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The smoke was rolling on the stage and I couldn't see clearly.

Only on the large screen hanging above, there are two lines of traditional Chinese characters that seem to be written by a dead man with all his strength.

——Ten thousand years is too long, I have to seize the day.

This sentence undoubtedly stunned many people at the scene.

What's the meaning?

What is He Xiao performing?

But on the stage, thick smoke was blown away by the wind at this time. A figure was wearing white ancient clothes, and there was no sign of the dynasty. It was a bit tattered. It was accompanied by the sound of a harp. It stared forward and raised the microphone.

"Once upon the time, now, I've passed, I won't come again."

"Red red, fallen leaves, buried in dust."

At his feet, the stage effect changed, and a dynamic pattern of a circular range appeared, which was an endless vast desert. Combined with the songs and singing, a feeling of desolation and loneliness was created immediately.

It is as if a person is old, walking alone between heaven and earth, looking at the hustle and bustle of love and hate in the world, but his eyes recall the ups and downs of his life.

The audience was immediately pulled into that artistic conception and felt inexplicably sad.

At this time, the harp, flute and other instruments left the stage, and a erhu suddenly rang out, as if the king of the song had arrived, which immediately brought the feeling of the whole song to its peak.

The audience suffocated their breath, frowned, and stared at the stage without blinking.

"The beginning and the end are always there, there is no change."

"You are wandering in the sky, outside the white clouds."

On the stage, a lyrics were sung, and then the voice suddenly rose:

"The sea of ​​bitterness, love and hate."

"In the world, it is hard to escape fate."

He took a step forward.

"It's impossible to get close to you."

"Or I should, believe, it's fate."

The singing is ups and downs, accompanied by the melody, and every word is gripping.

"This song..."

In the backstage, Xie Yan, who had left the stage, looked surprised and listened carefully. Finally, he couldn't help but sigh and gave him a thumbs up.

"He Xiao is really a genius who comes out every once in a century."

Long Yelin, who was standing by, also commented that he also left early, his mentality had already calmed down and no longer worried about gains and losses. After all, the result was settled.

At this time, the two sat together, exploring the performance on the stage in the posture of a bystander.

The indoor camera records this scene. Although there will be no scenes of them on the live broadcast, they can be edited in the exciting and exciting scenes or extended versions of the program video.

...

Front Taichung.

The performance is continuing.

"Yeah...Yeah..."

After He Xiao's high notes fell, a female voice suddenly appeared in the other direction. She hummed gently along with the melody, but it seemed to be better than the most beautiful music in the world, and it was extremely beautiful.

Everyone looked in that direction in unison, and the cameraman also gave a close-up, and saw a beautiful woman appearing on the other end of the stage and walking forward step by step.

He Xiao closed his eyes and sang: "Lovers, after we get off, we will never come again."

The female voice continued, "Disappearance."

She was wearing a red long gown and enthusiastic, and she approached step by step, which amazed forty thousand pairs of eyes and time.

He Xiao opened his eyes and said softly: "Speak silently, sit alone, look around, outside the world."

Zhang Ya approached him and stood not far away: "I hope to continue the future."

He Xiao sighed: "Although flowers will wither."

Zhang Ya held his hand: "I just wish."

He Xiao looked up: "But it will open again."

Zhang Ya continued to say harmony: "For you."

He Xiao: "The love I love in my life is vague."

Zhang Ya: "Waiting."

He Xiao: "Beyond the white clouds."

Zhang Ya: "Looking forward."

The song was ethereal and distant, as if the immortal sound came from outside the sky, and everyone in the audience was intoxicated.

At this moment, the two suddenly turned around, then their right hand was against their left hand, slowly clasped each other in the air, clasped their fingers together, stared at each other's eyes, and sang loudly:

"The sea of ​​bitterness, love and hate."

"In the world, it is hard to escape fate."

"Blind dates are inaccessible."

"Or I should, believe it's fate."

The song reached its climax, as desolate and lonely as ever, full of sorrow and scars.

The audience fell silent without realizing it, and some people were even more touched, as if they were being evoked by music, and their eyes were actually filled with tears and were spinning in their eyes.

This touching song is also quite famous in black mobile phones. It is called "Love in Life".tv mobile phone/

It is a song written by Tang Shuchen, composed and sung by Lu Guanting. It is written in the ending song of Stephen Chow's classic movie "A Chinese Odyssey: The Great Sage Marriage". The song describes the process of a boy growing into a man, expressing a helpless and sad lovesickness.

As one of the most influential works of the comedy King Stephen Chow in his career, the movie "A Chinese Odyssey" is undoubtedly the youth of a generation.

And its interlude "Love in a Lifetime" is a song that many people cannot touch.

It is said that when the song was written, the director of the movie Liu Zhenwei said that this love was fruitless for five hundred years. Then Lu Guanyan got goosebumps and the melody came out when he got home at night. When his wife Tang Shuchen was writing, she was also moved by the "five hundred years of love miserable sea" and completed the compilation of the lyrics in just two hours.

This song is undoubtedly excellent. Even if the influence of the movie itself is put aside, its lyrics and artistic conception are insurmountable classics.

A helpless and sad lovesickness that can’t be said, there is nothing to say, there is nothing to say, just listen to this song quietly.

Some people say that when you truly understand "American Journey", you really understand love.

Then, when you understand "What I Love in Life", you really understand what sadness and helplessness are.

Such an excellent song, in the world of black mobile phones, there are many natural covers.

But at the end, I found that Lu Guanyan and Karen Mok sang the most interesting thing.

The kind of resonance and mastery of emotions and the sense of substitution are not comparable to ordinary singers.

Stephen Chow also loves this song very much. In "Journey to the West", "What I Love in My Life" is still used as the theme song, but it is in the Mandarin version.

At the end of the song, he added a sentence "Love is still here" to miss his emotional journey in his life.

We also encourage everyone that love cannot be on the spot, and that ten thousand years are too long, and we have to seize the day.

But maybe only he knows who Stephen Chow’s "The Love of Life" is.

He Xiao chose to take out "What I Love in My Life" to participate in the competition today, which is actually a risky element.

After all, there is no movie "A Chinese Odyssey" in my own world, so naturally there is a lack of bonus points for sentiment.
Chapter completed!