The three train carriages are placed on a special device. Once started, the train carriages can swing regularly, creating the feeling that the train is driving rapidly.

Following the car in the middle, a window about the same length as the real car was cut, and then there was a specially assembled car outside the window, ready to be used for stealing cars in movies.

This prop car looks very rough, even like four wheels, four springs and a steel plate. Even the front of the car is welded with steel pipes. It feels like a "wasteland era" in terms of feeling. It can only be said that the designer has a big brain and is creative.

In addition, thick cushions are also laid around the prop car. After all, no one wants any unexpected situations, so it is natural to do the best in terms of safety.

Speaking of which, these things are just sets surrounded by green screens. Of course, various shooting equipment are certainly indispensable, such as rocker arm machines used to raise the height of the camera, high-power blowers, etc. Anyway, the crew needs all the standard applications.

At this moment, Fu Luo, Mary Elizabeth Winstead, Josh Duhamim, Wentworth Miller and others are undergoing the final look before the makeup artist starts shooting.

Then his hairstyle was his usual short hairstyle. In addition, Fu Luo also wore a black T-shirt, black pants, and a pair of brown military shoes, which made his overall image clean and neat, making him look very energetic.

It's a bit different from domestic makeup, just like a different person. Hollywood still pursues authenticity, and basically appears without makeup. In fact, this is a stress-free for Fu Luo. Although he can also put on makeup when filming in China, he is all very light makeup, which is basically not much different from his real image.

"Okay, when you stand up later, you must pay attention to the curve of the car swing and look more natural. Then you must always pay attention to the fact that the train and car are moving, at the same time."

Taking advantage of this short time, director Lin Yibin was also giving the final guidance, reminding everyone to pay attention to some points when filming starts later.

Fu Luo and others naturally listened seriously, and they still had to show their professional attitude. Listen more and you can do it without mistakes. If you can, try not to.

Soon, ten minutes later, Fu Luo and three supporting actors stood on the prop car, and a photographer who was fully armed with a camera on his back was standing inside the train, preparing to take a shot of him entering the train.

The only difficulty of this shot is that the prop car will keep shaking, and the blower will keep blowing strong winds, but Fu Luo and the three supporting roles must be nailed very steadily. Perhaps this action is not difficult compared to him, because he has the ability to stand, so there is no need to say much. As long as the muscles on the calf exert force, he can easily remain as motionless as a mountain.

But the other three supporting roles do not have such skills. Although they are tall and big, the coordination is really not very good. Just as the camera was turned on, they didn't pass five or six times, and they were all unstable because of the shaking and strong winds of the three supporting roles.

Finally, someone gave Lin Yibin a suggestion, fixing the three dragon suits on the iron railings on the outside of the prop car, and finally completing the first scene of today's startup.

By the way, the audience may feel very cool when watching a movie, but when filming a movie, it is extremely boring. If you make a little mistake, you have to repeat the film. Fortunately, the Fen Lian itself is a popular action film, and may not have much requirements for acting. It does not require meticulous craftsmanship like a feature film, requires rich psychological activities, and various subtle expressions, otherwise it will take more time.

Next, in this boring shooting, two weeks passed quickly. As another day of shooting ended and returned to Rice's town, Fu Luo refused Duhaming and others' invitation to invite him to the town bar happy, but returned to his room in the hotel, preparing to continue his work.

Du Haming and others believed that he was no longer surprised by his actions. Anyway, he would do this every three or four days, and everyone was used to it. Besides this day, he would also go to the bar to sit at other times, not isolated from the crowd.

If you don't want to do it, in fact, in the small town of Rice, there is no other place to find entertainment except for the Saiba. It was the crew of the Investigation Group filming here, which made the bar owner happy. After all, how could there be such a good business in normal times?

Not to mention the bar, Fu Luo turned on his laptop as soon as he returned to his room and clicked on the F disk.

No, it was because the remote video connection was opened. Then I started talking about work with Chen Family, Zhang Shuping, and Ye Jintian. The main thing was to see or discuss the original painting design of some characters and scenes.

