"Tian Wenjun, you Wang Badan, you give me my son, you give me my son..."

Bang!

Bang!

Zhou Xun really exerted force after two loud slaps in the face. In the camera, the slap was Shishi Huihui. Turning around the camera, Tian Wenjun, played by Yang Yichen, had obvious slap marks on the face. Zhou Xun grabbed his shirt like crazy and questioned him. Her husband hugged her and pulled her away. In the play, the role of her husband was still Zhang Guoqiang, who came here to play the guest role temporarily.

The camera was pulled away a little further, Tian Wenjun, who was standing at the door of the police station, pursed his lips, and released endless fighting spirit in his eyes. He was very impressed by him. He sorted out his clothes, touched his hair, and walked out with firm steps. From this moment, when he saw his son being abducted from the police station surveillance video, Yang Yichen presented the audience with a father who was determined to find his son.

He had no ability and lived a well-off life based on his ancestral family and food without worries. Because he was not enterprising and had no ability, his wife left him. Now, he had almost never left this city. He faced various deceptions from all over the country, carried his bags and walked out of the house to verify one deception information after another. Compared with the original version, there was another scene. That is, Tian Wenjun had been robbed after two times after being cheated. Once before he jumped into the water from the bridge, he insisted on running to the near police station near the station and letting the other party fight him, just keeping the package tightly and preventing the money from being snatched away. The other party was seven or eight big men, fighting and pulling, but he couldn't snatch the bag from his arms. He insisted on the arrival of the police station police station.

After the picture turned and after healing the injury, Tian Wenjun first dusted off the dust on his body, flattened his clothes, and tidied up the instrument in front of the mirror and was in a state where others were not very understanding.

"Pengpeng said I'm very handsome in dressing like this..."

Just this line, smooth without any emotional outburst, explaining a trivial fact. Then, carefully took off the shoes that were stained with dust and dirty during the fight, and carefully wiped them as clean as possible: "Pengpeng will recognize me. I want him to recognize me at first sight. The day he lost it. That's how I wore it."

With a lonely back and endless journey, Tian Wenjun left. He was deceived again and again, and went to verify again and again, but in the end he didn't even cheat. He followed his son's disappearance at the train station and searched along the way. Every time he arrived at a place, he would search for the surrounding areas as much as possible. Until he met Liu Qingyun, joined the assistance organization, and learned that his ex-wife was in a very bad state. He chose to sell his ancestral property and raise money to find his son's return to Beijing time, to join this organization, and to take his ex-wife to join this organization.

In the conversation of the assistance organization. If Zhou Xun's play broke out from savings, then Yang Yichen's play would be tear-jerking in a forced smile. This play is a real tear-jerking scene. Ann Hui clearly told Yang Yichen that the extras during the filming process did not know the specific content of the play. They only knew that the director asked them to follow Liu Qingyun and follow his orders to finally shout the real slogan so that everyone did not think it was a screenwriter's slogan.

The explosion point of this drama is about four people, Yang Yichen and Zhao Wei, and Zhou Xun, needless to say, the wealthy businessman played by Liu Qingyun and the initiator of the assistance organization. His drama can be said to be wonderful every scene. His existence completely erupts another face that Tian Wenjun played by Yang Yichen did not explode. If Tian Wenjun did not find his son, what would he be like? That is what the wealthy businessman is now, insisting on hope, but disappointing with hope, and disappointing with hope again and again.

After reading the script, Anhua Xu said to Yang Yichen, you perfectly split one person into two people. If this is a TV series, he will be the well-deserved dual-core male lead.

Yang Yichen sat there, looking straight, and was dressed in such a regular manner. He bought more than a dozen pairs of travel shoes, dressed up every day, washed them when they were dirty, and replaced them with old ones, just like hair. He hoped that when the child saw him, he still looked the same way he used to be. Perhaps the facial features did not arouse the inner memory enough, so he would add a whole impression.

"My name is Tian Wenjun. I am a failed man. I rely on my ancestors to live without seeking progress and being content with the status quo. My wife left me. I think I still have a son. Later, my son was also lost. My life suddenly lost its goal. I began to feel that I was a waste. Finding a son must find a son. It is all the motivation for me to survive..."

"At the beginning, people deceived me every day and tried to verify it again and again. I didn't want to give up until the last second. Even if there was a slight hope, I wanted to ask for it." Yang Yichen wiped the corners of his eyes and opened his palm again: "This scar on his face was made by someone. This scar on his palm was left by me jumping into the river and holding a dagger. I, I don't know how painful it is. I even thought that if I could exchange more punishment for me for my son, I would rather..."

