After sitting down, Sanliu Xun, who was still standing tall and graceful, made final adjustments. Wang Rui hugged the pipa, Yu Feifei held the piano strings, Gao Pianpian moved the chair slightly, He Peiyuan pushed a piece of her chest length behind her shoulders, and Cai Fei rotated

Soundcheck gently just in case...

Every girl in 306 has more or less stage experience. They have also collectively performed in front of hundreds of audiences in the old concert hall, and have also organized open-air concerts by themselves... They will not have stage fright.

Now, the eleven girls are dressed in uniform and beautiful clothes. The spotlight makes the eye shadow and lip gloss on their faces more vivid and beautiful, and their heads are shining. Looking at the audience filled with people upstairs and downstairs in front, they listen to subtle but reverberating sounds.

There was a lot of discussion, and then they glanced at Yang Jingxing, who was standing tall and smiling with his hands in his trouser pockets at the side of the stage, but they couldn't laugh anymore.

Qi Qingnuo's expression was very dull, only her eyes were shining brightly as she communicated with her sisters one by one. After Chai Litian nodded slightly, she raised the flute to her mouth. Nian Qing, who was sitting at the back, was still in the mood to play tricks, but she just

Hiding behind the drum.

Qi Qingnuo raised his hand, and Chai Litian's small and bright embouchure made the sound of the flute sound in the distance. The sound of the flute was gentle and melodious, but it instantly covered up the whispers in the audience.

Chai Litian gave everyone a perfect start. Liu Siman and Shao Fangjie, who had already grasped the bowstring, also cut in accurately, with impeccable pitch and intensity. They were also gentle and friendly, but also made people look forward to it.

Just by the presentation of the melody for about ten seconds, many viewers in the audience could already begin to guess or expect that what they would hear today would be very different from what they had imagined when they heard the word "folk music" before.

Sure enough, the guzheng, dulcimer, pipa... and even drums and synthesizers were all added in unknowingly and silently, so natural and appropriate, so beautiful that no one knew it.

The novel and exquisite texture went beyond imagination. Many experts and famous people on the second floor who had not yet read the sheet music given by He Hongsheng have now opened the thick book, but the lights here are dim.

Ding Sangpeng did not look at the sheet music that the people around him had turned over for him, and continued to look at the stage with the only energetic eyes on his old face. He put on his thick reading glasses with his trembling right hand.

The whole prelude is becoming more and more full, and although the melody lines are intertwined in an orderly manner, it contains so many wonderful and moving things that many people are overwhelmed and looking forward to it.

In the middle of the prelude, the eyes of the thousands of spectators upstairs and downstairs almost all stayed on the beauty on the stage, watching the piano bar in Yu Feifei's hand rise and fall briskly, her graceful fingers flying back and forth, the erhu bowing from left to right, and Nian's performance.

Qing is as light as a heavy weight......

The representative themes or motives of each instrument are not presented so clearly and independently in the prelude, because the composer has to consider the overall harmony of the prelude, and more importantly, to make it sound beautiful and to attract the ears. But this ups and downs are elegant and the structure is flexible.

The passage still gives the listener a solid foundation for imagination and a broad emotional space.

The end of the prelude is a fade-out, and finally only a thread of gossamer flute sound is left melodiously drifting away. There are so many viewers in the audience who don’t understand the situation. The completeness of the structure of the prelude and the echo of the ending can easily make people think of it.

The music ended, and some people began to applaud impatiently.

The sporadic but enthusiastic applause was a bit harsh, but the guzheng motive played by Gao Pianpian immediately stopped the applause and adjusted the atmosphere back. This has just begun.

In the words of Gong Xiaoling, the concerto part of the guzheng is to "use the precious power of tradition to break through new realms." The melody of the previous solo part is bright and nostalgic, but as the variations of the theme and the harmony enter, the direction of the music changes.

Surprised the audience once...

Previously, except for the invited teachers and the students who hid in the North Building and eavesdropped, no one had listened to "It's Us" in its entirety. However, those who eavesdropped were only a minority among the few, and most people only heard of its name.

If you don't hear the sound, hearing the sound is just some small fragments.

The current concert hall, the current 306, gives people a completely new visual and auditory experience. Yang Jingxing and Gong Xiaoling concentrated on the sidelines to enjoy or supervise the performance of 306. After the guzheng became the protagonist, the director was not busy.

Now, let’s stand by Gong Xiaoling’s side and enjoy it.

