Subtitle: Immortal God of Destruction and Creation

...... Speaking of which, there is indeed such a setting.

Professor Reve does serve as the instructor of the lion group in Chalde. Now the young people surviving Chalde are basically the lion group. The way Rive considers himself as a teacher and then sets questions is just as a matter of time.

That is to say.

The so-called exam in bb's mouth, the so-called explanation of what happened in the video just now, is actually to let the magicians present analyze the principles of the magic tricks performed by Professor Refu on the spot.

The magic test is not as good as math tests. Everyone has different solutions that suit them, but basically one point cannot be avoided.

--'inspiration'

Yes, the magic in this world is 'theoretical omnipotent' in the application field. After all, even the power of the god king Zeus can be used by a magician with a piece of dry animal skin.

The magic technique in this world is 'theoretical omnipotent'. The reason why theory is omnipotent rather than omnipotent is because when magicians build omnipotent', the biggest problem is not 'how to build omnipotent'.

The biggest problem is ‘find a way to build techniques that will not be forbidden’.

To put it bluntly, the essence of the construction of the super magic ritual is to ‘find a way to cheat’.

Although the upper limit of the magic itself is almost infinite omnipotent power, various rules and forces led by inhibition will almost be omnipresent to prevent the magic from taking effect.

If there were no such rules and power to limit magicians, countless magicians would have upgraded themselves to God of War or Killing by launching a continuous war.

However, for magic students who do questions, although they are still far from being limited by the power of rules, when facing questions like this from their mentors, almost all the questions are in a state of no answer.

This large-scale magic ritual is absolutely impossible to ‘complete’.

But since it is completed, it must have been exploiting the rules or cheating during the design stage.

The analysis of this kind of magic is not so much analyzing magic, but rather thinking about what method was used to cheat and which part of the loopholes were exploited.

Rather than thinking directly, it is better to rely on inspiration. Some people took out paper and pen on the scene to scribble and scribble in a random way to seek "inspiration". Some people started to burn spices they carried with them, some wore in-ear headphones and started listening to music and closed their eyes to wander in Taixu, and some people started to hold a copper plate to start hypnotizing themselves.

There are even those who start to dance and take out a knife to cut their wrists and commit suicide by seeking "response from heaven and man".

It is rare for Su Xiaoxuan to check information and textbooks honestly.

For a moment, the command center was full of demons, but this was precisely because everyone was very serious and everyone was trying desperately to get the missing boy back.

Even if... everyone is actually very clear that in the face of this kind of problem, what they really need to rely on is Chalde's current Minister of Development, the Renaissance genius caster, and Leonardo da Vinci.

Think about it.

There should be many tips.

Rome, Pantheon, Trident

Of course, the most important clue is to forcibly restore part of the function of the observation lens Sheba from BB, and to obtain the three clues of the divine names "Poseidon", "Nepton" and "Set".

With these clues that Kadok figured out, the real answer should be the only one left.

What exactly is the super magic that Professor Rafe performs?

How did he do it?

Where are the loopholes?

How to cheat?

——Think

“…site, era background.”

Leonardo da Vinci murmured to himself.

It seems that magic is the most common and easiest to cheat bypassing the limits of rules, so it is naturally a celestial magic that borrows the power of the universe.

The future is the era of the universe. No matter how many years are left, this is the only thing that has been confirmed by humans. Therefore, it is relatively easy to bypass the limitations of the rules by borrowing the power of the universe.

But even so, the development of celestial magic is still difficult in modern times, and its flaw is nothing more than...it's too expensive.

The display of celestial magic requires an observatory and a star-gazing site. The stronger the celestial magic, the larger the field, the higher the cost. As a result, celestial magic has not only become something that can be played by the national scale of financial resources, but also has a serious imbalance between investment and unstable returns.

——Of course this is not the point

Roman culture was inherited from Greek culture, and Greek culture was closely related to constellations. The prototype of constellation culture was the star god culture, and the origin of the star god culture was the ancient Chaldean kingdom.

Professor Rave's magic attribute is imaginary, but after all, it is Olga Mary's. As the best imaginary magician, he must have good attainments in celestial magic.

The most important thing about celestial magic is to use the ritual venue with the highest efficiency, and this idea is also the most suitable for ushering in the construction and launching large-scale super magic.

