At the wine table, Li Fan had to express his views at this time.

He leaned slightly and said, "Indeed, just as Wu Kang said, we all know that Xie Lingyun was the founder of the landscape poetry school in the history of Chinese literature. Since Xie Lingyun began, landscape poetry has made mountains and rivers an independent aesthetic object. His poems are like the first lotus, naturally lovely, and created a major school in the history of Chinese literature. Also, as Wu Kang said, his words are clear and refined, and the realm is natural, but!"

The word "but" aroused the appetite of everyone in the room.

Of course, most people on this table are well versed in Chinese studies and naturally have their own cognitive and insights about Xie Lingyun, but everyone is curious about what insights Li Fan, a 17-year-old high school student, could express.

Wu Kang thought to himself, let me see where you can go? You are a young child, but you still "but" me?"

Wu Kang probably hasn't watched the idiom conference, otherwise he might not have had such an idea.

Li Fan continued: "However, Xie's poem imitates the shape and explores the appearance of objects, and uses mysterious and mysterious principles to express his ability to portray them. He can only obtain the skin of mountains and rivers. The principles of their charm are still unrecognizable. Moreover, the images are dense and more important than realistic, separating mountains and rivers from people, and the scenes are separated, but they cannot be interpreted with emotion. The gap with Tao Qian and Wang Wei is obvious!"

Everyone nodded with satisfaction and was secretly surprised. Li Fan's words and behaviors were far beyond everyone's imagination, and his views were sharper and more sharp.

Wu Kang's face turned cold and he said, "If Xie Lingyun had not been Xie Qian, how could Tao Qian and Wang Wei come from?"

Li Fan slightly turned his wine glass and talked: "If Xie Lingyun had not been Xie Lingyun, there would have been a "soul" fortune in literary history. Landscape poetry would have emerged in literary history, because ancient literati were used to hiding feelings among mountains and rivers, especially when their careers were not smooth. From Confucius, "knowledge is happy, water; benevolent is happy, mountains" is reflected. The feelings of ancient literati who expressed their feelings in the scenery will surely give birth to the school of landscape poetry. This school is a historical product that is inevitable in the history of Chinese literature, and cannot be attributed to a single person."

Everyone smiled and nodded again, and everyone shook their eyes, thinking that this young man not only had ink, but also his own unique insights, which was rare!

Wu Kang said again: "The ancestor is always the ancestor. Without his influence, how could Tao Qian and Wang Wei be there?"

Wu Kang said this without any cultural level at all, he was completely a layman.

Li Fan was not in a hurry: "Most of the sects are problematic and immature, and they are still at the level of exploration and pioneering. In terms of artistic achievements, most of them are inheritors to carry forward the sect. Oh, by the way, I personally think that Wang Wei was more influenced by Tao Qian."

The following conversation had nothing to do with Wu Kang. Li Fan's words completely opened up the conversations of the people here. Wu Kang couldn't even speak a word if he wanted to interrupt.

Luo Yu took the lead in speaking: "Li Fan is right. Let me give you an example. Wang Wei's "Taoyuan Xing" is directly based on Tao Yuanming's "The Book of Peach Blossom Spring", while the poem "Lantian Mountain Shimen Jingshe" is about Taoyuan. The difference between the two is only the difference between poetry and literature."

Peng Dehu also said: "The sentence in "The Tianjia of Weichuan" 'The setting sun shines on the ruins, and the cattle and sheep return in the poor alleys' is similar to "The distant village is full of smoke, and the dog barks in the deep alleys, and the chickens crow on the mulberry tree.'"

Li Fan added: "The same is true for 'holding an axe to cut off the distance and spreading the hoe to see the spring veins' and 'Come and rectify the desolate and filth in the morning, and carry a hoe to return with the moon'! There is a relationship between Wang's poems and Tao's poems."

