In the picture of mountain dwelling, two majestic mountains are dotted with several small mountain villages. The mountains painted with rough brush and ink give people a sense of majesty. The houses, mountain people, chickens and dogs outlined with simple brush strokes add to this majesty.

It has just the right amount of vitality and warmth.

The stunning beauty in this painting is a woman picking wild fruits. She is just a figure outlined with a few strokes. She only has an outline and no eyebrows, but her graceful figure and moving profile are enough to make people want to see her.

beautiful.

The third scroll depicts pastoral scenery. The style of strokes is somewhere in between the first two. It shows fields, villages, shepherd boys, and cultivators. It is a peaceful and peaceful scene. A stunning beauty appears in the backyard of a farmhouse, playing with a child.

, it looks like they are a mother and son.

Seeing this, Lang Xing really admires Su Wan's observation ability. There is more than one woman in these three paintings, and these three are indeed outstandingly beautiful. They are obviously not on the same level as the other women. But if there weren't

Su Wan reminded him that he really couldn't sum up this point.

I turned sideways and looked at the paintings on the remaining four jade boards. The fourth painting was a battle in the realm of cultivation, the fifth was a fairy mountain on the sea, and the sixth was another fighting scene, but there were only seven people in the painting.

The person's clothing should look like disciples of two sects fighting.

The seventh painting Tianqing looked at was a scene in a boudoir, with a brocade couch with hanging curtains, a mirror stand by the window, exquisite tables, ornately decorated wardrobes and chests, all showing the presence of the mistress.

However, a creepy ghost appears in this charming picture. It is a fierce monster with green face and fangs and strong limbs covered with scales. It is walking in from the door.
Chapter completed!