Roman ritual venue...

It's true that's that?

The temple in the temple, considering the connection between the gods and the constellations, the temples of Rome and Greece themselves can also function as part of the "observatory site".

That's right.

It was built in 27 BC and was praised by Michelangelo as "the design of an angel", the temple in Rome, the temple in the temple - the Pantheon (Panteon Temple/pantheon).

Taking the special points of that era as the stage and the Pantheon of Rome as the ritual venue, with these two conditions, the difficulty of performing super-large-scale magic related to myths can almost be said to be reduced to the minimum level.

(But even so... it shouldn't be enough to sink the entire European continent so easily)

Cardoc observed the spiritual reaction of the three pillars of gods.

Poseidon, Greece

Nipton of Rome

Egypt's Seth

It is easy to say about the first two. Although there are components of later generations, the Roman gods were largely the Olympian gods in Greek mythology that directly sunk, and Nepton and Poseidon are almost the same in mysticism.

So, the real key clue must be the third one, in Seit.

Speaking of Dossett, based on Lu Mingfei's ideas, the first reaction is probably the Hima Seto in a certain animation.

After all, the name of Higashima Seru is pronounced as ‘Set’.

In fact, there was indeed a pharaoh in ancient Egyptian history who was considered the prototype of the god Sete, that is, the father of the famous Ozmandias (Rameses II), and the Pharaoh Sete I.

Is this really the case?

Is there such a connection between Seit and Poseidon and Nepton?

Generally speaking, when these two main gods are mentioned, the word "Sea God" cannot be avoided.

But Seth is more of a life established as a "God of War". It is said that he is the God of La and the guardian of the Pharaoh. He fought with the hell snake "Apophis (Destroyed Star)" all day long and killed him in the end.

Therefore, Set is also called the "Lord of Power".

In addition to being the God of War and Guardian of Egypt, Seth's main job is the "God of Desert" and the "God of Storm". The ancient Egyptians believed that the sandstorm that devoured travelers in the desert was the wrath of Seth.

What is the relationship between God Seth and Poseidon and Nepton? Although according to the habit of moving everything into the Roman Pantheon, it is not surprising that there is Seth inside. After all, Mitra, the god of light, as the archetype of God, was once a popular war god who could compete with Mars in Rome. This is how the Persian war god Veresrana evolved.

There was also part of North Africa and Egypt in the Roman Empire during the reign of Emperor Nero. It was not surprising that God Site came...

By the way, Poseidon and Nipton are similar prejudices. In fact, the prototypes of these two are natural phenomena. Specifically, coastal city-state civilizations often have to deal with - [earthquake].

There are many statements about Sete. In addition to the statement that Sete I was accepted by most people, Leonardo da Vinci remembered that the Greek historian Herodotus in the 5th century BC put forward another view.

Sate was originally a god worshipped by the Berbers, a nation in Northwest Africa that speaks the Semi-Hanhwa Berbers, and is a god of abundant nature that is directly related to the ocean and fishing and hunting civilization.

This statement seems to directly link God Site with Poseidon.

But it's very far-fetched.

In fact, the Berbers are not a single nation, they are the general term for many tribal people who are similar in culture, politics and economic life.

The name Berbers was not originally a name called by Berbers, but came from the barbarians in Latin, similar to the commonly known "Hu people" in the Eastern Central Plains culture.

--No

For magicians, the facts do not matter at all.

As long as you have the elements you need, it's fine.

——To be honest

The phantom of the giant god that Professor Reve called out as he had seen before appeared in Da Vinci's mind.

Another very prominent feature of that phantom is that it is a body that is different from the metallic luster and presents an "orch body".

It is even easy to mistakenly think it is a stone statue...

[Leonardo da Vinci's reasoning judgment...If the judgment fails, Lu Mingfei needs to wait more time (until the correct answer is obtained) to get the assistance of Chaldee...]

【Difficulty: 150】

【Leonardo da Vinci’s ‘inspiration’: 1d100=97】

【Skills·Talented Wisdom Ex:1d50=6 (Talented Wisdom.jpg)】

【Skills · Star Blazer ex:1d50=20】

[Cardoc's Great Success Intelligence Support: 40]

【97       6      20       40=163>150】

【success!】
To be continued...