With three new assistants, Qin Han's family became lively.

For Sabuki, when working, there were two more girls around him—one of them was so cute, which was also a good thing. At least, the boring and high-intensity working environment would not be as difficult as before.

Moreover, unexpectedly, Kyoka Moeka, who was beautiful and had a good figure and should have been flocked to by men, never took the initiative to talk to her or chat with her. At most, she just greeted her politely every day when she met and left.

Perhaps it is because a girl who is too beautiful brings too much pressure.

On the contrary, Sabuki Toshi and Okada Mari were very good at chatting.

Although Mari Okada is about ten years younger than Sabuki, the latter still calls her with the honorific words "Okada San".

The reason is very simple.

Sabuki Jun, who is not very good at making up stories and can only open his mind when painting r18 books, was deeply attracted by the stories in Okada's mind that were imaginative, complex and chaotic, and entangled like a mess.

"Okada Sang definitely has the talent of a screenwriter!" In private, Sabuki Toshi sighed like Qin Han several times.

Are you a Lao Shi, who can draw r18 comics and make the otaku spend countless papers, is so impressed by a high school otaku who likes Mary Sue's love drama?

Qin Han sometimes really wanted to look at him with contempt, and then said, "It's so embarrassing, you quit the group!"

But after thinking about it, his spirit of evil taste in his heart began to develop again.

"What would happen if Okada Mari was the original work and Sabuki Shun came to paint, and the two became partners and worked together to create a comic? It must be very interesting!"

This thought in his heart was like absorbing the seeds of spring rain, taking root and sprouting quickly and growing vigorously.

Of course, it is not yet ripe to really make a comic with two people together.

Okada Mari needs to continue learning how to create stories.

After imitating the style of the Qin and Han dynasties, Sabuki Toshi also needs to extract his own things from it and become a cartoonist with truly recognizable style.

At that time, he could proudly say that the brush in my hand was my business card.

As for Jing Jia Mengxiang, this girl does not have a foundation in painting, but she is very serious and hardworking. In addition to completing the work assigned by Qin and Han dynasties, she is also learning to draw step by step.

Qin and Han asked her to start with the most basic sketching. From perspective to geometry to human body structure, there is no leakage.

Sketching is the basis of painting.

Although many Japanese cartoonists are born in a wild way and have not received formal art training, some cartoonists even learn to draw by constantly copying comics.

However, the things drawn by cartoonists who have real artistic skills and professional backgrounds are different.

For example, Hojoji.

Since recruiting three assistants, the work in comics has been going smoothly and efficiently. Qin and Han dynasties have gradually increased their free time.

The filming of the TV series "Dragon Sakura" has been on the right track, and there is nothing to worry about in Qin and Han. At most, I would chat with my two girlfriends from time to time and learn about some interesting things on the set.

The production of "Magic Girl Xiaoyuan" is also in progress.

After Qin Han acquired Shaft, he gave the animation a budget of 400 million yen. Based on the twelve episodes of animation, the average production cost of one episode is more than 33 million yen.

For late-night animations, where the average production cost is usually only more than 10 million yen per episode, this is definitely a big investment and a big deal! Looking at the entire industry, only the prime-grade and popular robot animation produced by Risheng is able to barely reach this level of single-episode capital investment because of the income from selling toys.

When Qin Han told Hiroshi Ruo's money he planned to invest, the old animation producer who was a little sad because of the animation company he had founded was acquired by someone else and was suddenly shocked.

"President, with such a big investment, are you really making TV animations? This is a completely theatrical-level way to spend money!"

When doing theatrical animation, there is at least a stable source of income for box office.

However, when doing TV animation, it is still a late-night animation with a slutty audience. If you want to make a profit, you will rely on selling discs in the later stage and selling the surrounding income, which is very uncertain.

"To make Shaft a hit in the industry, of course it must be a big investment. My goal is to make a phenomenal work, and to make "Magic Girl Xiaoyuan" the most discussed topic in the next few years, whether it is an animation producer or an ordinary audience. To achieve this goal, burning money may not be possible, but if you don't burn money, you will definitely not be able to do it."

"President, I really admire your ambition!" Ruo Ouhiro was willing to give up the disadvantage of Qin Han's heroic spirit, "But if this news spreads, you may be ridiculed by many people."

"Of course I know that those so-called industry companies will definitely say that I am stupid Duosu."

"Silly, how fast?"

"A Chinese saying is the abbreviation of being stupid, having a lot of money, and getting quick."

"It's really an image." Haruo Hiroshi smiled bitterly.

Under the instruction of Qin and Han, the news that the production of "Magic Girl Xiaoyuan" was as high as 400 million yen was quickly released.

This news quickly caused an uproar.

After hearing this, many industry insiders laughed at Qin Han for making money by drawing comics and not knowing how to cherish them. Some people are ready to sit and watch jokes.

After all, there is no precedent for cartoonists to enter the animation industry and end up losing money.

The lessons of the master Tezuka are still there.

Hiro Okada, the producer of Toei Animation, who is responsible for the production of "Sailor Moon", posted a tweet and commented on the news.

The whole article is full of sarcasm to the "outsider" of Qin and Han and the small company Shaft, and finally asserted that "Magic Girl Xiaoyuan" will become another typical case of major investment failure in the history of Japanese animation.

Hiro Okada had no choice but to be with Hiroshi Wakao and Shaft, so the entire company, from Qin and Han to ordinary animators, didn't care much about his remarks.

Moreover, although many people laughed at Qin Han’s exaggerated investment in making an animation, many people also expressed envy Shaft’s wealth and magnanimity.
Chapter completed!