The more beautiful the scenery is, the more ups and downs the plot is.★★

From the time the boat enters the waterway, the atmosphere suddenly becomes richer. The entire waterway is not enough to make people stand up completely. The darkness created in the camera is creepy. If there is no one behind you, you will feel that the pores on your back are trembling, and you don’t know what will suddenly appear behind you.

Of course, the darkness in the camera is created. You can't really let the environment completely darken the shooting. So what's left? It's pitch black? Let the audience figure it out?

Art works always require the audience to make a certain amount of association and follow the plot setting. Those somewhat paranoid data controls are almost unreasonable in watching movies and TV. They will feel that they are unreasonable everywhere and do not conform to the laws of nature. If you are too serious, you will not appreciate some fun. When you enjoy the fun, you will be completely immersed in it. "Grave Robbers' Chronicles" is to bring you into another world of survival and feel another professional life that makes people hate more or less and enviable.

Entering the waterway, the environment is rendered one by one, one by one, and one by one, and each person has a turning point that makes the audience's sight crazy. The boatman disappears, the change begins to appear, the corpse is terrifying, and the fierce battle in the water...

Just now, some people wanted to say that there was nothing special about this film, but it was still the selling point of Lao Toozi's picture. The plot was a bit slow, and it was nearly twenty minutes. There was not really a big ups and downs. If the first few minutes were very exciting, the latter would seem a bit mediocre.

Before the people who have such thoughts could speak, "Grave Robbers' Chronicles" taught them a lesson, telling them that they must choose to believe Yang Yichen and not try to attack him to catch their eyes. Apart from losing, you will not have a second result. For many years, this has been a law, not an accident.

The waterway was completely breathless. The descriptions in the text here didn't seem to be too long, but when it was really filmed, the length of the series was widened after the scenes of the edges were caught in. Yang Yichen once said that the plot was not allowed to be a little simple to make a long time, and Lao Touzi also asked for excellence. However, in several editing, the scenes of the actions in "The Tomb Robbers' Chronicles" were the most exciting, and they could not be cut, and they were not slow at all. They had experienced editors like them, and they had watched tens of thousands of episodes, and they all thought they could not cut them, which showed the excitement.

On weekdays, they wish that this film would be more rigorous. They took out more than 60 episodes of time and asked us to cut out the plot of forty episodes. Sometimes if we were more ruthless, we would look back and see that there were only more than 20 episodes left, and we would have to fill it back again. However, everyone's first time watching "The Grave Robbers' Chronicles" was a reaction and they were blinded.

Over the years, many movie and TV viewers have not liked action scenes that have gradually fallen into modem. Whether it is ancient costumes or modern, whether it is gunfighting or fighting, it is a pattern. You can know the end when you see the beginning, and you can know that this is all in one or two minutes when you see you start playing. Who can make this process exciting and who can truly win the audience? Why do you start watching Cheng Long's films with a kind of emotion? That is the sentiment of the 190s. Now, to be honest, in addition to the old man who is desperately trying to use more computer special effects, those action scenes are not much progress compared to those ten or twenty years ago, and you really lack creativity.

"The Grave Robbers' Chronicles" has created many new things. Although they have made such films before, the underground biological state and environment they can imagine based on the first episode published are still limited to the two links of seriousness and funding. If you want to present the most intuitive effect, you should rely on computer special effects technology, and it is not on the same level as the Brothers Group since the beginning of filming. To the scenes produced now, there is a greater difference. Including the sound effects of the entire series, the top sound effects production team is completely asked to analyze and fill every second and every frame.

The family of the Shi family in Siheyuan has a relatively loud voice. The sound is heard through the speakers connected to the TV. The sound echoes in the living room, which is very shocking. Everyone is watching attentively and has no time to communicate with the people around them.

How artistic is, it is not a question. When watching TV, everyone has almost the same taste. It is to watch good-looking, use it to play time, use it to try and empty your brain without thinking about many things, and put your thinking on the plot to relax your spirit. In the relative time, everything in your mind is thinking about the plot, and you follow the plot.