The famous scholar Liu Wen said anxiously: "I would like to say a few words: literature is a process of continuous progressive improvement. As the pioneer of landscape poetry, Da Xie has indeed made great contributions, but Xie Lingyun was deeply influenced by Xuanyan poetry and was shackled. By the time of Xiao Xie Xie, he was no longer bound to imitating natural shapes, and entered the state of fusion of emotions and scenes. He changed the obscureness of Da Xie's words. Xie Tiao has a poem that does not remember Da Qing, and the remaining clouds scattered into brocade. What is the next sentence..."

Xiaoxiao patted Li Fan's thigh with her hand. Li Fan understood and hurriedly said, "The afterglow scattered into a silky flower, the clear river is as quiet as a training. The noisy birds cover the spring state, and the mixed flowers fill the fragrant land!"

"Yes, that's it!"

...

The relatives and friends on the other tables listened carefully to the conversations of these cultural people intentionally or unintentionally while chatting for a day, and couldn't help but secretly claim to be good, and some people whispered.

"That Li Fan is OK. It's far beyond my imagination to be able to chat with those who are engaged in culture."

"I thought he could recite idioms and numbers, but he was also proficient in poetry and prose."

"You are another typical person who doesn't read the idiom conference much. If you watch the complete episode, you will know that they have this strength!"

...

Yes, if you ignore the young cheeks and thin voices in a table of a literati, then Li Fan is no different from other literati.

Everyone was still talking about Wang Wei.

Luo Yu said: "When the landscape poetry reaches Wang Wei, painting and music enter the poetry, which has both the visual sense of layered colors and the rhythm of music. It has created a delicate and vivid poetic realm in terms of sensory and audio, pushing landscape poetry to the top..."

One person said: "This is the beauty of omnipotent. Only omnipotent can write such a top-quality top with excellent audio-visual feeling. Wang Wei practiced Zen and understood principles, learned Zhuang Xindao, was proficient in poetry, calligraphy, painting, music, etc., and was good at engraving seals. He was a rare omnipotent. Only in this way can his landscape poetry have such unique wonders, compatible and full of vitality..."

Li Fan added: "In Wang's poems, mountains and rivers are the painting environment, and poetry is the painting heart, which realizes the connection between heaven and earth and all things, and also improves the pursuit of art to the state of unity between man and nature. The beauty of the management structure, the beauty of light and color, the beauty of sound and rhythm, and the beauty of vivid aura. These four beauties jointly highlight the uniqueness and difficulty in replication of Wang Wei's poems..."

Mr. Xiao took a sip of white wine and said happily: "Like the sound in the air, the color in the face, the moon in the water, the image in the mirror, the words are endless but the meaning is endless!"

As these literati and poets talked to a deeper level: Wang Wei and Zen Buddhism.

"Wang Weisu has the elegant name of poetry and Buddha. In the early stage, he was greatly influenced by the Northern School, and in the later stage, he mainly focused on the Southern School..."

Li Fan said: "Wang Wei's mother worshipped the Buddha for more than 30 years. Wang Wei's name is Wei, and his name is Mojie. It is read in succession as "Vimalakirti". There is a "What Vimalakirti says" in Buddhism. This sutra focuses on Prajna, which is one of the fundamental classics of Zen Buddhism. The name of the poet comes from this, which is quite profound... For example, the concept of "no birth" in many poems is an example of belief in Buddhism."

Luo Yu recited a poem: "Remembering the past when you were in the sun, I asked me that I had no life in my studies."

Another person said: "There is another sentence: If you want to know how to eliminate old age and illness, you can only learn but not live."

...

Mr. Xiao said: "The sound of the spring is swallowing the dangerous stones, the sun is cold and the green pine trees are cold. The pond in the sky is curved in the evening, and the poisonous dragon is created by the "Piracy of the Nirvana Sutra"!

Li Fan continued to say: "This poem is very similar to the verse of the Northern Sect Shenxiu: the body is a Bodhi tree, and the heart is like a mirror platform. Wipe it frequently and don't let the dust get involved!"

...
Chapter completed!