Zhang Yimou hesitated for a moment and took the script handed over by Xu Hui.

In fact, at this time, his next work has been decided by Lu Feng Yan Shi

Every director will consider his next work, even if he breaks up with his partners.

Especially for a director like Zhang Yimou, who is very clear about his shortcomings, his assistant's main work day is to help collect appropriate scripts...

Before the novel "Lu Feng Yan Shi" was published, Yan Geling gave the manuscript to Zhang Yimou's assistant and gave Zhang Yimou twenty days to consider whether to adapt the film and television.

After all, Yan Geling was very satisfied with Zhang Yimou after collaborating on "The Flowers of War with Jinling".

This is true for well-known writers, or those who already have works.

For example, if there are any good works in "Harvest" magazine, those editors will be angry with the directors they are familiar with in advance before the magazine is published.

After all, a good story is the source of a movie...

Yan Geling's works are very suitable for adapting film and television dramas. She herself said: "In the narrative of the story, I dismembered the special narrative of emotions, and then used the close-up of the movie to magnify this emotion several times...'

Simply put, the picture feels very strong!

If you want to discuss literary skills, forget it, even Zhang Ailing can be considered garbage literature by a certain group of people...

As early as "Heart String", Yan Geling's works were brought to the big screen.

Many directors like to work with her, "The Bathing of the Sky", "The Little Girl Fishing", "A Woman's Epic", "Auntie Duo Cranes", "The Flowers of Flowers of Jinling", and of course "Youth"...

Many great directors have the feelings of Brother Wen. They like to add this situation to their works, probably because of their own experience.

Many of Yan Geling's works are based on this historical fact, such as "Lu Feng Yan Shi".

Zhang Yimou chose his own sense of smell when he chose his work. He was sensitive to it and realized that it would be a good work. Of course, if he wanted to be put on the big screen, it would require considerable modifications. In the past few days, he has been thinking about how to adapt such a work that tells the whole story of Brother Wen into a movie that can be released.

He often deals with the censorship department, and Zhang Yimou has a clear understanding of the scale of the film.

...

Zhang Yimou was flipping through the script. Huang Wen glanced at Xu Hui and asked in a low voice: "...Are you okay?"

"…What's wrong? I'm so good!"

"I see that your face is filled with depression, and it's not like the director Xu I know at all!"

Is it so obvious?

"It's okay, maybe... maybe I haven't had a good rest these days..."

“…Please pay more attention to rest.”

It can be seen that Xu Hui doesn’t seem to want to talk about these things, so Huang Wen changed the topic: “When will your next work be launched?”

“…Leave the "Daoma Dan" to Lu Yang, I want to go to the United States…”

"Go to the United States? What to do?"

"I'll shoot the first two episodes of "The Wasteland"!"

"…Okay, who is the hero looking for?"

"…If you want to be good at English, you have to know some skills. Well, Wu Yan team up, please contact him..."

There is really nothing we can do about this. Compared with mainland actors, Hong Kong and Taiwan actors have inherent advantages in this regard.

Especially Hong Kong actors, they are receiving English education.

And Wu Yan's group is a San Francisco...

Xu Hui actually thought about looking for Deng Chao or Huang Xiaoming, but the English proficiency of these two is really worrying e are tiring logging vs too much...

Don't embarrass you...

"Tsk tsk..."

"What's wrong?"

"I just feel curious. What have you experienced these days?"

Huang Wen deliberately stumbled his lips a few times: "I actually made an exception and found a Hong Kong actor!"

"…I say it again, I have no prejudice against Hong Kong and Taiwan actors!"

"hehe…"

The topic ended, mainly Xu Hui had no interest in nonsense, and his worries had not yet passed...

Yaya still doesn't want to pay attention to him...

Zhang Yimou originally planned to browse the script a little, but maybe because it touched him in one aspect, he began to read it carefully.

Huang Wen asked: "What is your script written?"

"...You can see it yourself later, I can't explain it clearly in a few words..."

...

After half an hour, Zhang Yimou put down the script and looked at Xu Hui: "How did you think of such a story?"

"It can't be considered as what I thought. I read a report on "Visiting Relatives" that day, and I was thinking about whether I could focus the story on such a character. However, if I really wanted to write this way, the script would be easy to write a record. So, I changed the angle and set the characters into a group of people working overseas..."

Another point is that such a subject is very sensitive. If it is filmed, it will inevitably involve a lot of policies, which is a big taboo for the movie!

“…This focus is very novel and the story is also good!”

Zhang Yimou commented.

"Then are you willing to direct it?"

"You put it here, I have a script on hand..."

As expected, Lao Zhang is still more interested in "Lu Fan Yan Shi"!

The difference between the five generations of directors and the four generations of directors is that they express the individual fate of Brother Wen, which is their best weapon for traveling around the world!

That is the legendary sentiment!

Let me put it this way, "feeling" is a very vain thing, and it depends on your own opinions.

The so-called feelings are loved by others and each person is attracted by their own eyes.

"…Is it "Lu Yanshi"?"

"Yes, do you know this novel?"

I know so much, "Return"!

The title is pun. Even Lao Mouzi's work "Return" means "Lu Yanshi". Of course, what makes Paohui remember most is Gong Huang lost the Golden Horse!

"Of course, the works of writer Yan Geling..."

In fact, "Return" is not a particularly excellent work in Lao Toozi's entire directorial career. Compared with "Living", "Red Sorghum" is a little less meaningful, but after "The Flowers of War", or in the entire 204 years, "Return" is enough to rank among the top three of the year in terms of quality and influence!

Unfortunately, after "Return", it was actually "The Great Wall"...

Da Tiantian became the biggest resistance to Zhang Yimou's return...

"Then this script?"

Xu Hui was a little hesitant. Although he had the desire to direct, he knew his skills very well. As a director, Xu Hui's most powerful thing lies in his quick editing, so the action movies he made would give people a stimulating and nervous feeling.

However, if he wants to film this kind of emotion without ups and downs throughout the whole process, I'm sorry, he doesn't have that skill...

"You put it here first, and I will discuss it with Zou Jingzhi..."

Zou Jingzhi is his new screenwriter...

"Then director, when will it be convenient for you to sign a director contract?"

Huang Wen showed his true face. He originally came for the purpose of signing Zhang Yimou!

"…I can do it anytime, but do you need to find a lawyer to notarize it?"

Lao Touzi was bitten by a snake once, but he was afraid of the rope for ten years...
Chapter completed!