At the end of the 20th century, "time travel" began to appear widely in works on various subjects, whether it is science fiction movies, science fiction novels, etc., they made quite a lot of assumptions and explorations on time travel.

However, time travel later brought about the statement "grandmother paradox", which believed that time travel was essentially impossible to achieve. But soon after, the hypothesis about parallel worlds began to appear, that is, it was believed that once you go back to the past and change time, the timeline will develop in different directions and eventually evolve into parallel worlds.

When the concept of time travel appeared in science fiction works, most of them were not very rigorous entertainment concepts. For example, the concept of time travel in Doraemon is actually very chaotic. On the one hand, it proposed the assumption that time travel can change the future, but on the other hand, it showed the motivation to change history, but instead formed the destiny thinking of history. The period of time travel involved in the Saru chapter in "Dragon Ball" was also extremely unrigorous. It was obvious that the author initially wanted to follow the trend of time travel, but in the end it found that there were too many contradictory problems in the plot and had to be modified to the concept of parallel world, but this led to many inconsistent historical changes in the Saru chapter that could not be reasonably explained, which became a big flaw.

Of course, the above are all from a scientific perspective. In the past ten centuries, human science and technology have been difficult to completely analyze and constitute time. However, in horror films, the curse of time will not consider science at all. However, horror films involving time travel are quite rare, and it can be said that time-based curses are rare. This is mainly because horror films are less rigorous than science fiction films. This is easy to have huge logical problems in the plot structure when making this time travel setting in the script. This is true. If the problem of "grandmother's paradox" cannot be solved, time travel will become a logical contradiction that is difficult to achieve.

In the unsolved horror film, the curse of time is the first case. It can be said that the biggest problem of the curse of time is, as the Marquis said, "the future" is destined to be a very terrible problem. However, it is based on the premise that it does not break the "grandmother paradox". If parallel time and space appear in this horror film, then... it will be unprecedented despair. This means that even if you avoid death now, you may still be dragged into the past time again. If time is completely cursed and falls into extreme chaos...

Everyone will die! An Yueying is no exception!

Yu Shuo had already started to consider this issue since the beginning of the horror film. From the beginning, she was considering what kind of curse the horror film would be. The woman in white in front of her actually said the four words "change history" in front of her!

History can be changed!

This is obviously a typical "parallel space-time" theory. If the past can be changed, then where did the original timeline go? Moreover, history can change first. Then it can also change second or even triple changes. After different changes in time and space, through different interference, they finally evolve into independent worlds... If that is the case, can they still be considered alive? Perhaps even if they leave this horror film, as long as this alien classroom still exists, once they die in the past, they will die again in the future...

This is not an exaggeration. You should know that if someone travels to the past and kills your parents or you when he was a child (just like the Terminator). And you have no way to stop it (if you have returned to the theater), then what should you do? This is a situation that is destined to be more desperate than the future. Therefore, Yu Shuo has no excitement when he hears that history can be changed. For her, history can be changed, but it is a very desperate thing.

So, she had to determine a few things next.

First. Whether there is a limit on changing history, second, whether humans have the ability to travel through time, third. How much influence will it have after changing history, fourth... and the most important thing, whether changing history is really theoretically operable.

Only after confirming these things could Yu Shuo decide on countermeasures in a targeted manner. No matter what, she could never leave a fatal weakness for herself and Ye Xiang in this horror film.

"What's going on when you say you're changing history?"

"Specific...I can't say too much."

The limitations on information obviously increase the difficulty of changing history.

"How did you go back to the past? It's impossible that the flight time machine was invented in the future, right?"

In Doraemon, the time of the airspeed was invented in the 22nd century, but this is obviously absolutely impossible. It is purely a fantasy (in fact, Doraemon's biggest flaw is that many weapons that are more terrifying than nuclear weapons can be widely used). Then, she must figure out the way for the woman in white to travel back. According to her estimate, the other party may have parasitic time-based curse objects!

"I'm sorry... I can't say this." The woman in white said this and quickly added: "It's really true, otherwise I will tell you more things! Please believe me, mom!"

Yu Shuo calmed down and continued to ask: "So, what will happen in the future cannot be said, the ways and feasibility of changing history cannot be said, how you can travel back... Then let's talk about what you can say."

Even if Sun Xijing was restricted from the disclosure of information, she was still a very important source of information. However... the identity of her daughter made her feel weird. She had almost never played a married woman before, let alone a mother. However, it was difficult to develop a mother's affection for the "daughter" in front of her.

She must obtain more information before the memory is erased and hand it over to Ye Xiang.

"I know... it's actually very limited. Most of them are told by your mother. However, you are so disgusting about some things, so you didn't tell me. I can't tell you about some things about the future, but I will say things that can be said when I can."

“That is, some things, 'now' cannot be said?"

"Yes, mom."

Now I can't say it... Then, I can only let Ye want to bring her back to 1997, and then wait until she can speak. At present, it seems that the only way is to do it. Moreover, she is obviously not unwilling to say it, but is subject to some restrictions and cannot say it. Moreover, after knowing the identity of "daughter", she can't force confession no matter whether it is for the rationality of the plot or the emotional perspective.

Can I believe you? Yu Shuo asked himself in his heart. Although he was convinced that the other party was her daughter, this feeling was too strange and it was really difficult for her to develop "maternal love".

However, looking at the other person's eyes that were very similar to her mother, Yu Shuo finally chose to believe. Xijing reminded Yu Shuo of her mother. Since she entered the Hell Cinema, she has missed her parents all the time, especially her mother. She could completely imagine how her mother was so sad after losing her.

Unlike the Marquis' absolute rationality, Yu Shuo is still a rational person after all.

She just hopes that her decision is right.

Just as she was about to leave the black hole, she suddenly thought of a question and turned around and asked, "By the way, there is a question, I mind..."

"What is it? Mom?"

"Who is your...father? Why is it with my last name?"

Sun Xijing seemed to have expected her to ask this question, and smiled bitterly, saying, "This... can be said in fact. But if I said it, mom, you probably wouldn't marry and give birth to me."

"That is,...will you stop there?"

"Well... that's it."

It's true.

She was obviously convinced that she could change history.

However, Xijing's father could roughly guess. It should be Ye Xiang. After all, Jin Shudong and Sun Mihua are the male and female protagonists, so it is hard to imagine that Sun Mihua gave birth to a child with someone else.

If that's the case... Then, Sun Xijing is Ye Xiang, and his daughter...

PS: When I was a child, I thought that the plot flaw caused by the existence of flight timing was too great. One was to return to the past to completely change history, and the other was to return to the past to achieve history. However, time shuttle is a difficult setting. I don’t know how many people fell on it. The flight timing of Dragon Ball Artificial Man-made Man is obviously a temporary change. I still don’t understand why history has such a big difference.
Chapter completed!