D: Doesn’t Lynch now have a babysitter? He directly upgraded Luffy and his gang to the full level on the spot. This is not a babysitter...

Y: If you look at it carefully, isn't it because Lynch didn't want to be a nanny and felt that it would be boring, so she spent a year to upgrade everyone to the full level?

D:?

Y:?

Y: (laughing) It is precisely because Lynch is so strong that he has enough time to give up all the bosses in the second half to Luffy. It is also precisely because Luffy has directly reached the full level, so there is no need for Lynch to specially intervene to help.

Brush the BOSS.

D: All the bosses in the second half are given to...then there is only one Kaido? Oh, and there is Blackbeard. Auntie, Dover has been booked a long time ago, Caesar of Ice and Fire Island is gone, and Dressro

I didn’t go to Sa, and I didn’t go to Zuowu Island either…

Y: It was precisely because they knew that the Straw Hats would not go to Zou in the follow-up, so Lynch and Robin went there in advance and got the red stone; precisely because they did not want to write a Tokushima chapter, Lynch solved Tokushima in advance

To avoid hidden dangers, he went to the North Sea and killed Doflamingo... This is actually a bit like the "looking for trouble" type I mentioned above, but after all, it is not about helping the plot characters for free, but looking for trouble.

Trampling one to death...so it feels okay. The former is a pure benefit to the protagonist, while the latter can also gain some combat experience and the like.

Y: Back to the topic just now. The situation before us now is this: when the New World chapter is on board, the protagonist must be extremely strong, preferably to the point of transcendence; I also want to write the first half of the story,

But to be honest, I have a very good impression of the first half of the story, and I don’t feel the need to make huge changes - but if I don’t change it, I need a reason. My first reaction is: Wouldn’t it be great if the protagonist had a reason not to act casually?

Well!

D:...Are you waiting here? So the reason why "B.I.B" has a setting of "the longer you leave the main body, the more fatigue you will accumulate" is just for getting on the ship?

Y: Let's divide the protagonist into two people! It's such a simple idea. So if you want to write it like this, the other protagonist must temporarily go offline, otherwise there is no reason to think of ways to solve the reasons why you can't take action casually, and stay on the ship honestly...

…At that time, I happened to be watching the fifth JOJO animation Golden Wind, and I felt that avatars were very suitable for this idea, so I used it.

Y: Why did you stay in Nine Snakes for so long? Because you want the protagonist to be "related" to Robin and Luffy, hoping to weaken the discomfort of boarding the ship later; why did you meet Robin at the beginning, and for a long time?

There is only Robin as a companion? In fact, this is to pave the way for the protagonist to drop out in the mid-term. The original plan was to attract the pursuit of the World Government because of Robin's identity being exposed... But after reading this, this does not seem to be convincing.

It's enough. There is no way to make the protagonist disconnect, so I have to introduce Im in advance. Lynch is a fan of Robin in the setting. I'm sorry that I am not. I like all the beautiful characters in One Piece, but it's a pity that in this book

In the plot arrangement of the book, the heroine at the beginning can only choose one from Robin or Nami, and Nami is obviously not as suitable as Robin. It was actually an accident that the empress became the second heroine... When I wrote about Nine Snakes,

I just suddenly remembered this thing. Because of the empress’s charming setting, I convinced myself to let Lynch, who didn’t have a harem mentality, hug me. Because only exceptional empresses have such a trace.

Robin also accepted the possibility, and other female characters, such as Haina, Ayu, Nami, Shirahoshi... No matter how much I thought about it, I had no choice but to forget it.

D:...I haven't recovered from that sentence that the protagonist must be disconnected.

D: Speaking of which, do you have a habit of torturing your master? You were torturing your master in the last book, and this one is coming again. Will it be finished?

Y: Regarding this point, I can only say that I couldn’t stand the early stages of the previous book... In this book, as mentioned above, there are a lot of explanations. The purpose is not to torture the protagonist, but to...

Let Lynch go offline. I also tried my best to enjoy the time when Lynch was offline...

D: Robin's only two character labels, one of which is "Nicole Robin's ten years of autism", you call this nourishment...

