Japan is the country of the number one anime. Anime was originally a casual culture, and it was the Japanese who truly became an industry.

Japan's animation industry has gone through many different periods such as the creation period after World War II, exploration period, theme determination period, painting technology breakthrough period, route differentiation period and style innovation period. In the end, the entire industry has become increasingly mature and has become Japan's third largest industry. The output value of the animation industry accounts for more than ten percent of Japan's GDP, which is a very amazing number.

Japanese animation is famous all over the world, and there are a large number of Japanese animation enthusiasts all over the world. Take the United States as an example. Japan exports extremely related products of anime films to the United States every year as many as billions of dollars.

In terms of commercial packaging, Japanese animation is aimed at the whole people, and its wide coverage has become the basis for industry success. From the perspective of comic classification, Japanese comics can be divided into children's comics, young women's comics, young men's comics, female mangas, youth mangas and adult mangas; from the perspective of animation classification, Japanese animations can be divided into TV animation, video-driven animation, animation movies and non-mainstream animation; the fine classification makes a variety of animation products "always have one suitable for you". This "bombing" offensive puts the Japanese in the siege of anime, and Japan has thus become a veritable country of comics.

In addition to commercial packaging, the entire Japanese comics industry chain is very complete. In addition to producing traditional comic books and cartoons, merchants will rely on comic products themselves to produce peripheral products such as toys. The peripheral products of these animations cover almost all areas of life. It can be said that there are only ones you can't imagine, and nothing you can't buy. Such an industrial chain enables animation production to be programmed, quickly meet the needs of market audiences, and achieve the goal of making a large amount of profits.

Of course, the success of Japanese comics today is inseparable from the support of the politician government. The planning and layout of the entire industry, the macro-oriented of the entire industrial chain, the cultivation of animation talents, the politician government all played a positive role in it. The politician government even directly purchased a large number of animation products and distributed them to some developing Chinese national TV stations to broadcast without fees, so as to make the tentacles of the Japanese animation industry spread all over the world.

This time, Zhang Qingyun led a business group to Japan for inspection and classified the inspection in detail. The schedule of Chinese entrepreneurs who accompanied the group was to exchange and learn with outstanding Japanese animation companies, while animation technical talents corresponded to exchange and learn with Japanese animation elites.

As for Zhang Qingyun and other political officials, they exchanged and learned their advanced experience in the development plan of the entire animation industry with relevant personnel from the Japanese political and comics industry.

As for the current animation industry in the Communist Party and China, the development momentum is very rapid. Since the National Affairs Institute issued relevant documents, various provinces and cities have received enthusiastic responses, which can be described as "in full swing". However, in fact, there are huge problems in the development of the domestic animation industry.

The most serious and most serious problem is that the business model of the animation industry is unclear and the entire industrial chain is incomplete. In the development of animation in China, it is more about the traditional profit model, lack of understanding of the value-added value of the animation industry, and weak awareness of derivatives in the animation industry.

In addition, the entire chain of the domestic animation industry is not perfect, and a large number of enterprises are still doing outsourcing and doing business on behalf of others. The scale of the enterprise is relatively small, the development of small and medium-sized animation companies lacks sufficient support, financing difficulties, and many other problems are seriously hindering the development of the entire industry.

...

Tokyo, the Tokyo Tower is majestic and majestic, pointing directly to the sky. This world's tallest tower, 13 meters taller than the French Eiffel Tower, was destined to be a dazzling landscape in Tokyo since its completion.

The tower's observation deck is a 20-meter-square room surrounded by a whole piece of large glass. Zhang Qingyun is in it and feels like he is born in the sky and stays away from the world.

The weather is clear at this time. Looking down, the whole of Tokyo is unobstructed. The beautiful Mount Fuji to the west is covered with light makeup and beautiful and magnificent posture, which is amazing.

Climbing a tower is different from climbing a mountain. Mountains are often not aware of the tall and majestic mountains. However, climbing a tower is not on the ground, and the shock it brings to people is difficult to express in words.

"Zhang, there is a telescope here, and you can see a further landscape through the telescope!" During this industrial inspection, Jiangnan was connected to the Japanese Animation Workers Association. This association is the only national association organization in Japan's animation industry, and the one who talks to Zhang Qingyun will meet Sato, the president of the association.

Sato is about 60 years old, with a smile on his face, he speaks slowly, and is polite and kind to everyone. He is completely a generous elder. This time when Zhang Qingyun came to Japan for inspection, Sato accompanied him throughout the whole journey, including accompanying Zhang Qingyun today to enjoy the panoramic view of Tokyo.

Zhang Qingyun waved his hand and said, "You see! I don't look at that thing, I just like this kind of view from a full perspective." He did not talk to Sato, but to the accompanying staff.

