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Chapter 101 Post-production again

Under the stimulation of that true energy, the shadow stone faithfully projected the stored picture. In the darkness, the picture seemed particularly real.

At the beginning of the picture, it was the old man named Liu Dahai who had already started shooting at the commanding heights of Liujia Town. The mountains and forests were roaring.

In the distance, a thick black smoke rose into the sky. Under the influence of the wind, the thick black smoke seemed more attractive in the mess.

At this time, Wang Zheng suddenly picked up a photo stone, and the true energy continued to inject it into it, aimed at the black smoke and started shooting.

At the same time, Wang Zheng was also constantly following his experience during the shooting, reducing the intensity of the output of the person's true qi while steadily regressing backwards.

After a set of actions, the rich and hot black smoke in the mountains was recorded by Wang Zheng using a method of close-up and then a full-view of the long-distance view, and was left as material for the entire documentary.

After passing the shooting angle and process just now in my heart, Wang Zheng nodded with satisfaction, and then put down the photo stone in his hand and took a new photo stone again.

At this time, the picture slowly played, and the camera was facing the trembling mountains from far to near.

Seeing this scene, Wang Zheng calmly rushed another ray of true energy continued to output, and he started to record this scene with the brand new photo stone.

From the changes in the mountains and forests to the roars of dust and splashing plants in the sky, the beasts rushed out.

From the silence of the townspeople to the sudden rush of fleeing in a hurry.

From the fairy sword crew who was originally focused on the dense forest, they all entered a state of combat in an instant.

From Dongfang Ling'er's face to ignite the incense of beasts with a resolute look, to Dongfang Ling'er's moths flew towards the group of beasts like a moth flying into the fire.

From Wang Zheng throwing out the heavy black iron sword, to floating away like a flying immortal on the group of thousands of beasts.

The complete illusion was divided into parts by Wang Zheng using photo stones one by one.

In fact, Wang Zheng even made more detailed segmentation of many pictures using the photo stone alone.

For example, the frightened child cried loudly, the elderly mother pushed away her prime son with a determined look on her face, the unique writing of each person in the Fairy Sword crew, and Wang Zheng stepped on a sword in the group of beasts...

There are even some key close-ups on the expression, which Wang Zheng also recorded using separate photo stones.

The child's panic, the mother's determination, the high luck's stubbornness, the bloodshed of Nangong Tiezhu, Bai Zhaoxue's willow eyebrows are raised...

I don’t know how many photo stones I consumed, and how many times the original illusion was played over and over again, so Wang Zheng isolated the storylines in his heart alone.

Even every close-up is made by Wang Zheng's advance deduction, using different shooting angles and techniques, so that the film that was originally one perspective can present a storyline from various motion perspectives under the original method of Wang Zheng pulling closer and farther away and selecting angles to cut.

And these storyboards are all the materials that were later edited into films.

However, it is just the most original materials. Wang Zheng also needs to make these materials well-made, such as special effects, lens changes, prominent subjects and other later methods in order to make these original materials truly usable materials.

Yan Ruyu was sitting quietly on the bed, staring at all this, and she didn't know how many yawns she had yawned. He thought Wang Zheng was too boring to do this.

However, what Wang Zheng did next made him feel energetic all of a sudden.

"I will use true energy to interfere with this lens later, so that the projected illusions in it will show a slow release effect. You must take the iron pillar again."

Wang Zheng picked up a photo stone, placed it on a table covered with black cloth, and instructed Nangong Tiezhu.

Nangong Tiezhu nodded and replied: "I understand."

Under Wang Zheng's intentional training, Nangong Tiezhu has been able to understand Wang Zheng's ideas to a certain extent.

He knew that Wang Zheng did this to give a close-up shot to create a certain atmosphere. But he didn't know which scene Wang Zheng wanted to close.

As the screen slowly played, Wang Zheng suddenly exhaled a stream of innate true energy from the air. The thick and soft true energy seemed to affect the normal playback of the Stone, and the whole screen suddenly slowed down.

Nangong Tiezhu, who had been waiting for the battle, saw this scene and quickly aimed at the slow-moving picture and started shooting.

As planned, several slow motion scenes were completed by the two of them in a joint effort.

The crying child was overwhelmed, and the old mother who pushed her son away and chose not to drag her down.

The running group of beasts, the birds everywhere, and even a mountain king slowly opened his bloody mouth.

One is cruel, the other is fragile, the other is cold-blooded, and the other is affectionate. The two completely different sets of shots are slowly displayed, and a strong sense of contrast is suddenly burst out.

Of course, Wang Zheng was indispensable to pushing Dongfang Ling'er away. Wang Zheng stepped on the sword and Dongfang Ling'er looked straight at Wang Zheng's scene while flying backwards.

When Wang Zheng played the scene taken by Nangong Tiezhu with expressionless face and checked for possible flaws, Yan Ruyu's eyes were already wide open.

He could not imagine why the slow release of the two sets of pictures could create such a shocking feeling.

It seems that filming is very knowledgeable?

However, Wang Zheng and Nangong Tiezhu, who were immersed in post-production, did not notice the changes in Yan Ruyu. Instead, they confirmed that these slow-motion shots passed, and then began their next work in full swing.

Because of practicing innate martial arts, the process of integrating spiritual will and spiritual energy into the body of heaven and earth during the cultivation process has also increased Wang Zheng's spiritual cultivation.

Therefore, the half-baked illusion that used to be used is now quite easy. Although anyone can see that the illusion is fake, it seems seamless when combined with the sci-stone.

"Iron Pillar, I will use illusion to make the picture darker. You can re-record this paragraph."

"Pay attention to this section. When this monster lands, I will use illusion to make the dust on the ground and the white air spurted out of its nose clearer. You can take a closer look at this place later."

"In this section, the beast's roar is not loud enough, so find a way to make it louder."

"Don't add the narration in a while."

Using illusion is equivalent to adding special effects, and almost all of each story shots were remade by the two again.

Afterwards, Wang Zheng continued to take pictures with a photo stone, splicing together the completely separated storyboards, and finally the promotional video was initially completed.

The final product was activated with true energy, and the picture that was beyond recognition but even more shocking finally appeared in this dark room.

In the darkness, Yan Ruyu's stern face finally looked like a normal child, as if she had discovered a new world, shocked with joy and longing!
Chapter completed!
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