As more performers joined the director's team, more and more people were around behind Yang Jingxing, and the backstage became completely quiet. Everyone was sitting or standing, seemingly forgetting their own tension and expectations, and their thoughts and expressions were all changing.

Went away with the music from the day before yesterday.

For most listeners, melody is closest to them and easier to appreciate. Yang Jingxing obviously understands this, so his works so far have continued to strive for excellence in this aspect, especially "This Is Us".

Although the melody of the guzheng part always has a nostalgic feeling, after careful analysis, after the harmony enters, the melody of the guzheng begins to become more active, the rhythm becomes more obvious, and the lines become more and more fashionable. It is like a careful attempt.

But it has achieved very successful results and is becoming more and more beautiful.

Suddenly, Gao Pianpian, who had always performed well, played a wrong melody note! This wrong note must have been extremely harsh to the ears of Yang Jingxing and 306, but it had little impact on the audience. And Gao Pianpian did not make the same mistake again and again.

He did not meet Qi Qingnuo's gaze, but still concentrated on playing, smoothly playing out the moving melody that he had practiced countless times in the past two months.

Gong Xiaoling once exaggeratedly said that the entire work of "It's Us" is full of wonderful musical phrases and ideas, allowing people to experience auditory pleasure and touching again and again. Indeed, if Yang Jingxing slightly adapted these things

, it is estimated that he can write several popular songs that will make Gan Kaicheng applaud.

Now the audience in the He Luting Concert Hall is being led by wonderful musical ideas one after another and melodies one after another spread on the stage, swimming in the ocean of music. The water is warm, clear, and even slightly sweet.

The concerto part of every instrument has real or fake meanings, and most of them are the kind that leave people with unfinished thoughts, and the guzheng part is no exception, because these unfinished thoughts must be left to the real exciting part in the later part.

Explode again, and explode on top of the explosion.

Even though the meaning was still unfinished, after the guzheng part slowly came to an end, sporadic applause broke out from the audience. Someone behind Yang Jingxing also made some gentle remarks, which made Yang Jingxing look back and smile, which frightened the opponent, who was also a grown man, and quickly avoided him.

Next on the stage was Guo Ling playing the leading role. If the composition technique of the guzheng part can be considered novel, then the huqin part is simply bold. Guo Ling just played forward and backward for half a minute, and the experts on the second floor stopped talking to each other. Brand new

It feels like there is still a kind of uneasiness in the beauty. But this uneasiness gradually disappears, because the composer has a good grasp of the whole, and the boldness is still easy to control.

Every instrument and even every person in the audience is so familiar to the audience, but the music they heard today is so unfamiliar. The strange thing is that meeting this stranger for the first time makes people feel so friendly.

, I want to get close to her so much, I want to know everything about her, her beauty, her temperament, her connotation...

After the Huqin performance ended, there was no more sporadic applause. In the entire concert hall, except for the eleven girls on the stage who were playing enthusiastically and attentively, the audience in front and the actors preparing backstage became so quiet.

Yu Feifei, who had just rested for half a minute, raised the piano in her hand after a natural and beautiful transition and began her performance.

This time, the harmony entered together with the melody, but the progression of the music did not disappoint the already more expectant audience.

The emotional expressions did slowly change. Under Yu Feifei's piano bar, the centuries-old instrument showed not only the culture and feelings that people can't help but associate with, but also the vitality and longing of the times.

, with the strength and enthusiasm of youth.

The coordination of harmonies is even more refreshing, the harmony of pipa's chords, the melody of flute and erhu, the unexpected embellishment of guzheng... It seems difficult to adapt to large-scale folk music without the noise of gongs and drums, but it is so beautiful that it cannot be given up.

After re-entering from enthusiasm to soothing nostalgia, the dulcimer rested and the harmony continued. Suddenly, the harmony almost disappeared, and the dulcimer suddenly appeared again with intensity. The momentary gap was completely lacking in the depth and elegance of classical music, which can be heard

The impact is unavoidable, and the melody can be said to be "inciting" the audience's emotions.

Most people bought into this "incitement", and many people stretched their necks and straightened their backs... But what awaited them was yet another unfinished experience.

Next, the pipa took the lead, still relying on the inherited melody and novel texture. Wang Rui did not show her usual coyness at all, holding her beloved instrument in a dignified and ladylike manner and playing it accurately.

A sound whose music is full of sensibility and restraint that she does not seem to have.

The ** part of Pipa was quite real, which made many audience members downstairs ignore it, and the small area of ​​impolite applause lasted for at least a few seconds before stopping.

