"Hello, Auntie, my name is Qin Han, I am Nanami's friend. I will accompany her to Asahikawa this time." Qin Han took off his sunglasses while talking.

Hashimoto's mother looked at Qin Han carefully.

Well, handsome, calm, and has a demeanor far beyond his peers.

"Nanai is very good. I have found such an excellent boyfriend..."

Although Qin Han only said that he was a friend of Hashimoto Nanami, how could the relationship be average if he could accompany his daughter back from a distance?

Hashimoto's mother quickly recognized Qin Han's identity.

She glanced at Qin Han again, suddenly remembered something, and said, "Qin Hanjun, are you the cartoonist on the nhk education station program not long ago?"

"Yes, auntie."

"So that's it, no wonder you have to wear sunglasses." Hashimoto's mother nodded with a smile.

Although she didn't know what Qin Han had, she watched TV every day during this period and through media reports, she still closely linked the face in front of her with the identity of "a well-known cartoonist with an annual income of more than 500 million yuan."

For Hashimoto's mother, this identity is much more important than a handsome and handsome appearance.

"I have always been worried that Nanami lives in a metropolitan city like Tokyo and works in the art world, so she is easily tempted and fooled by bad men. But now it seems that her vision of men seems to be better than me." Hashimoto's mother, who had experienced a failed marriage, was lying on the hospital bed at this time, looking at Nanami Hashimoto and Qin Han who were standing together, her eyes suddenly became a little wet.

"Mom, what's wrong with you?"

"It's nothing, I just didn't expect that Nanami, you are so busy at work, and you are willing to come back to see me."

"Mom, what are you saying? We are a family. You are injured and hospitalized. I'll come back to visit me. Isn't it natural?" Nana Hashimoto walked to the bedside and sat down, holding her mother's hand.

Nana Hashimoto has not been away for many years and works in the art world where competition is extremely stressful. When she is lonely, she will inevitably miss home. Now when she meets her mother and daughter, she naturally has countless feelings and wants to express through words.

Qin Han felt that it would be better for the two to enjoy the time they met each other, so he found an excuse to leave the ward.

He bought a jump for the fourth week of September in the hospital's convenience store, and then came to the garden alone, found a bench to sit down, and slowly looked through it.

In this episode of jump reader popularity survey, Takeshi Obata's "God-Carrying Grandpa G" ranked fifth.

Today, in "Weekly Jump", there is no strong competitor to funny comics - "Woolong Police Station". This longevity comic enjoys the privilege of not being cut in half no matter what the popularity survey is. It is already an external-level existence. It is not surprising that "Grandpa Showing Beauty" can rank at a high level with its outstanding character setting and the premiere "Otaku pinches him to make him funny".

Of course, even if "Saint Seiya" is no longer as popular as before, "The Beautiful Grandpa G" is still far from the top four. Although this comic by Takeshi Obata is only one step away from the top four, not many people regard it as the successor of the Four Heavenly Kings.

As for Yuhiko Inoue's "Chameleon", it ranks twelve in the popularity survey, neither up nor down.

Yuhiko Inoue, who was also from the subordinate of Hojoji, like the Qin and Han dynasties, has now been trained in the four-volume single-line version of "Chameeon", and his painting skills have become more mature and have begun to show his master's level style.

Unfortunately, with Yuhiko Inoue's slightly literary personality, he is not good at controlling fantasy combat comics like "Chameleon" that use modern cities as the stage.

When Qin and Han Dynasty gave him ideas before, they hoped that Yuhiko Inoue would draw "Chameelong" into a comic like the early "Youyou Baishu".

Yuhiko Inoue did make "Chameleon" transform according to Qin Han's advice. This comic finally avoided the threat of halving, and gained a foothold in "Weekly Boy Jump".

However, popularity has been difficult to go further.

For the boy comics that use battle as a buying point, the fierce and refreshing battles, ups and downs, and various killer tricks full of imagination are great highlights.

And Yuhiko Inoue seems to have not had enough brains.

In his previous life, the four basketball comics created by this great god, including "Slam Dunk", all had their own personal experience as a member of the basketball department in high school, as the basis for their creation. The subsequent "Rangkexing" also included the original novel.

It seems that no matter how talented a cartoonist is, he also has a field of expertise and bad luck.

"After the completion of "Chameleon", should he return to his most suitable real-life subject matter field?" Qin Han thought.

Among the comic book friends of Qin and Han dynasties, Gui Zhenghe is undoubtedly the one who has the most powerful momentum now.

After he won the Tezuka Award, he made his official debut in the summer supplement of "Weekly Youth Jump", and immediately received great praise.

In this issue of "Weekly Boy Jump", Gui Zhenghe's love comic "Movie Girl" officially began to be serialized, and the cover is the beautiful girl depicted by his exquisite and delicate brushes.

At the end of the first episode of "The Movie Girl", as usual, Gui Zheng and the new cartoonist who started serializing in "Weekly Boy Jump" for the first time will make a comment.

In his speech, Gui Zhenghe also specifically mentioned the Qin and Han dynasties.

"Thanks to my close friend Qin Han. It is his works that inspired me to keep working hard on the creative path of beautiful girls. Over-knee socks are high!"

Although Qin Han had not started serializing in "Weekly Boy Jump", he had long used his own brush to exert subtle influence on this magazine and even the entire comics industry.

I don’t know how many professional cartoonists have been influenced by the works of Qin and Han Dynasties and have begun to gradually improve their style of painting. I don’t know how many young people who are determined to become cartoonists are constantly imitating the epoch-making style of Qin and Han Dynasties, hoping that one day they can understand what they belong to from it and then make their mark.

A jump as thick as a brick, Qin Han jumped and looked through about half of it. Nana Hashimoto called - the mother and daughter were almost finished speaking.

Without worrying that it would cause embarrassment to your presence, Qin Han returned to the ward.

Nana Hashimoto, with a slightly blushed face, sat by the bed without saying a word. Hashimoto's mother greeted Qin Han enthusiastically: "Qin Hanjun, you come to Asahikawa from such a faraway place in Tokyo. According to the principle, I should treat you well. But now this is not possible."

"Auntie, don't say that, just have a good rest and recuperate."
Chapter completed!