Qin Han looked at the two people who were talking in front of him and expressed their admiration to him, and found it really wonderful.

Because of his own influence, an old driver was determined to go ashore and became a good man and no longer painted R18 comics.

A pure young man who has been painting orthodox boy comics, but was inspired by his own comics and was ready to go to the sea to draw erotic comics that promote web consumption.

Forget it, no matter what, I wish you two can get wider and wider on the road of creation.

After Gan Jieliuta and Ke Yashu left, Qin Han did not enjoy the food alone for long, so his editor Xiong Zexin came over with a young cartoonist.

Well, he is now a pillar-level cartoonist in "young_animal". It is understandable that others want to meet and chat.

If Qin Han went to attend the JUMP annual meeting, he would definitely try every means to say something to Akira Toriyama.

"Teacher Qin Han, this is Kentaro Miura." Kumazawa Shin introduced.

"I am Qin Han, please give me some advice." Qin Han nodded.

In his previous life, Kentaro Miura's "Legend of Sword Wind" can be said to be the absolute signature work of "young_animal", and his status is unshakable, but in this world, this position was replaced by Qin Han's "Dragon Sakura".

Through Kumazawa Shin's introduction, Qin Han knew that Kentaro Miura had just finished the serialization of "The King Wolf".

"King Wolf" is a historical comic that tells the story of a male and female protagonist who traveled to Mongolia as a Japanese man and a thirteenth century. Moreover, Genghis Khan in the comic is actually a legendary general in Japan's history, Yuan Yoshitsune.

Although this work is only one volume, the commercial achievements are far less than those of the later "Legend of Sword and Wind", the comics include many later fashionable elements such as time travel and superficial history, and are also a very special work.

It is worth mentioning that the original work of "King Wolf" is Wu Luzun, the original work of "Bei Dou Shenquan".

Kentaro Miura once studied under Tetsuo Hara, and it was precisely because of this relationship that he invited Wu Lunzun to cooperate.

After the end of "The King Wolf", Kentaro Miura was unwilling to be the only one who painted, so he began to create his own story. Because of the personnel transfer of the editorial department, Kumazawa Shin also happened to become his editor-in-chief. So Kentaro Miura asked Kumazawa Shin to meet Qin Han.

"Teacher Qin Han, the ink-wash comics you created at the last painting competition are so amazing."

As soon as they met, Kentaro Miura was so excited that he held Qin Han's hand.

Speaking of which, although this is the first time the two of them have met, they have had an intersection in the painting competition held by the Cultural Affairs Department before.

Although Kentaro Miura lost to the Qin and Han dynasties, he won the third place with his superb painting skills from Tetsuo Hara.

However, he was not complacent because of this. Instead, after watching the video of Qin and Han drawing a portrait of Kenshin Uesugi with a brush, he realized that there are people outside of people and there is heaven beyond the sky, and the road to painting is endless.

After that, he worked harder to hone his painting skills, and after the completion of "King Wolf", he devoted himself to the creation of the next comic.

"Teacher Qin Han, today I met you. In addition to expressing my respect in my heart, there is another thing." Kentaro Miura said, "My new work is a European medieval fantasy style, a comic that I have always wanted to create. There are some scenes that I have been conceiving since I was a student. It can be said that this work embodies my life's hard work. Editor Kumazawa is also optimistic about this comic, but after handing over the name of the comic, it caused some controversy in the editorial department, so that I began to shake myself..."

After listening to Kentaro Miura, Qin Han, who knew the direction of his previous life, knew that in this world, a generation of dark fantasy classic "Legend of Sword Wind" was about to be born in the hands of the young man in front of him.

But now, Kentaro Miura does not know that his works will become classics, and is still in a dilemma over the controversy in the editorial department.

The popular comics in "young_animal" are a considerable number of them, except for the alien "Dragon Sakura", which are soft erotic comics that are not very different from R18 except for the lack of revealing points.

The pillow offensive is a very effective method in entertainment works. If a new cartoonist wants to make a name for himself, quickly accumulate popularity and make quick money, drawing such comics is a shortcut.

Back then, "Weekly Young JUMP", a latecomer, relied on "Breaking the Shameful Academy" by Nagai, to break through the siege and form a three-legged stalemate with "Weekly Young Sunday" and "Weekly Young Magazine".

The industry bosses used this trick back then, and later generations such as Baiquan Society, it is not surprising that they can follow suit.

Kentaro Miura's "The King Wolf" plus the legend has only two volumes. It can be said that his current qualifications are quite shallow in the eyes of the editors of "young_animal".

If it were a cartoonist like Qin Han who had proved his commercial value, and if he came up with "Legend of Sword Wind", the editorial department would definitely not be confused about its dark and bloody style, which would be incompatible with "young_animal". He would immediately make a decision and start serialization.

However, Kentaro Miura's weight is obviously not enough. Even if the work is obviously of high quality, it will still be suspected, which will affect Kentaro Miura's own judgment.

"Teacher Qin Han, I just finished drawing the names of the first and the last four chapters. Can you take a look and give me some advice?"

Xiong Zexin also said: "Teacher Qin Han, I like this comic very much and think it is completely a first-class work. I don't want this comic to be buried!"

Qin Han nodded, took Kentaro Miura's mobile phone, and began to flip through the originals stored in it.

After reading it, Qin Han praised: "The style is sharp, the monster shape is very Cthulhu, the battle is simple and rough - don't get me wrong, this is a compliment. Darkness, blood, lust, killing... These elements are well combined. I believe this comic will be popular."

After listening to Qin Han’s comments, Kentaro Miura, who was originally a little nervous, finally breathed a sigh of relief.

"Thank you, Teacher Qin Han, I'm confident again."

Kumaze Shin said to him: "Miura San, for the next serial meeting, we will try our best to give this comic a chance to appear in the magazine!"

Qin Han was also very happy to see Kentaro Miura's excited look. Today, he met three great men who have achieved extraordinary achievements in their respective fields in the comics industry in the future, and each of them regarded him as a guiding light. This feeling is really great.

"Don't thank me. The success of a comic magazine cannot rely solely on one or two comics. Let's work together and contribute more excellent works, which will surely make "young_animal" the best-selling youth comic magazine in Japan!"

"Teacher Qin Han, your words are so exciting. I'm about to ignite!" Xiong Zexin said excitedly, "One day, we will surpass "Weekly morning"!"
Chapter completed!