Yes, Paohui has never given up on his determination to bring the national teacher closer to Huiwen's world!

After all, he is a sign!

Not weaker than Feng Xiaogang's big ip!

In fact, in the original time and space, after the two Zhang broke up, Zhang Yimou got very close to Lishi, and Leishi also used Zhang Yimou to attract many celebrities...

After "The Flowers of War", Lao Mouzi made two movies, "The Return" and "The Great Wall"...

The former once again proves that Lao Touzi deserves to be a master-level director!

The ruthlessness of integrating a love into the great era is probably the director who can make this thing move, but Zhang Yimou's tone is tolerate, and the emotions of the whole film are not too much ups and downs!

The sensationality of "Tangshan Earthquake" is so hard, it's like poking your face with a stick and asking you why you don't cry!

Feng Xiaogang is much different from Zhang Yimou, and the gap can not be smoothed out by just one or two awards...

"Return" is definitely a "return" in the sense of Zhang Yimou. He uses a more calm and restrained narrative to show the fate of ordinary people like the ancestors he admires, and to talk about the joys and sorrows of the deepest people. This is the Zhang Yimou that most of us like, and it is also the Zhang Yimou needed in this era.

A true master can film a story of compassion like clear water, but as long as you think about it, it will immediately turn into a storm!

"Schindler's List", does director Spielberg use that strong pen to hit the audience's impression?

"The Pianist", director Roman Polansky's speech tells a tragic story, and the world described is very clean...

As for "The Great Wall", uh, after all, it has the mysterious power and is so sweet that we won't mention it anymore...

"What I said is true. Nowadays, Chinese film commercialization is becoming increasingly strong. We don't need Zhang Yimou to make any major productions anymore. Just return to the previous state!"

"But, he has worked with Zhang Weipin for 16 years..."

"Yang Guo and Xiaolongnu have been together for 16 years! What's the result? Didn't Xiaolongnu give birth to someone else's child?"

"Little Dragon Girl has someone else's child? Whose child?"

The two of them were confused at the same time. Could it be that I was watching the fake "The Legend of Condor Heroes"?

"Yin Zhiping!"

"roll!"

Yu Feihong and Wu Gang scolded each other in unison...

Alas, these seniors have never even watched "I Never Expected" and failed!

...

The inn in martial arts films evolved from the traditional opera stage. Hu Jinquan believed that it was the most dramatic place, and there were few places like it that time and space were concentrated, and all conflicts could break out here. So he successively filmed the "Inn quadruple plots" such as "The Drunken Hero" and "The Storm of Yingchun Pavilion"!

The inn, where several people appeared one by one, became a battlefield that occupied the main space of the movie. They seemed to meet unexpectedly, but they appeared in the dark and dark times, like the tide that surged from all directions, and then fought and fought, and finally formed the stormy waves of the plot.

Director Hu is a craftsman who is skilled in craftsmanship, careful and steadily. His inn has corn farm tools, full of lifestyle. It is a force of justice, with warm arrangements and a sense of home.

The fight he designed, the actors stomped the beats of gongs and drums, melted the rhythm of the drama, and had the gracefulness of the dance, but also had traces of pre-arrangement and deliberate carving.

"New Dragon Inn" has added a character like Jin Yingyu. "New Dragon Inn" draws on the setting and the main storyline. The difference is that it adds emotional dramas, or even love triangles, and the pace is faster.

Longmen Inn focuses on the word "门"; New focuses on the word "门".

The biggest difference from the original version is the meaning represented by Longmen Inn!

It is no longer so clearly distinguished between good and evil. The desire for profit and sex of gold and jade has made her constantly deal with the two factions of the positive and negative. The guest house is placed on the upper side, and the black and white are welcomed in the middle, and the secret passage of the clear path is dug out from below, providing more levels of narrative space, which also enhances the interaction and conflict between gold and jade and the positive and negative factions.

...

On the first day of the start-up, Paohui first took a photo of Zhou Huaian's appearance.

This lens is very simple, just follow the long lens, but Xu Hui is planning to take a day to shoot!

The reason is very simple, he needs to be familiar with 3D shooting technology.

Just like what Mr. Xu once said, "A long time ago, people with advanced technology in European and American countries said that Chinese people should not use special effects. I asked why we can't do it? I always hope to make a movie to build Chinese technology. We cannot make a technology that is already so mature in other people's worlds completely unfamiliar with our industry. We cannot always stand in place when making movies. Someone must take the first step of technological innovation. The technology has helped a lot to the artistic expression method, enriching the artistic techniques of movies and making the film continue to improve."

3D shooting, it is very simple to say, it is to use two cameras to record images at a certain spacing and angle at the same time.

However, there are two difficulties in actual shooting: the first is how to set the focus of the two eyes, which represents its three-dimensional sense. During the 3D shooting process, when two machines take an object together, ghosts will appear if they are not handled well; in addition, when the picture will protrude and when it will be concave, it is called positive time difference and negative time difference.

For this 3D shooting team, Xu Hui looked for basefx as usual.

In three days, Paohui understood a lot of messy things. To put it bluntly, what needs to be controlled is the photography equipment and computer equipment, as well as the control of distance, three-dimensionality and the setting of depth during the shooting process.

These are what the staff must do.

This group of staff has experience in foreign affairs and teamwork, so they are very good at playing...

Paohui wasn't very worried.

In fact, there are so many pseudo-3D movies in China because they were filmed in 2D and were converted in the later stages, so the effect is of course different!

But this can save time and money!

Real 3D videos require more than 60% of the early 3D cameras to shoot!

This is a waste of money, not just talking about it...

...

A person's first appearance can express a person's personality or imply the fate of the character.

Zhou Huaian walked slowly from the desert, showing his courage and wisdom on the one hand, and implying his fate as a child in the troubled times.

The two cameras were aimed at the desert in different angles, wearing green clothes, wearing hats, riding camels, and slowly walked towards the main camera...

"Crack! Not bad, do it again!"

Xu Hui looked at both monitors, nodded, and signaled Nie Yuan to go again...

Nie Yuan had been mentally prepared for a long time, and he knew that he was an experimental subject...

So, several onlookers saw Nie Yuan riding on a camel and walked back and forth twenty-five times!

"Okay, this period is over!"

Finally, Xu Hui communicated with the person in charge of 3D shooting for a few words and determined the best plan.

"…Will our directors pursue technology too much? Forgot to shoot the story well?"

"It shouldn't be true. He is Xu Hui, one of the most storytelling directors in China..."

Regarding Xu Hui's ravage to the male lead, Wan Qian and Yu Feihong discussed it in the actor's rest area.
Chapter completed!