Do you hear what this is saying?

It would be fine if you treat someone else's dinner invitation as a Hongmen banquet, but you still come happily... and even refuse the previous dinner for this.

People who don’t know think that who is doing something happy at Hongmen Banquet is so happy that you can rush over here.

Receiving the news from Chi Xue's eyes, Lin Chuyi picked up the lemonade in front of him and took a sip. Yun Danfeng said lightly, "That's what he is."

Lin Chuyi could only use such useless language to comfort her good friends. Apart from that, she didn't know what she could say or do.

Besides, compared with what I have endured... what is this?

I used my eyes to tell you to leave quickly, but you just wanted to sit down. Now I can understand my kindness?

I'm trying to save your lives!

"Mr. Jiang is really... different from others." Chi Xueshen nodded with approval, but did not dare to speak easily anymore to provoke Jiang Lai. She was afraid that this man would be suffocated by one word and she would be suffocated to death again. Who should I ask for when the time comes?

However, Song Lang became more and more interested in Jiang Lai. He looked at Jiang Lai with a smile and said, "Teacher Jiang is so quick and easy to speak, it is really admirable."

"Don't always praise me." Jiang looked at Song Lang and said out loud. Since the man sat down, he began to flatter himself, as if he wanted to ask for help from him. "Your antiques are also broken?"

"...No, no." Song Lang smiled and waved his hand, saying, "Although my dad has collected a few items, they are all gadgets, and it is not worth letting Teacher Jiang do it himself."

"That's good. I thought you had any intentions for me." Jiang Lai felt relieved.

Shi Daoan once said that if you have nothing to do, you will either be traitor or steal. For those who are inexplicably good to you, you must be careful.

Jiang Lai always keeps this sentence in his heart.

“…”

Lin Chuyi couldn't bear to watch his friend being "ravaged" by Jiang Lai, so he cleared his throat and deliberately looked at Song Lang and Chi Xue and asked, "By the way, how are you discussing the art exhibition in our restaurant on Christmas?"

Chi Xue looked at Song Lang and said uncertainly: "Why don't we find another place to talk about the details of the art exhibition?"

Song Lang nodded and said, "It just so happens that you need to know about this on the first day of the junior high school, so why not just talk about it here. What do you think of the first day of the junior high school? "

Lin Chuyi shook his head and said, "I have basic aesthetics, but how to organize an experimental art exhibition is not my strength."

"You are too modest in the first day of the New Year. You have held so many exhibitions with your own hands, especially the recent "Great Powers" porcelain exhibition is phenomenal and has a great influence in the whole world. Isn't the art exhibition of a restaurant easy to get?" Song Lang looked at Jiang Lai, as if he wanted to find an offensive and defensive alliance, and said: "Master Jiang, do you think this is the reason?"

"Don't ask him." Lin Chuyi hurriedly spoke to stop him.

Found that he was already a step late, and smiled and said to Jiang: "Teacher Jiang may not know much about experimental art, so don't make things difficult for him."

"I understand." Jiang Lai glanced at Lin Chuyi with contempt and said: "All art is connected. Experimental art is certainly an artistic state that "to be tested". Experimental artists believe that art is no longer just an aesthetic object of visual pleasure and a way of cultivating sentiment, but emphasizes the accuracy and effectiveness of the core expression of the theme, and attaches importance to the dialectical relationship between interdependent and mutual promotion with the aesthetic subject. In layman's terms, it is trying to make art closer to real life and provide the public with a richer fantasy space."

"I have seen the experimental art exhibition "Language Violence" of Alessio, known as the "Master of Art Nouveau" in Florence..."

Finally, he talked about his field of expertise. Song Lang was so excited that he snatched: "Ah? Master Jiang has visited Alessio's "Language Violence"? Alessio is an experimental artist I admire very much. It is called the "land pioneer" of experimental art. I have visited his previous exhibitions such as "Silence", "Silver", and "Time Travel", which was amazing... "Language Violence" is called his greatest work in the past decade and is also a new peak in experimental art. Unfortunately, I was busy with some private matters in the United States at that time, otherwise I would have flew to Florence to enjoy it on site."

"Luckily you didn't go." Jiang Lai said lightly.

"Why?" Song Lang asked in confusion.

"On the walls or every corner of the exhibition, plaster, brushes, straw, scrap newspapers, wire and other materials, one ugly big mouth after another, and there are digital display boards piled up in various languages ​​and words. When you walk in, you feel like you are walking into a narrow world wrapped by countless mouths, and everyone is saying strange words in your ears..."

"Yes, this is the linguistic violence that alessio wants to express. Everything displayed in the space is to express the theme of "Language Violence". "Song Lang couldn't help but refute for his idol.

This guy really thinks he knows everything?

If you call you a master, you really think you are a master? If you don’t understand the experimental art, try to speak as little as possible to avoid being laughed at by experts.

"All arts emphasize "aesthetic". The so-called aesthetic means that we must first have beautiful things to appreciate. For example, the Tang and Song lyrics that we often talk about, and the Yuan lyrics are far behind because there are too few fine products in the world. There are also the characters of the four great calligraphers Su Shi, Huang, Mi and Cai, Su Shi is natural, Huang Ting is strong, Miti is elegant, and Cai Xiang is unforgettable. Each has its own manners and style. After thousands of years of inheritance, it is still pleasing to the eye."

"As for the famous paintings such as "Along the River During the Qingming Festival", "The Goddess of Luo River", "The Five Ox Picture", "Han Xizai Night Banquet Picture", etc., which have been passed down for thousands of years and have been passed down for hundreds of generations, have you found that they are outdated? Or is it no longer beautiful when you look at it again? There is also the "Boy Playing in the Aquarius" I restored some time ago, and the Yuan blue and white porcelain auctioned at hundreds of millions of yuan at the auction of "Down the Mountain of Guigu" at Carstres. Are they good-looking?"

"Beautiful things make people yearn for you and never get tired of watching them. Alessio's "Language Violence" has no aesthetic sense, and the lines on the wall are clumsy, just like children's ghost paintings. The mouths on the ground are even more inferior and disgusting, making people angry and want to kick them away and smash them with one kick. Alessio's "Language Violence" exhibition is no different from those so-called calligraphy masters who write with their mouths and those puppies who raise one leg to pee. They have no aesthetic style and artistic charm at all. There is only concepts and no connotations. Such people are also worthy of being called "land pioneers"? So how low is the lower limit in your experimental art field?"

"Jiang Lai, do you understand..."

"Experimental art is not without good exhibitions. The "Endless" I have seen in Poland, the "Match" I have seen in Paris, and the "Gu" I have seen in Kuncheng... These experimental art exhibitions are extremely excellent in content, form and theme concepts, which are confusing and lingering. Especially for "Endless", I watched for three consecutive days before finally understanding the meaning of this exhibition. Good works will encourage you to grow and will make you gain something."

“…”

Song Lang was both angry and shocked.

What was angry was that Jiang Lai actually dared to challenge his authority in the field he was good at? Do you think the experimental art I have learned for so many years is fake? Do you think my international awards were bought with money?

What was shocked was that Jiang Lai really understood the art of experiment. His comments were vivid, his views were sharp and clear, every exhibition he had seen and every city he had visited...

He does understand experimental art better than himself.
Chapter completed!