The first volume of "Beautiful Jade Decorated with Luoying" is finally over.

In Xiaorong's grinding and whining, I finally finished writing.

The next volume is currently being prepared to be called

"I want to get to know you"

Well, you can probably understand the name~

Let’s summarize the first volume.

From the title of the book that entices everyone to read, the introduction, and the first ten chapters are all related to Qingjun's story.

Zhao Rong is also looking forward to the most meeting with Qingjun.

So the main plot of the first volume is actually Zhao Rong sending jade and meeting each other.

However, one thing must be admitted. The two copies in the middle take up more than half of the page.

Only the next twenty or thirty chapters begin to write about Qingjun.

This is the plot of the meeting that everyone is most looking forward to at the beginning, but I don’t know how to write it...

Therefore, the plot of the first volume is logically reasonable, because the gift of jade goes by in a flash, which cannot be that fast in reality.

But as a novel, especially for a newcomer like Xiaorong, writing like this is a suicide.

So I jumped on the street.

However, if he had to start from scratch, Xiaorong would still write the copy of Zhongnan Mountain and Da Wei.

Well, many brothers say that Su Xiaoxiao, who steals the show, can also write.

Because this is Xiaorong's first book, and he has progressed and grown by writing these few things.

Writing about Mount Zhongnan and writing about the Wei Dynasty is a way to practice the writing skills of this story.

When writing Xiaoxiao, I exercised my writing skills in writing emotional dramas.

I wrote Liu Sanbian, Lin Wenruo, Lin Qingxuan, Lan Yuqing... all to practice writing characters.

But if I had written directly from the beginning that I had found Qingjun and met her.

Then I will probably scrap the first volume directly.

There would be no more sword girl now.

Of course, there is another possibility... maybe it took off, ahem.

one way or another.

Xiaorong writes like this, which increases his error tolerance and allows him to write Sword Girl as well as possible.

However, it is easy to dissuade too many book friends who have just read Sword Girl.

Except for you who have endured for various reasons and read these words here, others will not and have no obligation to pay for Xiaorong's growth.

There is nothing wrong with that.

Because the positioning of online articles, except for people who love it, is actually a commodity. Others don’t care how your product is made. Your product only has two impressions on others: good or bad.

That's too far.

Pull back.

Let me first explain some questions that brothers often ask.

First, the relationship between the protagonist and the heroines is generally not abusive. At most, there are occasional short-term twists and turns, but it will also be very short, and it is mainly sweet.

(Sword Girl has multiple heroines, but not too many ~ and only those with emotional lines are accepted.)

second.

When Xiaorong was typing, he didn't read the news or comments. It wasn't that he ignored his brothers...

I'm just afraid of being distracted, and sometimes seeing bad comments will affect my coding status.

So I usually reply to messages and comments, um, and Shuiqun only after I have finished coding the words of the day.

Zhao Rong will take time to read everyone's comments and news.

Anyone who can easily reply will definitely reply!

Third, regarding Zhao Rongzha.

In fact, this is also my fault, because I am a science major and pay attention to the logic of the story.

The characters, dialogues, plot development, and emotional changes all try their best to be logical.

Therefore, it is inevitable to write that the protagonist "cheated" the innocent Xiaoxiao to some extent.

In fact, I could have used a vague approach, writing that Xiaoxiao didn't ask Zhao Rong if he had a woman at all, or that they separated directly in Duyou City, and Xiaoxiao didn't stick to Zhao Rong.

I have read many books before, and they all deal with it this way. There is only a vague reason for the vague treatment.

But I feel that when I think about it carefully, there is no sense of reality or logic.

So, well, Zhao Rong had to die.

This is the consequences.

But in stories with many female protagonists, the protagonist is a scumbag no matter what.

As long as you have a sense of responsibility and live up to the heroines, it's fine. It's okay to be overbearing and carefree.

Of course, Zhao Rong can also choose to tell Xiaoxiao directly that Qingjun is here.

But, how can I put it...actually it's good to have some Shura field, which makes the plot richer.

Anyway, Qingjun and Xiaoxiao should not have a life-and-death fight later on, and the two are not in a grudge-like situation.

Our slogan is to have it all.

But Qingjun is the first heroine, which was decided from the beginning of the book.

in addition.

Xiaorong's feelings are more idealized and beautified.

But Zhao Xiaorong will try his best to write it as truthfully as possible.

So, brothers who understand real emotions very well, please don’t laugh~

Fourth, the main storyline of Sword Girl in the early stage is not to upgrade.

This also creates a problem.

Although the dungeons of Dawei and Zhongnanshan are both protagonists, they finally turn the tide and advance the plot.

But these are conflicts created by others, and the protagonist only joins them halfway.

It will leave some readers without a sense of belonging.

The reason is that there are two ways to write a story to advance the plot.

One is that the protagonist creates the general trend. (This is the most fulfilling)

The other is to be swept up in the general trend of others and participate in it.

The main plot in the early stage is not focused on cultivation, and the protagonist’s cultivation level is low.

In addition, the protagonist left Dachu at the beginning and went to a wider world, instead of growing up in a small pond that was easy to climb to the top.

As a result, the protagonist cannot create a general trend.

You can only choose the latter method.

However, this situation will gradually improve. In the new volume, there will be no more running around. The protagonist will grow steadily. Well, there will be Qingjun and Xiaoxiao accompanying him, which is comfortable~

But then again.

As soon as the game starts, the protagonist runs around, leaving the Novice Village, as if traveling, heading to a high-standard dungeon. This is a big taboo for the author, and this writing method that goes against the mainstream, will it give readers a unique sense?

I shamefully think that this may give some book lovers who are used to steady starts a sense of novelty...

In fact, this also stems from the fact that when I read books in the past, I always saw the protagonist climbing up from the bottom step by step, and the linear writing method of changing the dungeon step by step felt boring.

And the idea emerged that "the protagonist starts out useless, and is very desperate not to stay in the novice village, but to run outside non-stop, see a wider world, and clear more advanced dungeons."

This will give the reader a sense of how big the world is.

And there is a strange sense of reality, because reality is not a novel, and God can arrange our growth step by step. Many people suddenly ran outside and saw a broader world.

And in fact, we all long to jump out of our daily lives and explore a broader and new world.

Well, thinking about it this way, the popular invincible article seems to have this similar effect...

But Sword Lady is not an invincible novel. Strictly speaking, it cannot be regarded as a son-in-law novel or a soft rice novel...

But Qingjun’s soft rice cannot be let go...

Going too far again.

Pull back.
To be continued...