are a little shaky.

In contrast, Edai is better. They shoot and screen the films together, and not only base themselves on the fiercely competitive France, they devote a considerable portion of their funds and energy to the United States. Through cooperation with Hollywood companies, Edai is still the largest film company in France.

But Gaomeng Company is different. Its business is now tightening and its control over the French film market has been declining year by year. In particular, it has given up filming and only focusing on the production of film-related equipment, and it does not know how to cooperate with advanced companies. This has always put them in an extremely unfavorable position in the process of competing with EDA.

Coupled with the rise of Europa Film Company, Gao Meng has long been in debt!

Zhang Junsheng's goal at the beginning was Gao Meng. After a while, he gave up...

The one who stepped on the horse actually regarded Zhang Junsheng as a Kaizi. Not only did the lion offer a big offer of 800 million euros, but he also asked China not to participate in the management.

Look at how proud you are, so awesome, to destroy yourself to bankruptcy?

As for Baida, their offer price also exceeded Zhang Junsheng's expectations...

If you didn't plan to have any intersection with Lucbesson, now Europa Film Company seems to have become the only choice...

As for MK2, it is a prosperous company and it is not short of money!

...

Luke Besson had already found out about Zhang Junsheng’s goal - overseas sales channels!

So, he said as soon as he came up: "We have global distribution capabilities!"

“…I want to set up my own distribution channel, not look for an agent!”

Zhang Junsheng refused Lucbesson without thinking...

He saw the strength of Europa Film Company, and what about?

Take a share and become a small shareholder, and give your movies to them to publish?

Are you sick?

Any of the six major Hollywood companies has this ability!

"I'm sorry that day, Zhang..."

Luc Besson only covets Zhang Junsheng's funds, but he did not give up the Europa Film Company he built himself!

"However, we can work together to create several movies!"
Chapter completed!