Tears were in his eyes, and he took them back. A smile appeared on his face, twitched his nose, gave up the previous words and continued, and said in a firm tone: "I just felt that I could find my son. As long as we don't give up and keep looking, we would find him. I am still young and have a lot of time. I will continue to look for him..."

The whole passage, coupled with Yang Yichen's performance, is all his own one-man show. His inner monologue and emotional expression may be the only emotional implicit explosion in Yang Yichen's design of a new character, which secretly echoes the complete and comprehensive explosion of the role played by the wealthy businessman Liu Qingyun after he couldn't find his son in the end.

The thread of fate is tied to Yang Yichen who found his son on one end and Liu Qingyun who did not find his son on the other end. Both of them are interpreting a father in their own way.

She wanted to cry and laugh, but laughed, it was even more tragic than crying. The live extras were touched. The more emotional women, tears flowed down. It was really the emotions that Yang Yichen personally showed in this scene that touched the people present. Ann Hui knew that this was successful. By the end of the whole filming, there were causes and consequences in the front, and the audience's emotions were always born with the film. At this part, they would be completely substituted and fluctuated. Chen Zai's performance was very outstanding, and the power burst out with Zhou Xun's performance was also very strong. A mother who blamed herself, her neck and temples were bulging, which was a kind of power that she wanted to tear her apart. She just cried for a short time, and Zhou Xun's voice became hoarse, which shows how strong she used.

In Anh Hsu's view, the actors' performances were given to the audience, and the screenwriter's performances were left to the director. The seemingly ridiculous slogan: "Encouragement, encouragement, encouragement, encouragement!" It completely touched the depths of Anh Hsu's soul. When she got the script and watched this section carefully at home for the second time, it moved her more than what Yang Yichen and Zhou Xun performed. First of all, she must admire Yang Yichen. She was able to create such a movie, and the power it conveyed was too powerful.

A group of parents who have lost their children have such a heavy pressure in their hearts. I don’t know what kind of uncomfortable feeling will be. If you don’t experience it yourself, you will never understand their hearts and what kind of motivation can push them forward. To be nice, you need to be intimate with them, support each other with the power of spiritual resonance, and encourage each other; to put it bluntly, you need to brainwash them so that they believe that hope is ahead. It is not impossible to say that this slogan is similar to sales. Without deformed inner hope, how can you shave your heart over and over again in grief all day long, and then continue to report hope?

This design, Ann Hui, believes that this section is one of the classic sections of the whole film. She is not underestimating the audience. It is estimated that many audiences will not see the power contained in it. Perhaps they will be more intuitively moved by the performances of Yang Yichen and Zhou Xun, but this section will definitely be praised by those who truly understand this film.

The work of conscience shows the screenwriter's skills in the details, and also refreshes Xu Anhua's inner affection for Yang Yichen's personal impression. She knows that the other party set up a assistance agency and took out 100 million yuan in funds to invest in the follow-up. She feels that Chen Zai is sincere in doing good deeds, and truly understands the meaning of this good deed and devotes sincerely, rather than just doing good deeds to promote herself.

The filming continued day by day, and the power of several major actors showed off, and the shooting progress was rapid. Ann Hui interspersed a big show with some small scenes. A few days later, when the Olympic legion returned with a full load, when the earnest students returned to the campus, when the autumn wind and fallen leaves turned cool, "Crazy Stone" was out of stock, and the total box office of Xiangjiang in mainland China reached 90 million, and "Hurricane Rescue" was successfully produced. Except for the special effects of the Central War, the other parts of John Woo have been edited. "Kim Da Clause" and "Halfway Couple" were over. The first round of broadcasting of "Kim Da Clause" ended, and the achievements of the prestigious heroes in almost all regions once again made Brother Media's TV Production Department become a leader in the country. The casting of "Snail House" once again became a major event in the TV circle. The office mobile phone in Sister Rong's hand became busy again.

At this time, "Dear" ushered in a big drama, with four starring actors all present. Yang Yichen, Liu Qingyun, Zhou Xun went to Zhao Wei's home to grab the child. Before filming this scene, Zhao Wei and Zhou Xun had already exercised at Yang Yichen's suggestion. Not to mention the extra one, they would be able to run down 800 meters. In this scene, Anhua Xu followed Yang Yichen's advice and decided to pick up the child from Yang Yichen's suggestion to finally stand up to tidy up his clothes and shoes for the child to identify himself. The police station arrived and stopped the pursuit. The whole period, one scene came one by one, if it was true, we would have a detail everywhere, which made people run exhausted and exhausted who had no strength but had to run desperately...
Chapter completed!