Y: It can only make her autistic. Should it be written like this: the protagonist is sitting in jail, and the heroine is playing happily outside... This is actually the reason why Robin was chosen at the beginning. To put it bluntly,

The character Robin itself has an autistic gene in the comics, so it would not be inconsistent to write it at this time. For the same reason, I think the plot must also be unfolded from Robin's perspective...

If you put the perspective on Lynch's side, after ten years in prison, he looked up and saw that his wife and a group of people came to find him in a lively manner. The impression would be a bit strange. In view of the fact that it is written this way, some people even added

The group was angry about "cuckolding" and "giving away the wife" and other arguments that were difficult for me to understand. I really can't imagine what the reaction would be if I skipped Robin's perspective and only wrote about Lynch...

D: In short, to put it in one sentence: You want to write about the boat, but now this is the only way you can think of and are willing to write the way you like to write about the boat, is that right?

Y: Pretty much.

D: In that case, why didn’t you indicate in your profile that you were following a boat?

Y: In that case, there will inevitably be a situation like this: I want to read the introduction because I came in and read tens of thousands, hundreds of thousands, hundreds of thousands of words. Why the hell haven’t I followed the boat yet? I’m so worried.

?On the other hand, I also have this idea after all: as long as I try to write the atmosphere of the first half of the story in a more comic style and more "straw hat", it may not be impossible for people to get on the ship in the second half.

Sometimes, it’s easier to accept it... Taking a step back, even from a utilitarian point of view, if you mark "Following the Boat" in the introduction, someone might boo "It's boring, anyway, the follower is the follower, and the front is the follower."

"The more interesting it is, the less interesting it is." If I receive feedback like this all day long, I doubt whether I can finish writing this book.

D: It sounds so nice, don’t you just want to trick more people into coming in to see it?

Y: It’s okay if you insist on saying this. I would also like to apologize to the readers who couldn’t accept it even after reading this and were “hurt”. I did not mean it subjectively. This is the fundamental structure of this book.

Regarding the contradiction, I have tried my best to improve the reading experience around the line of boarding the ship. If more than one million words are not acceptable, then I have no choice. At least I have more than one million words, so I will leave it there.

That’s it! Finally, I personally feel a little helpless that even though I am a fan of One Piece, the elements of “following the boat” and “leaning towards the Straw Hats” are regarded as stinking shit that I can’t avoid and need to be specially marked with advance warning...

...One thing to say, when I wrote this book, I felt quite tired of the One Piece theme...

D: You won’t write pirate stories anymore?

Y: I will write two more books.

D:?

Y: (laughing) This is an idea I came up with when I was upset in the second half of writing this book. I used Lily to give birth to Lynch at different points in time to create two other fan stories. The general direction and ending of the two books are as follows:

I almost thought about it without paying attention. It would be a pity not to write it. Especially since the title and introduction of one of the volumes have been finalized, ["Brigadier General Qilin, may I ask why you chose such a remote Nanhai branch in the first place?

Instead of the Navy Headquarters in Malinfando? I think everyone knows that with your talent, you can easily pass the enlistment assessment in Malinfando." "Because it is closer to home."], even just for this introduction, I would

I want to fix it.

Y: But I shouldn’t write it right after the next book. Because when I say I’m bored with the pirate theme, I mean it... take a breath first.

Y: As for the third One Piece book, I decided to wait until Oda finishes drawing One Piece and the manga story is settled.

D: You have thought a lot. Okay, I have written so many testimonials, which should be enough to push the word count of this book to three million. Anyway, there is no charge for testimonials, so there is no need to write any more. That’s it.

Let’s make a final summary!

Y: (laughing) According to the set outline, I managed to stay on track and successfully finished writing a novel. This was another experience that I had never had before, unlike writing in a haphazard manner like a headless fly. (

Especially after finishing Haina, I completely perfected the follow-up outline at that time, so the update speed suddenly became steady and fast after that). In short, I am very happy to have finished writing this book.

D: What else?

Y: Chapter head serialization is such a genius idea! Mr. Luo from next door said that this thing is very easy to use for word count! The chapter head of the battle on the top is my favorite. The chapter head serialization and the main text are perfect.

Sync, awesome!

D: What else?

Y: Flirting with boats, only idiots write about it. I am an idiot!

D:……
Chapter completed!