The team of the inspection team was very luxurious. In addition to Mao Han, the secretary-general of the Provincial Government, the main leaders were Fei Boming, the director of the Department of Commerce, He Jimin, the director of the Department of Industry, Xi Meiyu, the chairman of the Jiangnan Science and Technology Park Management Committee, Ren Yan Huan, the deputy chairman of the Development and Reform Commission, and Shen Yi, the deputy secretary-general of the Political Department.

Judging from this luxurious lineup, it shows that Zhang Qingyun attaches importance to this inspection. He really wants to change the brains of Jiangnan's cadres. In terms of negotiating with the Japanese side, Zhang Qingyun not only follows the traditional official and business department, but also does a lot of work through business relationships such as Zhao Jiayao and Geng Shuang.

In fact, many years ago, Geng Shuang invested very frequently in Japan, and many of them involved the animation industry. With the recommendation of an acquaintance like her, this time, the inspection team of more than 100 people led by Zhang Qingyun was able to conduct such a detailed investigation.

"Mr. Sato, climbing up to see the scenery requires a grand atmosphere! Just like now, the entire Tokyo is full of sight, which makes people feel intoxicated. This is a grand atmosphere! You communicated with us in the morning and mentioned the two keywords "determination" and "love". The summary is very accurate!

As our government government, determination may be more dominant. We must make great efforts to build the entire animation industry. In fact, we must give entrepreneurs and talents who truly love the animation industry broad development opportunities and provide them with a successful environment.

This may sound simple, but it is extremely difficult to do it. In this regard, the Japanese side has rich experience. In the past few days, we have communicated with leaders from Kato and other associations and have benefited a lot!" Zhang Qingyun smiled at Sato.

Sato smiled slightly and said, "We are very happy that our experience can help you. I personally hope that the Communist Party and the country can have a good animation environment. We can not only communicate, but also cooperate! Cooperation in the animation production industry chain, cooperation in talent training, and other cooperation are all welcome.

The Chinese People's Republic of China is a folk ethnic group with a long traditional culture. For thousands of years, the rich cultural accumulation of the noble people has also provided inexhaustible materials for animation creation. The Communist Party and the country can make comics with the characteristics of the Chinese people. I personally wait and see how it is!"

Sato speaks Japanese. Zhang Qingyun has learned Japanese for a while and can understand it. The translation level is very high, and it is basically synchronous translation, which also makes communication between Zhang Qingyun and Sato basically have no obstacles.

Facing Zhang Qingyun, Sato dared not underestimate it. First of all, he has some understanding of the Communist Party and the country, and knows what the Governor of the Communist Party and the country means. In terms of administrative level, the Governor is equivalent to the head of the Central Committee of the Communist Party and the Japanese cabinet minister, and is a veritable senior official.

In addition, this time Zhang Qingyun's arrival shocked many Japanese chaebols. Among them, friends from giant companies such as SoftBank in Japan greeted Sato, hoping that Sato could receive the delegation led by Zhang Qingyun this time. This shocked Sato even more and knew that the Communist and senior officials in front of him might have other prominent backstage scenes.

If it weren't for this reason, as the president, he would not have been able to accompany Zhang Qingyun throughout the whole process. Sato's action surprised many people in the Japanese side. How high is President Sato's status? It's really surprising that he was so different from a delegation of the Communist and the country.

In recent years, there have been too many inspection teams from the Communist Party and the country to visit the animation industry in Japan, too often. The Japanese Animation Industry Workers Association has received dozens of inspection cooperation requests in a year.

Most of the inspection teams are very simple to deal with. The inspection teams in the Communist Party are more enthusiastic about seeing the scenery, scenery, shopping, and traveling, and they are not interested in actual communication. This has also caused many Japanese animation industry practitioners to respond to such inspection teams in the Communist Party, so it is more surprising that President Sato pays special attention to this time.

In fact, it was not only the Japanese personnel who were surprised, but many Chinese people were also surprised. Jiangnan did not start from this time to develop the animation industry. Almost every governor would go to the stage and make trouble in the animation industry. And Zhang Qingyun's investigation was not the first time that most of the people in this inspection team came to Japan.

For example, He Jimin, the director of the Industrial Department, has visited Japan for the third time, and the other one is to investigate Japan's animation industry. In He Jimin's memory, his inspection was very unpleasant, and the reception in Japan was cold and even a bit arrogant.

At that time, the Chinese delegation proposed to communicate with the Japanese animation industry practitioners association, but was even ridiculed by others. A kind-hearted Japanese friend told He Jimin and others that private organizations and official organizations in Japan are completely different concepts.

Organizations like the Animation Practitioners Association cannot affect them. Animation industry development like Jiangnan is still in its prototype, and it has no commercial value or cooperation value at all, and it cannot enter the association's attention.
Chapter completed!