"Yes." Cao Yang said with a smile, "Or why do you come to help dub your future movies?"

Zou Jielun smiled and said, "It's OK, I have to see if the subject matter is suitable for me."

Since this person became popular, it is now precious to let Zou Jielun make music.

If he was invited to music, it would be impossible to get 10 or 20 million. Zou Jielun endorsed "Fantasy Westward Journey" to Bomi Company himself, and even spent 30 million directly.

Although the left hand turns to the right hand, Zou Jielun actually scored 15 million yuan.

This fee is not low at all.

In fact, Cao Yang would rather ask Yang Junrong to organize some talented and dreamy young people to open a game soundtrack company.

Thinking about the future development prospects of the domestic game industry, it is really not a loss to open a single soundtrack company.

Chinese people like to work hard, whether it is in game production or soundtrack.

Otherwise, I always feel that there is a shortcoming one after another.

...

After the screening, Cao Yang took this opportunity to talk about this matter to Yang Junrong.

"Hmm?" Yang Junrong was slightly stunned, and then agreed, "It's pretty good. In fact, the revenue in the recording industry is also continuing to decline. There are only a few artists who can make money. It's okay to build a special game soundtrack company."

"It can also promote the development of domestic game soundtracks," Cao Yang said with a smile, "You don't know. When we play foreign music, we often talk about it and say:

Yoko Shimomura, Yasunomiya Mitsuda, Tianmen..."

Joe Hashishi, Yoko Sugiko, and Yoko Tanaka, who are not professional game composers, have written many works for game music.

The reason why domestic game music does not have masters is mainly because the domestic game production environment and production companies do not attach much importance to the soundtrack.

The soundtrack is such an important thing. For movies, the soundtrack is equivalent to 50% of the soul, and the same is true for games.

But what is the result?

Who can count the game soundtrack masters in China in their previous life until 2021?

Cao Yang could only count one person who specialized in game music, namely Luo Xiaoyin from Xishanju, and Lin Kunxin, the music producer of Legend of Sword and Fairy... I don’t know much about the other feelings.

The soundtrack of "Black Myth: Wukong" is good, because music producer Li Jiaqi has accumulated a lot of experience in the production of "The God of Guns" and "The God of Fighting War"....

So for Cao Yang, music and engines are similar to painting. Only by paying attention to it and stopping supplying the corresponding production chain, after years of accumulation and continuous accumulation of experience, can one or two masters be able to emerge.

Otherwise, our country will be too shabby in this regard.

When Cao Yang was a game producer in his previous life, he couldn't find one or two decent soundtrack masters. In many cases, he chose to outsource some game music companies. The outsourced music sounded very familiar, either by Ome or by the island country.

Either it is a rare game music producer who can create independently and maintain a high level of game music.

So this time, if you know that it will be difficult for the future gaming industry to produce soundtrack masters, it is better to start from now on.

"Okay boss." Yang Junrong nodded, "I will start doing this after I return to Baodao."

Cao Yang smiled and said, "After the establishment of the game music studio, don't be obsessed with only making soundtracks for Bomi's own games. We have to put out the advertisements and let other game companies come to us to make music. It will be natural for a long time. Many domestic game music masters will be born in the future."

"Uh-huh."

...

At the same time as Zou Jielun’s new album was released, several other songs under Bomi became popular.

The reason for the popularity is also very simple -

So nice.

The soundtrack of "The Wandering Earth" can be said to be popular before it is broadcast.

Before the movie started to be released, the music of Wandering Earth was already posted online.

This is also a decision made by Bomi Pictures after many parties weighed the trade-offs, because Wandering Earth will be launched in February, and now it is at the end of November. You can warm up in advance. In addition to music, there will be related trailers released one after another to continue to create momentum to increase the popularity of "The Wandering Earth".

So this time, after Zou Jielun's album achieved a hit, Bomi Company also released several soundtracks from "The Wandering Earth".

...

"Mom~ Is Bomi's original soundtrack of "The Wandering Earth" so powerful? When I heard that part of the Wandering Earth, I was really excited."

"The music of "The Wandering Earth" has been added to my daily playlist, and the pure music is really good."

"These songs are simply amazing. What kind of immortal compositions are you? "Homeland" is touching, "The Wandering Earth" is unforgettable, and "Human Resonance" in it really shocked my entire soul."

"That's right, you don't even look at who made the music."

"Who?"

"Hansjimo."

"Damn it! No wonder I said it sounds so awesome. It turned out to be made by Hans Jimo."

"I don't even know who Hansjimo is."

"You don't even know Hansjimo? Have you ever heard of the Prince of Egypt? The Lion King? The Rain Man, Pearl Harbor, and Pirates of the Caribbean 2 released some time ago are all from Hansjimo's soundtrack."

"What?! Pearl Harbor and Pirates of the Caribbean 2? Damn it! When you said that, I suddenly looked forward to "The Wandering Earth". No wonder the music of this movie is so awesome. After a long time, it turned out to be a masterpiece."

"Boss Cao has planned it, right?"

“In November, I feel like Bomi Music Festival.”

“Is Bomi Music Festival in November?”

"The soundtrack of Wandering Earth is so great, I don't know what the result will be when it is released. Maybe it will be a huge momentum, and the actual movie will be very rubbish?"

"This is also possible. After all, domestic science fiction movies are really difficult. Until now, there are no science fiction masterpieces that can be shown off.

In this regard, our country is lagging behind others in terms of directors, actors and technical special effects. Anyway, I am not optimistic about "The Wandering Earth".

It’s okay to listen to music. If you go to the cinema to watch a bad movie, I don’t think it’s necessary, right?”

It is normal for Chinese people to worry. After all, before Bomi made "The Wandering Earth", no science fiction movie in China could catch up with the international level, and it was the same in his previous life.

Once, Guo Xiaosi was said to have spent a huge amount of money to shoot Juzhi, hoping to make it into the first 3D magic masterpiece in China, all of which were made with special effects, just like the American Avatar.

What's the result?

The effect is really bad, and it also makes the Chinese people lose a lot of confidence.

The story is bad, the special effects are exaggerated, and the actors act very awkwardly.

It was not until the Wandering Earth that the Chinese people realized that, oh, it turns out that we can also make such movies.

Cao Yang has high hopes for the Wandering Earth, which Bomi has produced now. After this movie is launched, he hopes that it can successfully open the door to domestic 3D science fiction movies.
Chapter completed!