Tsui Hark was already a very outstanding figure in Hong Kong in 1986. Although his famous work "The True Heroes" directed this year will not establish his status as a top director in Hong Kong until August is released, thanks to his previous achievements, Tsui Hark is still a well-known figure in Hong Kong's small entertainment circle.

So before Chen Yu and others finished their dinner, someone came to report to him what he was asking about.

"Miss Akina, you asked me to inquire clearly." After hearing the news from his subordinates, Tsui Hark asked Akina Nakamori: "Will Mr. Kondo go to Disco with the organizer of the concert here in the evening. Will Miss Akina hit him?"

"Ayan just likes to play! Where are they? Are they far away from here? If it is convenient, I can just go there by myself." Akina Nakamori seemed unwilling to bother others, and only planned to go over and give him a surprise after knowing where his boyfriend was.

However, Chen Yu suddenly said from the side: "It seems that people say that the Hong Kong Disco is very good, I have never seen it yet! Why don't you go there together after dinner? I will pay the fee, just treat it as asking everyone to be relaxed."

"Hahaha, no matter how I say it is, I am at home, how can I let Mr. Chen Yu spend money? I should pay this money. I originally said I wanted to invite you to play." Tsui Hark also followed Chen Yu's words at this time, expressing his desire to do the best of the landlords.

The two of them were scrambling to pay the money tonight, but in a few words, they decided to go to Disco tonight, which made Akina Nakamori, who was standing aside, feel a little embarrassed because of her little willful request to let so many people accompany her. So she also said, "If you don't have the money, I'll pay it. This is because I want to meet Ayan. If I have to pay the money, I will feel very sorry."

Hearing Akina Nakamori say this, Chen Yu directly stopped her from thinking: "Akina Chan, you say this, it's too high to look at these men. Going to disco at night is not a troublesome thing for them, and it's a pleasure for them to treat someone! Everyone is afraid that they are still expecting to have an affair at night! If Akina Chan, you pay for it, they may be unhappy, so I'll do it."

"Ah! Is this what you men think about?" Akina Nakamori deliberately showed anger and disgust on her face when she heard Chen Yu's words, but she quickly smiled: "Fortunately Ayan won't do this."

After hearing Akina Nakamori's words, Chen Yu knew that the scumbag hadn't revealed her nature in front of her at this time, but Chen Yu, who knew what that beast was, would not say much at this time. After all, speaking bad things about her boyfriend in front of Akina Nakamori would only make her feel unhappy without evidence, and she hated you.

However, Chen Yu still said jokingly: "Whoever goes to Disco doesn't want to encounter a romantic encounter, I'm afraid only Mingcaijiang's boyfriend has this kind of concentration. But if I had a girlfriend like Mingcaijiang, I probably wouldn't have thought about any sexual encounters. After all, how could the women I met in Disco be as beautiful as Mingcaijiang!"

Chen Yu's words seemed to be a compliment, but in fact they were putting a trap on the scum because he knew clearly that with the nature of that beast, it was harder to make him not care about women than to let dogs not eat shit. When Akina Nakamori caught him hunting for beauty at night, this sentence would shake Akina Nakamori's affection for him.

Although it is not very effective, Chen Yu's next method of dealing with the scum of the beast requires such a bit of shaking Akina Nakamori's trust in him, because only in this way can Akina Nakamori recognize the true face of the beast who is inferior to that beast.

However, thinking of his plan to make the beast doomed, Chen Yu couldn't help but turn his attention to Tsui Hark. The plan requires the help of Hong Kong locals, and Tsui Hark, a great director who has a good impression of Akina Nakamori and is still in Hong Kong, naturally seeks the goal of cooperation with Chen Yu.

As for whether Tsui Hark is willing to help? If everything goes well tonight and Akina Nakamori sees the true face of the scum, Tsui Hark should be very disgusted with that beast. It would probably be a big problem to ask him for help. If it really doesn't work, just ask him to introduce him. He doesn't need to participate in anything. I believe Tsui Hark should still be a little bit of a face in this small matter.

After making up his mind, Chen Yu did not continue to say anything, but instead focused on dealing with the delicious food on the table.

Although Tsui Hark did not take them to eat Buddha Jump over the wall today, he also brought them to taste the local pot dishes in Guangdong. It seemed that the difference between the Buddha Jump over the wall was really great. Even Akira Nakamori, who wanted to control his figure, ate a lot.

After dinner, the group drove to the discco where the scum Tsui Hark had already found.

Sitting in the car, Chen Yu accidentally heard a news that the organizer specially invited Anita Mui to entertain the beast. This made Chen Yu feel more and more that God was helping him, asking him to solve this scum at once and save two people at the same time.

This naturally made Chen Yu feel better. He talked with Tsui Hark on the topic of filming along the way.

However, Tsui Hark and Chen Yu had differences regarding the film being filmed in Hong Kong.

Chen Yu is more inclined to find a real Buddhist temple to shoot on RB, while Tsui Hark adheres to the usual idea of ​​Hong Kong filmmakers, and can do it with sets in the studio, and never go out to the outdoor scene. He wants to set up a studio to shoot in Hong Kong.

Chen Yu naturally hates this kind of money-saving practice and seriously proposes that even if he is filmed in Hong Kong, he hopes that the scene can be as realistic as possible, rather than a bunch of appearances that seem to be docile to deal with.

Although Hong Kong movies were well-made at this time, and several classic Hong Kong movies were shot in this era, he really couldn't stand the style of Hong Kong movies that they like to save any shots.

I remember that in later Hong Kong TV series, a scene of a group of people walking in the wild carrying a sedan chair, carrying branches around the sedan chair. The camera shot from inside and out, and the sedan chair didn't move at all, Chen Yu firmly opposed this stingy style.
Chapter completed!