"hand"

The old demon saint's cave is very simple, with only a few prohibitions. Other places are like an ascetic, as simple as it can be, and it is not worthy of the status of a fifth-level demon saint at all.

But Wang Zheng didn't care. Instead, just like he was in the Bronze Immortal Palace, everything seemed natural.

Compared with his own bronze fairy palace, although it is a bit simpler, it is better to be natural. Compared with the majestic but boring bronze fairy palace, the aura in the nature of the southern wilderness is more suitable for Wang Zheng to create.

At this moment, Wang Zheng was thinking about some points in the plot creation.

In Wang Zheng's view, the promotion of the plot is not just the plot of the script itself, but also a large part of it is what the director wants to express through some pictures in the play.

And this hand is a point that Wang Zheng is thinking about. A point that can be used as a key point in the plot structure and can highlight the inner personality of the character in different periods.

"The Buddha of the World Honored One sat upright in the void, and his palm pressed the Holy Emperor of Fighting for thousands of years.

The monster is chaotic, with sharp palms, and it is a ruthless killing.

The Fighting Saint Emperor made five fingers, so I took out an iron rod, which stretched to reach the sky, and the sky and the earth changed color between the rise and fall."

Scenes of hands were interpreted in front of Wang Zheng's eyes. Wang Zheng remembered them one by one, and at the same time labeled them in his heart: "This is a hand that represents strength."

"It's not enough to have power alone. There must be conflict points in a qualified work. Only under such contradictions and conflicts can the characters' personalities become more distinct and the plot will be more intense."

Today is different from the past. Whether it is vision or hard power, Wang Zheng is no longer the young man who only understands theory at the beginning of time travel.

At this moment, even if it was his first time doing animation, he still knew very well what the structure of a play should be.

"At the Five Fingers Mountain, the monkey was wrapped in iron chains and lost all his magic power.

On the ice surface, Jiang Liuer timidly put her palm on it, which became the first warmth of the Holy Emperor of Fighting War.

In the blue ice water, the Holy Emperor of Fighting Desperately used its fluffy hand that should have shocked the world to hold Jiang Liuer's doll."

"These hands represent weakness, redemption, and powerlessness."

Wang Zheng's eyes became brighter and brighter. With these hands, although the plot is still the same, because the scenes of these hands are undoubtedly highlighted, the plot will undoubtedly become more intense, and the changes in the protagonist's own personality will become more distinct in this contradiction.

"And Teacher Wang Feng's feeling of flying, well... I'd better fly in the Tianchao honestly, and I won't be introduced to the Tianyuan World."

"There are three more unnatural points, so you can also think about them carefully."

According to the original plot, Wang Zheng had the final draft in his heart. This draft is essentially closer to the plot of his previous life, rather than the ones he saw in the Five Realms.

But this is not important, because art comes from life and is higher than life after all. The plot that is close to three layers is enough.

As for the 100% plot that fits reality, Wang Zheng is not as stupid as that.

First of all, this requires re-planning of the entire script, and the design of the characters themselves will also cost more attention.

Secondly, the little monkey is not Jiang Liuer. If such a fact-consistent exposure makes people think about the little monkey, it is estimated that the Holy Emperor of Fighting War will press himself to the ground to rub.

Due to various reasons, Wang Zheng finally decided on a script that was closer to the original work.

Once the script is decided, the original painting of the character itself is also designed. The rest is to create one scene after another.

Normal cartoon creation is a very boring and long process.

To be removed, the movie is shown at a speed of 24 pictures per second. This means that an 80-minute cartoon requires a full 120,000 manuscripts to be enough, which is a huge project.

Although there were computers in my previous life that could assist in creation, the entire process was greatly simplified.

Animators only need to complete the first and last two animations, and the computer can generate a large number of animation splits under the program to assist in the design. Even coloring can be done with just a little bit of a pen.

But it still takes a lot of time, especially the entire post-production process. The designer needs to rely on his experience to repeatedly demonstrate and modify it in front of the screen.

Change background, change character movements, or rearrange the shot's push, pull, shake, and move...

Only by doing so can the final draft be obtained.

But all this is not a problem for Wang Zheng. As a fifth-level celestial warrior, Wang Zheng's soul power can easily influence the world, and his ability to think and calculate is not comparable to that of a computer.

As such a strong man, Wang Zheng’s creative method is simple and crude.

First outline the character image. Once the character image is designed, it will basically be deeply imprinted in Wang Zheng's mind.

Then, Wang Zheng, who is confident, will use his soul to create creatures in the void based on the plot that had been deduced long ago, and evolve such a picture.

The action was completed in one go, and the camera moved with the heart. Even the aura of one of the characters was simulated through his tolerant chaotic body.

After all, there are only a few real strong people in the return of the Great Sage.

Great Sage, White Dragon, Chaos!

Wang Zheng is easy to simulate the breath of the white dragon. After all, the artistic conception of the dragon boxing in the Shanhai Boxing Classic is extremely rich.

The extremely viciousness of Chaos and Chaos aura is still within Wang Zheng's ability. As long as the aura of the Devouring Demon Art is slightly modified, it will be almost the same.

Only the Dou Zhan Saint Emperor, the unique Dou Zhan Saint Emperor in the world, Wang Zheng really cannot simulate his aura. After all, the heart ape power of the Dou Zhan Saint Emperor's lineage may be much more intelligent than the essence of his current chaotic power.

And this is why Wang Zheng asked the old demon saint to search for the holy prince.

Because the Holy Prince not only wants to dubb the Holy Emperor of Fighting Battle, but also uses the breath of his family's mysterious skills to make the scene of the monkey burst even more shocking!

Of course, Wang Zheng didn't take it too seriously whether these voice actors could come and when they would come.

Because at this moment, he is constantly modifying the structure of the plot with all his heart.

Even if he has a powerful martial arts spirit, he still needs to try it continuously to get the most exciting and smoothest picture.

In his previous life, Wang Zheng had told himself countless times that if he could become an actor or director, he must strive for excellence.

He has not forgotten this point even today.
Chapter completed!