"Hey, it's heartbreaking to be the top artist who ended up like this!"

Wen Yiming felt very sad after reading the information. The artist's later years were so desolate that he had treasured and destroyed it all his life. That unforgettable pain was simply a life-threatening one!

"No. 32 Songshan Road, go and see if there are any clues!"

Everyone came to the town overnight and found the dilapidated old house, but fortunately they were not developed. Some people lived in it, so they asked Heifeng to buy it at a high price, and the deal was made for 800,000 yuan.

"Under the cabinet, right, dig!"

The two of them went to the bedroom and confirmed that the treasure chest was under the cabinet, and started digging for treasures. They were familiar with the road and were very fast.

"Haha, Song Huizong's picture of lotus and pheasant!"

"Thousand-character essay on thin gold style!"

"Picture of late autumn in the pond!"

"The Eight Beauties Album!"

Wen Yiming excitedly took stock of the harvest, and it turned out to be the original works of Song Huizong, and there was also a set of beautiful women and albums, the best!

If Song Huizong was not good at being an emperor, his cultural cultivation was definitely the first person! He was not only proficient in painting, but also gathered painters, created Xuanhe Painting Academy, and cultivated a group of outstanding painters such as Wang Ximeng, Zhang Zeduan, and Li Tang.

He also created his own thin gold body, loved painting flowers and birds and made his own courtyard body, and was a rare artistic genius and versatile talent. He was later rated as Song Huizong as capable of everything, but he could not be the king.

Because of this literati emperor in the Song Dynasty, it is still the peak of culture for five thousand years. Whether it is Song porcelain, calligraphy and painting, or even incense, it cannot be surpassed.

"Since I've come out and go directly to Ji County, which is Sun Yingzhou's hometown, to see if there is any gain?"

After this period of treasure hunting, Wen Yiming summed up a lot of experiences. Uneducated tomb robbers and bandits used the gold-eating Gu to hunt for treasure. With gold as the coordinates, they would definitely not be able to escape.

Collectors or literati still have to rely on their noses. They are all ancient books, calligraphy and paintings, and gold treasures are useless. Collectors in the Republic of China have experienced turbulent times, and many collections have been confiscated. This is a rare opportunity. Maybe someone embezzles them and has the opportunity to find a bargain.

Sun Yingzhou, an advisor to the Palace Museum, re-identifies the ceramics collected in the Palace Museum and acquires a large number of cultural relics and treasures for the country's rescue.

After liberation, I operated an antique business in Shuhuazhai for 40 years, so I have a lot of inventory, including porcelain and bronze ware, and many other cultural relics such as rhinoceros horn cups.

Finally, more than 3,000 cultural relics accumulated throughout his life were generously donated to the Forbidden City, including 2,000 ceramics alone, and 25 porcelains including the Doucai Sanqiu Cup in Chenghua, Ming Dynasty were designated as first-class cultural relics. Disciples were everywhere, and Geng Baochang was his disciple and the real successor.

Sun Xuzhou was designated as a capitalist and died in a desperate situation. His son Sun Hongqi was implicated because of his father's problem and was sent to Ji County, and he died of depression.

Wen Yiming came to the small county town and found the Sun family. Now there are people living there. He bought it at a high price and dug out a small treasure chest under the woodshed.

"The Three Autumn Cup of Doucai in Chenghua, Ming Dynasty, is the same as the Forbidden City!"

"Chenghua Doucai Tianzi Can? I remember that it only existed in 12 and a half!"

Carefully playing with the Sanqiu Cup, the light and exquisite Doucai porcelain cup was painted on the white and delicate body, as thin as a cicada, with two butterflies flying among the mountains, rocks, flowers and plants.

The purple glaze applied on one of the butterflies' wings was thick and dull, but this was exactly the inherent feature of the Doucai of Chenghua in the Ming Dynasty, and it was also a place where imitations from later generations could not be imitated. This purple color is the so-called purple color.

"There is one in the Forbidden City, and now I have one in my hand?"

I picked up the Tianzi Can again. The Tianzi Can is so famous that only 12 and a half pieces are left in the world. The Tianzi Can is written under the jar as the base, and it is written as a kiln Tianzi Can in the Qing Dynasty.

As the old saying goes, bottles are the most valuable in porcelain, and jars are the second best. The so-called lying thing is bowls and plates. The jars are neither high nor low, and they are considered to be squatting, so their status is not as good as bottles. However, the Tianzi can has a very famous reputation and a high status, so it must be the royal porcelain.

I heard from Geng Baochang that the cultural relics of the Forbidden City were composed of the number one in Tianzi, which was a small stool. It is said that when the number was arranged, the staff saw the small stool as soon as they entered the door, so they lined it up with the number one in Tianzi.

The Tianzi jar is not only precious today, but it is particularly precious in history. There was a record in the Qianlong period that on June 19, the construction office of the Yangxin Palace sent a Tianzi jar with a missing glaze-free pot, and sent it to Tang Ying to replenish the glaze. If you can replenish it, you can send it to you. If you can't replenish it, you don't need to replenish it, and you will still send it. I'm here.

Tang Ying was very nervous when he saw the imperial edict. He brought the jar back to Jingdezhen and thought about how to fill the glaze. In the past few months, he made three pairs again and brought them back to the emperor together with the original jar.

The Tianzi jar was first created in Chenghua. The patterns are decorated with seahorse patterns and flower and plant patterns, but there are no characters. The Tianzi jar written at the bottom of the jar is characterized by no railings and frames. The Wanli period of the Ming and Qing dynasties are written under the Ming and Qing dynasties and Qianlong periods. They either add double blue circles or a square frame.

From Wanli to the Kangxi, Yongle and Qianlong dynasties, imitations of the Tianzi cans have been frequently seen. For five hundred years, the Tianzi cans have been covered with a mysterious veil. Its purpose is still unknown.

Wen Yiming took all the treasures back excitedly. This time, he searched for treasure for less than three days, but he gained a huge harvest. All calligraphy and paintings were treasures of the Song Dynasty, and there were only eight pictures of Song Huizong alone, which were priceless.

Porcelain is also a rare treasure. There are only two Sanqiu Cups in existence, one of them and one of them in the Forbidden City. If Mr. Geng saw it, he would definitely be crazy!

When he called Geng Baochang, the other party was immediately present. When he saw the master treasured it, the old man cried bitterly and missed others when he saw it.

"Yes, this Sanqiu Cup is something my master cherishes. There is only one pair in the world, one in the Forbidden City and the other is missing."

Mr. Geng Baochang played with the Sanqiu Cup and said emotionally: "Think about the major collectors of the Republic of China, Zhang Boju, Wu Hufan, Pang Yuanji, and especially my master Sun Yingzhou. Which one is not noble? In the end, he donated the priceless treasure and heavy weapon to the country. Compared with the current descendants, it is really unbearable!"

The old man put down the Sanqiu Cup, looked at Wen Yiming, and said seriously: "If it were someone else, I would do my best to persuade the other party to send the Sanqiu Cup to the Forbidden City for collection, peerless treasures, and make up a pair of them."

"But I can't say anything when facing sir!"

"I believe that sir can definitely treasure all the important national treasures, just like the hall name Mingyuanzhai. Since they are allowed to see the light of day again, please let the national treasures be passed on forever!"

Wen Yiming focused on the key points. Without the need for the old man to say, he would also let the national treasures be passed on, so that future generations can understand Chinese culture and experience the pride and pride of being descendants of Yan and Huang. As for the loss of national treasures from the people and even overseas, he would have to take them over in his own way and stay in our own land forever.
Chapter completed!