How can you attract attention? How to shoot? As long as you don’t cross the line, you can shoot a movie and TV series that will make the audience look good. Then you are awesome. No matter how tricks or methods you don’t talk about, the black cat can catch mice is a good cat.

In the current "Grave Robbers' Chronicles", Yang Yichen does not need to watch the reactions of thousands of households. It can make the whole family of the teacher sit here quietly and watch without saying a word, and even have no time to communicate with each other, which is enough to prove how good this film is.

In fact, everyone is somewhat resistant to watching their performances. Yang Yichen is no exception. He avoids them as much as possible every time, but this time he watches them very seriously, just like his speech at the Film Academy. His performance in "Dream Broken Bridge" is hailed as a master level by them. When it comes to "Grave Robbers", the male protagonist in it is the kind of image that is actually not unique in the setting. This image seems to be able to do anything, but it is in which everyone's eyes are locked on him.

If you add all your abilities and all good things to him alone, then this character is not suitable in film and television dramas. This is the case. Film and television dramas need more characters to be active so that the picture will not make the picture more monotonous. But if the picture is revealed, the male protagonist is very likely to have no sense of existence. Although he is in almost all important plots and he has the most appearances, you just think he is just playing soybeans throughout the whole process, and the entire play is followed by the scenes.

To be good actors, rely on their acting skills to change the core position that the author must take care of to adapt to film and television dramas. The brightness is all about the male lead, so try to choose the actors according to the idol drama method. The male lead’s acting skills are more handsome and the supporting roles are more outstanding. In this way, the drama will be popular, and the supporting roles will be very popular. When it comes to the romance, it won’t be the supporting role. They can play freely. Who has the ability to use it? The future will be based on your true level. All the pressure is on the male lead. The director must choose the best actor he thinks is the best suitable for the role in the role. The director must choose the best actor he thinks is the best in the role.

The actors will serve as the male lead, use their acting skills to perform the unimaginable spirit. Never let the "ordinary" background of this character be revealed. In that way, the male lead will become the soy sauce emperor with the most scenes. Looking at China Film and Television, TV series are slightly more and more radiant in one's body. The problem in this movie is very big. Everyone has seen similar films more or less. If no one reminds you, there is no comparison, and you will never think of it. If there is a comparison and think about it carefully, you will think of which movies are there. The male lead has completely become the soy sauce emperor because of the actor's lack of acting skills or the director's lack of directing skills.

Yang Yichen's performance is not revealed, but no one will ignore his existence. For example, when Pan Zi beats Wu Xie to capture his corpse, this is the most tense action scene. Everyone is watching the entire environment and the corpse between the two. They are so nervous that their breathing is unconsciously stagnant, and they don't know what will happen in the next second. At this time, the actor's performance, the body is more important than the expression, and they will not give you a close-up of the closest distance.

Yang Yichen, right here, had a look, and it seemed that he glanced at Pan Zi casually. The doubts, anger, confusion, fear, anxiety, relief contained in it were all displayed.

Question why he did this?

Angry, he actually did this!

Being confused and not knowing what to do, can you save yourself as calmly as he did?

If the corpse is over, will it end up with him...

Uneasy is the coming moment.

Relieve that others will not be punished for themselves, and Pan Zi's behavior is subconscious in the moment of life and death. The remaining little bit is also to protect himself, and there is nothing wrong with it.

He really did it, he really did it. At that time, even Lao Taozi didn't dare to think that in such a large-scale action scene, he could perform it and suppress the intensity of the action scenes, so that the audience could notice his look, and could instantly read something from this look. It didn't take much, but at least the previous ones could subconsciously feel two or three kinds.

Lao Touzi and everyone who edited the post praised his performance, especially during the editing. Yang Yichen had too many scenes as the protagonist and wanted to cut some of them. But it turned out that there was no real scene that you could cut him. The performance had reached a point where the mountains were again, and the waters were again waters. The battle of the waters was the first place where all the people who knew about it could not raise a thumbs up at the same time. It was also where all the audiences felt the inner activities of the character Wu Xie and enhanced their sense of substitution.
Chapter completed!