Among the people who did not participate in the initial recruitment review and did not know that the resumes were the famous Hideaki Anno, who was the famous in his previous life.

Fortunately, Qin Han was already immune to encountering such things from time to time with the ACG celebrities in his previous life. He coughed dryly and withdrew his gaze from the young Hideaki Anno.

I glanced at the new house Zhaozhi next to me. Two famous animation supervisors who were supposed to be about the same age in their previous lives, but one was already three years old in this world, and the other was a college student. The Qin and Han dynasties had to feel wonderful about the changes caused by the changes in the world line.

The interview chief examiner of Hiroshi Wakao, Akihiro Shinfang, Qin Han and others, as usual, asked Hideaki Anno, some common questions such as education, work experience, hobbies, career development plans, etc. Then everyone began to communicate in a low voice, and the whispering sound made Anno Hideaki feel excited.

After a while, Qin Han said to him: "Mr. Anno, let's do it. You go outside first."

With a lot of doubt, Anno Hideaki returned to the aisle outside the conference room.

A group of people waiting for the interview saw that he did not leave on his own like other interviewers before, and came to inquire.

Faced with the flood of questions, Hideaki Anno just shook his head and said, "I don't know either, but the interviewer asked me to continue waiting here."

The person who had talked to him before suddenly realized: "I understand! There is probably a second round in today's interview. You have passed the first exam, but those who have left have been eliminated."

What followed proved that this conclusion was correct.

After all the interviewers entered the conference room, there were twenty people who stayed, including Anno Hideaki.

These people were taken to an unmanned studio by the General Affairs Assistant: "Everyone, the painting tools here can be used by themselves. If you have two hours, you must draw two paintings. The theme of the first painting is the characters, and the second painting can be freely played. These two paintings will be handed over to teacher Qin Han, President Ruoi, Supervisor of New House, and Chief Painting Supervisor of SHFAT. Those who pass the painting will be hired as an animator, and those who are outstanding can be directly upgraded to original painters."

It turns out that the rumored live painting exam has only begun now.

It is not easy to draw two standard drawings of animation manuscripts in two hours, and the time requirements are very tight. Of course, this was also deliberately designed by Qin Han and Wakao Hiroshi.

As a painter, the quality of painting is important, and the working speed is also critical. Otherwise, you will not be able to keep up with high-intensity animation production work.

As soon as the general affairs assistant finished speaking, the candidates found a workbench and started drawing.

In animation painting, living objects (including humans, animals, robots, etc.) are the top priority. The background only requires a still picture. At that time, when the camera moves, the picture can move forward, backward, rise, fall, shaking and other effects.

Therefore, in this painting exam, drawing characters is a must-have question.

The second painting, without limiting the subject matter, can also allow every applicant to show off his or her strengths.

With the rustling sound of pencils rubbing against the paper, two hours of painting time passed quickly.

After handing in the painting, the candidates left the studio and talked about the situation of the exam just now.

"How did you do the exam?" The man asked Anno Hideaki, "By the way, I haven't introduced it yet. My name is Kensan Osashi."

"My name is Hideaki Anno." Hideaki Anno posted his name and then shook his head, "I'm not very good at drawing characters. Although I'm painting a magic girl, I'm considering her own preferences, but I guess the result will not be too good. It's unlikely that I can become an original painter or something. If I can successfully enter SHAFT, I'm satisfied."

"Is that true?" Seeing Anno Hideaki shook his head, Kenzo Osashi was secretly happy.

The position is limited and both of them are competitors. If Hideaki Anno fails to perform well, he will have a greater chance of becoming an original artist.

"What is the content of your second painting?" Kenzo Oshi continued to inquire.

Hideaki Anno said: "It's a robot. I'm a science fiction fan. I was captured by the charm of "Space Battleship Yamato" back then and have been out of control since then. I have mostly watched various science fiction animations, especially those robotic animations. I have even been involved in science fiction special-photographers produced in the early years of the UK."

Hideaki Anno is still very confident about various mechanical contents, including robots. In fact, the reason why Miyazaki invited him to Ghibli was because he was attracted by his talent in this area and could come in handy when producing "The Valley of the Wind".

After hearing Anno Hideaki's answer, Kenzo Osaki was secretly happy.

SHAFT is not a Sun-Sheng, what's the use of drawing robots? It's completely incorrect to the title, and it can't show your talent as a painter.

His second painting, the subject of his choice was animals.

Although there are many animals in animations nowadays, there are still references based on real creatures. There are also a lot of knowledge about the details of body structure, proportion, muscles, bones, and organs. In the animation industry, there are many original painters who draw good characters, but few people who draw good animals.

Daxi Kensan felt that he was stable.

He patted Hideaki Anno on the shoulder: "Although robots and other things are not very good at the theme of SHAFT, you have worked very hard. In the future, maybe everyone will be colleagues, why don't you go for lunch together? You can also get familiar with the surrounding environment of the club."

Hideaki Anno was not very happy with Kenzo Osashi's appearance of being modest, but actually being proud and arrogant in his bones, so he politely declined the other party's invitation.

"Tsk, maybe you won't be admitted to SHAFT at all, what's the point?" Looking at Hideaki Anno who left on his own, Kenzo Osashi curled his lips.

Three days later, the interview results came out.

Hideaki Anno unexpectedly discovered that he thought he did not perform well in the painting exam, but he was unexpected. Not only was he admitted to SHAFT, but he also became an original painter directly!

After receiving this unexpected surprise, Anno Hideaki danced ecstatically in his small rental house, and then called friends such as Okada Toshio and Sadamoto Yoshiyuki.

These people are all veterans who founded the famous animation company Gainax in their previous lives.

After notifying the good news to his friends, Hideaki Anno began to prepare for the first day of his job. However, that night, he received a call.

The phone number is very unfamiliar. Anno Hideaki was originally worried that it was a fraudulent call and was not going to answer it, but after hesitating for a moment, he still pressed the answer button.

"Hey, is it Anno-kun? I am Hayao Miyazaki." A strange and familiar voice came from the other end of the phone.
Chapter completed!