The next day, in a small town on the beach in the west of Rome, our crew made a cafe on the third floor as the set. At this moment, a photographer with a camera on his back was pointing the lens at Fulo and Joye Corangeli, while director Daniele Luketty, who was not far away, was sitting behind a monitor staring at the screen seriously, unwilling to miss every shot.

In addition, the staff of our life crew, who belonged to me, were also watching outside the camera range. Not only that, some cafe staff were also watching from afar. Maybe it was the first time I saw a movie, and I was still talking about something in a low voice.

Qiao Ye Colangeli in the camera was lowering his head slightly at this time and whispered with a concealed emotion: "You need to face sadness about your wife now."

Speaking of which, Qiao Ye-Korangelli's state of mind was actually hidden behind this. He was a construction contractor. Now an accident occurred on his construction site. A Romanian drunk who was vigilant accidentally fell into the elevator shaft. When he received the call to rescue, he found that the person had completely died.

After struggling, in order not to block the construction site by the police and trigger a shutdown, Qiao Ye Colanjeli chose to conceal this matter. However, after doing so, conscience condemnation was always accompanied by him, which made him always pay attention to his emotional concealment.

Here, Fu Luo, who was sitting face to face with Qiao Ye Kelangerli, leaned his body forward a little, then hesitated, heartache, and firmness. Three different eyes flashed through his dark eyes. Although there was struggle in his heart, reality still prompted him to speak: "No, the only thing I need to face now is money."

The beloved wife died unexpectedly due to difficult labor, leaving Fu Luo and a newborn and two young children. After grief, he had violated his conscience once for the sake of the whole family and the future of his children, and seemed to have to violate his morality again.

Fu Luo asked Qiaoye Koranje to come out today to threaten the other party with the dead, so that he could make more money and bring a better life to the three children in the family.

Yes, Qiao Ye Kelangeli thought no one knew about the little secret. When the other party asked him to block the elevator shaft, Fu Luo also accidentally discovered this secret.

But he did not call the police against his conscience, but chose to do less than more. In fact, he thought the same as Qiao Ye-Korangerly, and did not want the construction site to be blocked because it was his only source of income. At that time, his wife was about to give birth, so he had no choice.

There may be a hint of indifference in this place, but this is the real reality. A foreigner living in a foreign country will inevitably suffer invisible discrimination from his skin color and race everywhere, and will definitely make more efforts to barely live.

Director Daniele Luketty, who was outside the camera, was absolutely amazed at the time when he saw the three different expressions flashing through Fu Luo's eyes in the monitor. It seemed that this Chinese actor was indeed worthy of the title of Cannes Best Actor.

In fact, when Daniele Luketty was creating the first version of the script, she did not intend to use a Chinese character. However, after an unexpected incident, she had some feelings, which prompted him to revise the script and add more elements to it, such as subtle conflicts between different races.

"Only assholes care about money."

Qiao Ye Corangeli frowned and his voice seemed a little stern. A man who had just lost his wife just cared about money.

"Yes, I'm just a bastard, I'm going to be a little bit more bastard. Now I need to contract a project and you're going to hand it over to me an apartment. I don't want to do the wall painting work anymore."

When he said this, Fu Luo leaned forward a little more. He needed to use a "vicious" look to try his best to cover up everything else.

"Are you kidding? Do you think contracting a project is a joke? Who do you think you are, I'm sorry, I can't do it." Qiao Ye Kelangeli, who thought it was extremely ridiculous, looked at Fu Luo with an idiot-looking look.

"Is that so? Do you think I'm very naive, right? Then does this thing make you familiar?" Fu Luo took out a cell phone from his pocket, shook it in front of Qiao Ye-Korangerli, and threatened directly tore his face open.

When Qiao Ye Kelangeli asked him to seal the elevator shaft, he was preparing to call to ask about the situation because he didn't understand the other party's intentions. But he knew that he heard the phone in the elevator shaft, which made him discover the secret of the dead people below.

"You, you what have you seen!"

The appearance of the mobile phone made Qiao Ye-Korangelli's pupils grow instantly. The secret made people panic after discovering it, which made him glance around immediately, and then asked nervously.

Here, when Daniele Luketty saw Qiao Ye Corangeli's real "panic" performance, he nodded with satisfaction. It has to be said that this old Italian actor does have a good performance tension. It is really a pleasure to watch these two actors performing with superb acting skills.

"Who is buried there, tell me?"

Fu Luo took back his phone and then leaned on the chair helplessly, his tone became a little depressed. He took this step for the sake of the child, and his original intention was not like this. Therefore, although he was suppressed, he was still full of struggle.

However, Qiao Ye Koranjeli, who was anxious, stood up a little out of control, then slightly lifted Fu Luo's collar through the table, and roared in a suppressed voice: "You damn Chinese, if I hadn't taken you in to work, you wouldn't even find a job to clean the plate. Now you threaten me, the Romanian who was vigilant, a drunk, a nothing, a waste that no one cares about, no one wants him to die, but when I rushed, he was dead, what can I do? Oh, tell me."

On this side, Fu Luo, who was grabbed by Qiao Ye Corangeli, listened to the other party's roar, and felt that this old Italian man was indeed of good strength, but he could not be weakened, and he did not use too many physical movements to increase his momentum. He just responded in a low tone: "Yes, I deserve a Chinese, but you are also a black-hearted Italian. Don't think I don't know that my salary is less than others. It seems that your kindness comes at a price."

Fu Luo speaks English and Italian languages, and occasionally he has to sing out a little Chinese. In such a "natural" comparison, it is obvious that people can feel the alienation between races, which is also his language feature in the movie.

Then the lines here in the movie, "Damn Chinese" and "Black-hearted Italians", also reflect the barrier hidden in the heart, which can also be said to be a disguised discrimination, and it is also a kind of discrimination against each other.

"you"

Qiao Ye-Korangerli said in a silence, and finally let go of Fu Luo's collar powerlessly, then sat on the chair with a decadent look, and continued helplessly: "Your wife has just passed away, are you going to expose your essence, Chinese."

"Shut up!"

Hearing this, Fu Luo immediately roared in a low voice and raised his right hand as he wanted to slap the table, but he finally put it down. However, he still stared at Qiao Ye-Korangerli and said with a little sadness: "God decided to take my child's mother away. I can't do anything, and I can't bring the child's mother back, but I can give them all the other things, everything they lack and have never had."

When Qiao Ye Corangeli heard this, he was a little greedy, but he was also a lover and was worried about the dead Romanians. Therefore, when he heard Fu Luo's thoughts, he actually felt sympathy.

"cut, it's over, guys, you guys are acting so well!"

On the monitor, when he saw a complete shot, director Daniele Luketty then called to stop. It was really enjoyable to enjoy such a performance. After standing up, he took the lead in applause.

"Baoba!!!"

With the lead of Danny El Luketty, the rest of the crew also heard enthusiastic applause. After all, it is undoubtedly exciting to have such a smooth filming in the first scene. If you can work easily, everyone will definitely not want to trouble.

However, Fu Luo personally thinks that this group of "pasta" is really a bit different from the shooting methods of Chinese and American crews. The trend is a bit lazy, not that it is not that it is not serious about work, but perhaps it should be said that it is a habit and problem that is immersed in the bones. To put it nicely, it can also be called style or Italian style.

Then the crew met together yesterday and rushed to this small town in the west of Rome in the afternoon, but the first scene was filmed this afternoon, and there was no one else in this work efficiency.
Chapter completed!