Fu Luo has to pay attention to this point, because these three people are all from Xiangjiang, and the people of Xiangjiang always have different understandings of Journey to the West than those of mainlanders. His big fuss in the Heavenly Palace was filmed for mainlanders, so he must follow up the whole process, whether it is seeking common ground while reserving differences, he must meet his psychological standards.

"Director Chen, we should be more realistic about the style of making a fuss about the Heavenly Palace. Although myths are illusory, the movies are real and are shot for us ordinary people. Therefore, in terms of clothing style, we must not be too exaggerated or too gamified. We should go in this direction as a whole. For example, the current armor design is a little exaggerated, especially the sharp corners on both sides of the shoulders, which seems to be not necessary."

There was nothing to be polite. After seeing the armor shape on the drawings, Fu Luo, who was not very satisfied, directly expressed his own opinions.

By the way, this person in the Chen family is gentle and willing to listen to other people's opinions. He will not insist on doing whatever he wants. Compared to the director who is full of his brain with his own ideas, Fu Luo must be more willing to work with the former.

This may be related to the fact that Chen's family has been filming movies for nearly 20 years and has been seeking a stable personality. In addition, the cost this time is as high as 100 million US dollars, so it is naturally more stable.

"Okay, Mr. Fu, then we will change the design again. By the way, there are still some scenes here."

An hour later, Fu Luo finished discussing with the three of them at the Chen family, and then chatted with his girlfriend Zhang Zilin and his family for a while. They were far away from a foreign country, which was probably the only way to rush. Just now, his sister Fu You'er was clamoring to come to the United States to see him, but in the end he refused and promised to go back to Toronto in a week, and then he comforted the girl.

Because in a week, the crew had to leave here and change the scenery to Rio de Janeiro, Brazil. There was also a private plane at home, so it didn't matter if he flew around. He had to squeeze out two days to accompany his family just now.

The next morning, on the set.

"Hey, boss, do you want to drink water?"

When Fu Luo finished filming a scene and was resting, Mary Elizabeth Winstead came to him and reached out to hand him a bottle of water.

"Thank you, Mary!" Fu Luo did not refuse and said thank you.

"Boss, do you know?"

"Uh, what do I know?"

Seeing that after handing over the water, Mary Elizabeth Winstede, who was sitting next to him, suddenly said this mysteriously, and Fu Luo naturally became a little confused.

"Did you know? Someone saw Miller driving away with a man in town yesterday afternoon!"

Mary Elizabeth Winstead let her voice down very low. It was really that when she heard this "rumor", she was shocked and always wanted to find someone to share it, but there were no other actresses in the crew, so she thought of Fu Luo in the end.

She had been together for half a month, and she found that Fu Luo was quite easy to talk to and was a person with a very humorous sense, so she should be able to talk to him as a person.

"Uh, Mary, this shouldn't be strange, right?"

As soon as he heard this, Fu Luo had already guessed something when he thought of something in the future, but whether Mary Elizabeth Winstead wanted to be so gossiped and even came to tell him about this kind of love.

In addition, when he was named Mary, why did he think that horses, winters, plums and other things pop up?

"If no one saw two men kissing each other in the car in the wilderness outside the town, then I think so, but boss, do you know, what's more serious is that the two are still together."

I'll go, it's really Wang Nima. Fu Luo never expected that Mary Elizabeth Winstead would do such a move in front of him, holding the left finger into a hole, and the index finger of his right hand penetrated in, and moved back and forth a few times. How could it be, are American girls so open to such directness?

"Hey, boss, do you want to know who is in front of and who is behind them?"

Seeing that Fu Luo did not reply, Mary Elizabeth Winstead looked around first, then spoke in a low voice.

Fu Luo was silent again, although he really wanted to yell at Mary Elizabeth Winstead: "I don't want to know who is in front of and who is behind, nor do I want to know if the two are 05. I love before and after, and I love after and after, and I love after, I love after and after, and I love after and after, I love after and soap and go to death."

Fu Luo doesn't care about other people's private lives at all, and he has no right to care about it. If a woman can barely accept it, but this man is really hard to describe.
Chapter completed!