The pre-preparation and post-production of a movie are often more complicated than filming, even for low-cost romance films.

Fortunately, Shen Lin had done the relevant work long ago, and the script registration and review had been submitted as early as last year, and the Film Bureau had passed the review.

Many people may not be very clear about the importance of script review and think that the movie can be made as long as it is made, or the crew is prepared while submitting the script review. The most typical one here is director Jia Zhangke.

Of course, Jia Zhangke has the ability and can't care about the opinions of the film bureau. Even if he is banned, he has an overseas market.

For example, Jia Zhangke's "Xiao Wu" was not approved, so he went overseas for exhibitions. After that, the domestic cultural department's impression of him was deteriorated. The work "Standard" did not obtain a shooting license, but it was filmed against the wind. After that, his works were blacklisted in China for a long time.

But Jia Zhangke didn't care because he had a certain reputation in the overseas niche literary and artistic market, could not make a lot of money, but would not starve to death. Facts have proved that no matter how many players he won overseas, his achievements might not be able to reach the great directors who were involved in the domestic market. For example, Ning Hao, Xu Zheng and others later rarely won so-called awards, but the domestic market exceeded 100 million, exceeded 1 billion, and set the box office record again and again, which is the best praise.

The foundation of the movie is after all, the box office market for the masses, not the niche movie awards.

Shen Lin knew very well that in essence, movies are just a cultural consumer product. Consumers are mainly based on the native language market.

The native market is a lake and an ocean, and the creator is a fish. Fish cannot escape from water for a long time. Over time, they may die of thirst.

Therefore, directors can only stand at the top of the world if they succeed in the mainland market.

Filmmakers who have given up on the mainland market will never achieve great climate.

It's gone far.

In fact, the reason why Shen Lin initially wanted to cooperate with Huayi was that he had the idea of ​​using the mature production concept of large companies.

The experience that large companies have is not comparable to that of small workshops and studios. Photography, lighting, sets, sound effects, makeup, clothing, etc. Large film and television production companies can provide support immediately. There are many candidates for related positions, and these alone cannot be met by small workshops.

However, now that I have cooperated with Light, I also have a mature team to produce commercial films, so for Shen Lin, there is no difference.

In fact, Shen Lin has already completed the script storyboard sketch of "33 Days of Love Break", and as for the script decomposition, it has to wait until the crew is ready to start.

After taking a shower and returning to his house, Shen Lin was extremely relaxed.

The storyboard script of "33 Days of Love Break" was stuffed into the black file in the bookcase, and then a stack of unopened manuscript paper was taken out from the side, and the writer began his daily life and writing.

The title is "Please answer 2002"

It is obvious that the TVN TVN Taiwan-Taiwan series was used.

The reason why I chose the opening of 2002 is to correspond to the random trend of 1997. The first generation of star-chasing in the mainland should go back to the year when F4 was established, rather than the HOT in the original plot. After all, the national conditions are different.

(F4 was established in 2001, but they were popular in mainland China in 2002)

In fact, the reason why "Please Answer 1997" was successful is that it attracted 20 and 30 generations of young people, as it expresses youth, friendship, and of course love!

It is not difficult to express according to this topic.

After all, I was a small screenwriter in my previous life. Although I was not very famous, I still have simple word processing capabilities.

“【Episode 1: Eighteen years old】

I am already twenty-six years old and I am engaged in the work of an ordinary TV station executive editor. I am actually running errands for the column team.

I am very busy every day. The easiest rest for me is the occasional karaoke. Every time I come to KTV, I will be excited and sing a song "Meteor Shower"

"Meteor Shower" is my 18-year-old!

For my father, his pursuit is millions of cash, but my pursuit is Zhou Yumin of F4!

At the age of twenty-six, we are so soon to be sad that we are at the age of recalling the past, but our two thousand years are very brilliant, and the body cannot leave, so let the soul leave.

Today Youzhen missed me to confess

I've heard of it

what to do

What do you think

have no idea

Do I refuse?

Why ask me

Do I want me to reject her? X2 You say let me reject her?

I feel that everyone can fall in love and are ages that can keep their lives at a small matter. At the age of 18, adults say that we would cry when we see fallen leaves at our age, but at that time we were more serious, intense and painful than any adult. In 2002, this was how our 18 years old began.

...

Shen Lin’s room was not very big, and it was not as grand as a billionaire should have. Apart from a bed, a desk, and a wardrobe, the remaining space was a bookcase.

There are not many books placed in the bookcase, most of them are neatly arranged.

The first floor is the various novels published by domestic publishers, "The Girl We Chased Together", "The Best Us", "The Five Years of Stolen by God", "The Journey of Flowers" and more than ten "Grave Robbers' Chronicles"

Shen Lin could not recite the entire "Grave Robbers' Chronicles", nor could he fill in the original pit. All he could do was restore the works of San Uncle in his original memory as much as possible, and by the way, he wrote two extras of the characters based on "Grave Robbers' Chronicles".

Han Shao once said in "Selected Essays" "I hope there will be a writer in China, whose copyright of his works can reach 10 million! Even if this writer is not me!"

Just in the third month after he finished saying this, Shen Lin helped him achieve his goal. "The Grave Robbers' Chronicles" sold three consecutive books, and the manuscript fee and sales share of the third volume alone, Shen Lin successfully became the first writer in China to have a royalty of over 10 million!

At that time, many reporters disgusted Mr. Han about this question, and Mr. Han was very decent. As for his true thoughts, no one knew.

The second floor of the bookcase is the works "1988, I want to talk to the world" and "Passing by Your World", the Chinese and English versions of "The Hunger Games" and "Dark Fairy Tales".

On the third floor, a black notebook is placed alone. The notebook is a bit old and inconspicuous, but you can get surprises as long as you open it. It is full of musical works composed by Shen Lin.

"Reverse War", "Baikal" and "Little Luck" are endless. As long as it is a song that Shen Lin has heard in his previous life, all the ones who have a little memory are in this notebook.

If any musician got this book, he would definitely become a master of Chinese music!

Maybe it's because it's because it's natural that the magnetic field of the music circle is not in deal with, and it's not possible to hand over a few confidants. Chen Lin can only put this book at home, and maybe it's possible to use it in the future.

The top of the bookcase is some scattered manuscript paper, mostly the creation of scripts.
Chapter completed!