Wang Rui's eyes sparkled as she handed the baton to Chai Litian. Chai Litian lived up to expectations, and the timbre of her flute was still so bright and pure.

Before Chai Litian started, the old man Ding Sangpeng on the second floor raised his skinny right hand. In fact, he didn't raise it that high, but he spoke very forcefully: "Very good, very good!"

The principal immediately responded: "This is Professor Feng's student."

Ding Sangpeng said: "They are all very good."

This is an auditory feast. It seems that every note is unprecedented. It seems that 306 has given new life and meaning to every note of every instrument. Chai Litian is particularly good at this aspect.

, which almost expresses the wonderfulness of the work to its fullest.

In addition to the traditional feelings and emotions in timbre, what the audience gets more is the fresh and beautiful melody performed by the girls on the stage with their hard work and talent. If the previous part of the work still exerts or emphasizes this feeling on the audience

If so, then the flute part has already begun to deeply guide the listener to enjoy this feeling.

Yang Chengyi and Xiao Shuxia, who were probably the most music-blind people in the entire concert hall, began to enjoy themselves. Yang Chengyi's current expression showed that he was definitely not entangled in the complicated business issues in his mind. Xiao Shuxia was also looking at the stage,

It’s been a long time since I asked my husband which one is more beautiful.

Chai Litian completed the task brilliantly and successfully. The slight smile she showed the moment she put down the flute made the men and women in the front row of the audience stunned.

Everyone seems to have figured out the rules, there is no applause, and everyone is guessing which instrument will appear next. Qi Qingnuo’s double row of keys simulates a trumpet, using a long introduction to bring the band into the transition of the work.

part.

It is said that it is an excessive connection between the past and the following, but it can actually be regarded as a re-presentation, summary and outlook. It summarizes the previous content and previews the next one.

What many people didn't expect was that the drum set would play the leading role next, and the music entered the groove so quickly that they didn't have time to worry about imagining how the drum set would be unique and exciting, and they just started enjoying it.

Unprecedented rhythm patterns, unprecedented combinations, and Nian Qing's gentle drum beat unceremoniously demonstrated the power of forbearance. In the wonderful invitations from the companions again and again, the forbearance gradually blossomed, but it did not explode.

It is to release those powers peacefully.

Here, the performance of the drum set simply escapes all students’ impressions and understandings of it. It turns out that drums can also be played in this way. Of course, this must also rely on the foil or cooperation of folk music instruments, otherwise it will not sound good if it is played so dryly.

.Also, the power of the drum set should be rock and roll, but it’s a bit unsatisfying on stage now.

Fortunately, the fun came soon. With the cooperation of two erhus and a pipa, Nian Qing became more and more energetic. A burst of rapid rhythm showed her solid basic skills, and also made the audience's nerves and emotions arouse.

I felt high for a moment.

But this emotion soon disappeared, because Nian Qing gave up the leading role to two erhus. The erhu part seemed to make Gong Xiaoling a little worried, and she comforted herself: "Nothing will go wrong."

If the previous part of the music has surprised the audience, they will be amazed when the erhu part begins.

Gong Xiaoling and He Hongchui unanimously praised Yang Jingxing's talent and sincerity in this part. The previous touching scenes would inevitably be called showing off when faced with unfounded accusations. This is to say that Yang Jingxing only trades and shows off his talent in this part.

Being laughed at by others.

The Erhu part is only a short three minutes, but the use and structure of the wonderful musical ideas are perfect from beginning to end. The multiple imaginary melody lines, texture composition, and the use of various song techniques are almost impeccable.

Some of the previous parts can be adapted into songs or solos, but this part will make most people unable to start, otherwise they will be asking for trouble.

Liu Siman and Shao Fangjie did not disappoint everyone, and they played the two bows very smoothly. The classmates they knew and did not know, the teachers and experts of vocal instruments, the teachers who taught them, the authors behind the scenes, and the partners around them were all fascinated by the one and a half minute duet.

Intoxicated and intoxicated.

Then, it will slowly enter the climax. Various supporting characters enter unexpectedly, leading the erhu melody to gradually become more exciting.

This kind of excitement is not about pitch or rhythm, but the deep emotional power shown by the gradually unfolding grandeur. Gong Xiaoling once said that under this superficial grandeur, it is actually dim, sad, and helpless...

…but the innermost layer is broad, profound, full of hope and passion.
To be continued...