With the origin of the fusion plot, at the strong request of director Giovanni, who has a style of art and women, the female prisoner from "The Seventh Love Camp" was also transferred to the Sicily set by a special train. From "The Nazi Female Devil: The Cruel Crazy and Madness", the death train escorted the tragic heroines to Sicily and the warden of the No. 9 concentration camp, Ilsa, who also became the deputy director of the "Set Auxiliary Training Class".

As the heroine of the "Isha Quadrique" in the "Nazi Devil Series" of the "Nazi Devil Series", the warden of the No. 9 concentration camp, Ilsa is also one of the alternatives for the "only ecology of the class". In fact, because it is too famous in the B-level exploitation films, Ilsa has almost become an important "popular symbol" in the 1970s. Recently, there is even an official announcement that the "Nazi Devil Series" Isha Quadrique will be released on Cult Theater, which shows the long-term influence.

Under the "World War II plot fragments are similar and fusion of cross-plot time and space" in "Battle", with the strong intervention of the "SA3 Sisters Group" carrying the main line of 0326, the plot of broken time and space is continued to be promoted. The interrupted main plot is thus derived. The plot of the heroines with the "protagonist halo" is also rewritten with the continuous personal exclusive branch plot lines, successfully resisting the "plot killing" presented in the form of plot conflicts and launched, and living to the day when they meet with the "SA3 Sisters Group" on the set of the wide-rail test field of the GGL Great German Locomotive Manufacturers Federation "National Glory: Battle".

From the high-dimensional attributes of the shelter, the "plot line" is not equivalent to the "destiny line". The destiny line is simply the "destiny and luck" of the character. It often covers the life of the character from birth to death. However, although the "plot line" will also be interrupted by the death of the character. However, with the intervention of the player, after "resurrecting the dead" or "converting life form", one can still regenerate its own exclusive plot. Therefore, simply understand that the plot line of a character that has not been intervened by the outside world (player) can be partially equivalent to the destiny line. However, once a player intervenes, a special plot event like "cross-plot fusion" appears, the high-dimensional attribute of the character's plot line will be more displayed.

This chapter is not over, please click on the next page to continue reading! In other words, on the set of "National Glory: The Battle", there is also a special prison car station. The "prison car" converted from eight-axle double-decker carriages with a length of 42 meters, a width of 6 meters and a height of 7 meters, female prisoners who were transferred from concentration camps such as "Happy Camp" and "Love Camp" in various places for special shootings.

In fact, in addition to shooting interrogation scenes such as torture and whipping, they also have the function of "naked replacement" in later film sets. Although both former director Giovanni and current director Leni have extremely high artistic pursuits for real scene shooting, all necessary sex scenes are absolutely not allowed to be shot. In other words, the so-called "fighting the real army" is absolutely not allowed to happen.

The term "fighting the real army" originally originated from the Cantonese opera stage, meaning that martial arts actors do not use substitutes when performing, but use real kung fu to fight. This concept was later extended to the field of film, especially when shooting sex scenes, if the actors directly have sex without using substitutes or using prosthetic positions, it is also called "fighting the real army". In fact, there are many coded pornographic movies, but later due to mastering or technical means, they suddenly realize that they are not "fighting the real army".

So in a sense, eroticism is also an art of performance.

There are two professional cinemas that specialize in screening erotic films similar to Nazi exploitation.

Grindhouse is a theater dedicated to film exploitation in the United States. It was named after the fall of the Burlesque theater on 42nd Street in New York. In the past, it often performed sexy and sensual dances and stripteases. In the 1960s, these theaters were put into new uses, specifically for the place where exploitation films were released.

Open-air car theater, also known as "drive-free" cinema, is an open-air theater where customers park and watch it on the car. In 1932, Richard, the United States, invented this kind of screening method by using an abandoned chemical factory. In the early days, part of the sound was played in the parking lot with loudspeakers. Later, the regional radio cover platform appeared, and guests could listen to the sound of movies on the car radio. When the operational recession in the 1960s and 1970s, theater operators also began to plan ways to find old customers, and the solution was to book exploitation movies. In fact, in the 1970s, some producers directly made movies for the market of open-air car theaters, most of which were violent action movies, and some people also classified them as open-air car theater movies (Drive-in Films).

"Just like the video halls that were popular on the mainland in the 1980s, the Mofang Cinema and the open-air car theater have become a "(spiritual) utopia" in the hearts of ordinary people. When the cruelty of life cannot be avoided, fast-selling entertainment has become a good medicine to relieve pain. The Mofang Cinema's cheap "single tickets", "double tickets (watch two consecutive games)" or "home tickets" and the open-air car theater that charges cars and is lower than parking fees, have become a temporary pass to escape reality. The lonely soul who is homeless or unwilling to return is like a life-saving straw, spending a good night in the sea of ​​knife light, blood shadows or breasts and hips on the screen. The Mofang Cinema and the open-air car theater also warmly welcome them, and the two are interdependent and trust each other." - Revised from "B Film | A Brief History of Mofang Cinema".
Chapter completed!