In the private room next to the editors of "young_animal", there are more than a dozen NHK TV staff.

After the last Cultural Hall Painting Competition was successfully concluded, in order to cooperate with the government's Olympic publicity strategy, NHK TV's documentary "The Complete Reveal of the Comic Kingdom" officially started filming.

After more than a month of photography and materials, all the contents about comics and magazines and editorial departments have been completed.

After the shooting was completed in the JUMP editorial department today, JUMP editor-in-chief Kazuhiko Torishima and others were invited to have a meal, thanking each other for their support and contribution to the documentary shooting.

Tomorrow, more than a dozen staff members will be divided into several batches to carry out their work.

Among them, six of them will give close personal touches to the three cartoonists appointed by the Cultural Affairs Department - Osamu Tezuka, Rumiko Takahashi, and Qin Han.

This is also the most anticipated part of the entire documentary.

Cartoonists are usually low-key and do not like to show up in public. However, the fan base of famous cartoonists is not inferior to those entertainment stars.

If you can see the true face of your idol on TV and satisfy the "peeping desire" that everyone has, the ratings of documentaries will be very impressive.

Although NHK does not have to rely on ratings to attract advertisements, its performance is too ugly and it is difficult to explain to its leaders.

After the work of shooting was assigned in a close manner, some people were happy and some were worried.

Koyama Kyosuke was very proud.

With the relationship between senior executives in the Taiwan sector, he got the filming work of Osamu Tezuka.

Being able to follow the legendary comic god close-up is something that can be played for eight lifetimes!

The one who partnered with him was a guy who had no ability but was quite useful in flattering and was named Shiraki Yoshimura.

The two reporters who followed Rumiko Takahashi are girls, and gender factors play a major role, so I won’t mention them for the time being.

Toma Yamato, who usually doesn't like Koyama, and the good-looking man Oki Goro, were "sent" to take charge of the Qin and Han Dynasty filming work.

Yes, in Kyosuke Koyama's view, this is "sending".

Qin Han? An unfamous new cartoonist, the Culture Department was only included in the final three-person list of the Culture Department in order to take care of the so-called "diversity of candidates" and "the concept of creative freedom".

It's incomparable to the comic god Osamu Tezuka!

It is also ten distances from top cartoonists like Takahashi Rumiko!

When he thought of his opponent getting a chore, Kyosuke Koyama felt very happy and could eat three big bowls of rice.

But at the dinner tonight, Koyama Kyosuke felt more and more unhappy.

Because several JUMP editors, whether intentionally or unintentionally, they would praise the nameless cartoonist named Qin and Han from time to time.

The praises such as "the style of painting is groundbreaking", "the storyboard and narrative are top-notch", and "the original ink-and-wash comics are works of art" are simply calloused to their ears.

What made Koyama Kyosuke even more unacceptable was that the Qin Han Dynasty was actually a cartoonist whom Kazuhiko Torishima was favored by Kazuhiko Torishima and promoted himself.

Could it be that guy is the next Akira Toriyama?

The more powerful the Qin and Han dynasties, the more it means that the work of Dongma Xiahe is not a chore. This makes Koyama Kyosuke unable to calm down.

When the JUMP editors were present, he had trouble having an attack.

Now there are only a group of colleagues on the TV station, and Koyama Kyosuke finally couldn't help it.

Just so happened that there was another group of people in the private room next door praising the Qin and Han dynasties.

""Dragon Sakura" is really a great comic. I didn't read the original manuscript, but only read the name of the next few episodes that Teacher Qin Han faxed, and I became a little addicted. It would be strange if such a comic is not popular!"

"Thanks to Teacher Qin Han, our sales of "young_animal" will have a big leap."

"A magazine serialized 40 pages of comics, 80 pages per month. It only takes two and a half months to make up 200 pages of "Dragon Sakura" to release a single-line version. I can't wait, I don't know how many it can be sold?"

"The first print is 200,000, and the total is 500,000!"

"Too conservative, I think a million is fine!"

"One million... I hope so, in this way, the first cartoonist with platinum sales in the history of our Baiquan Society will be born."

This is actually a saying from the art world, that is, the sales volume of records reaches one million, even if it is platinum.

In the comics world, generally speaking, the tax amount is being compared.

Cartoonists who pay taxes of more than 100 million yen per year are considered to be at the top of this profession.

Of course, if the sales volume of this volume can reach 100 million, and if the income from various copyright expansions is included, it is not difficult to achieve annual tax payment of 100 million yuan.

The editors of Baiquan Club discussed enthusiastically, full of expectations for the future.

But in another private room across the door, Kyosuke Koyama became more and more popular as he heard it.

He finally couldn't hold it in and said sarcastically: "Now these days, the economy is developing rapidly, and more and more people are daydreaming. Do you think any cat or dog can become a cartoonist with sales of over one million?"

His follower, Banji Village, immediately echoed: "Even if you are jump editors or Baiquan Club next door, you are all bragging about the Qin and Han dynasties. Look, these professional editors are not as clear as those of me. The competition in the comics industry is as fierce as that of the people. Today's works are very popular. Maybe tomorrow they will be forgotten by readers and become obsessed with everyone."

The others remained silent after hearing what Koyama Kyosuke and Shiratsu Yoshimura said.

They knew the contradiction between Koyama Kyosuke and Higashimaya.

One relies on his backstage in NHK and is often carried away. Another graduated from a prestigious university with strong business skills but a little stubborn temper. Sometimes he can't stand Koyama Kyosuke and will say a few words.

After a while, we became enemies.

At this time, Koyama Kyosuke belittled the Qin and Han dynasties, in fact, he wanted to deliberately anger Dongma Ahwa, so everyone pretended not to hear it and continued to drink and eat.

Dongmayahe did not fight with Kyosuke Koyama as usual, but instead raised her head and drank a big sip of wine, which made her eyes blurred.

Koyama Kyosuke did hit him in pain.

Compared to unknown cartoonists like Qin and Han, who were born in fan-born, he would certainly be more willing to film Osamu Tezuka.

I remember that after announcing the documentary shooting plan, Tomahaha was full of confidence and felt that with his own ability, he would definitely be sent to the most important job by Taiwan - to follow Osamu Tezuka.

After Dongmaxiahe told his family about this, his father even took out the treasured "Firebird" comic and asked him to find the God of Comics to sign on it.

In the end, all expectations were disappointed. Do you think he could not be depressed?

At this time, Tokama Yama's partner Oki Goro came out to smooth things out: "You can't say that. We are TV workers and should treat our work with a professional attitude. Famous cartoonists and new cartoonists have their own shooting techniques, and the programs they make have their own highlights, and there is no distinction between high and low."
Chapter completed!