He Peiyuan ignored: "Do you just want to say that you want it or not?"

Yang Jingxing said: "I think so."

He Peiyuan was full of fighting spirit: "Okay, that's enough, then you just listen to me..."

Yang Jingxing said calmly: "Even if you help, there may be a chance. Nuonuo is also nervous and willing to give me another chance. But if the one who gets hurt next time is... Crow Mouth! In other words, even if I already have a girl at that time

Friends, I know that Nono is injured, even if my girlfriend disagrees, I will still rush over as soon as possible. So it is useless to just think about it now, you can't make the same mistake again and again."

He Peiyuan was not sure: "You...you mean, if it's Tao Meng..."

Yang Jingxing Yeah.

He Peiyuan seemed to have just realized this person's bad behavior, and she said in a distracted tone: "How could you do this?"

Yang Jingxing didn't know either: "This is the fact."

"You..." He Peiyuan simply didn't want to believe it: "You have to go? Who can force you? You don't have any self-discipline?"

Yang Jingxing said: "This is not a matter of self-discipline."

He Peiyuan couldn't figure it out: "Then who do you care about?"

Yang Jingxing said: "Like most people, what I care about most is myself."

He Peiyuan slowly became cold: "I'm sorry, I can't understand your logic at all."

Yang Jingxing also regretted: "So, I can only say thank you to you."

"No need!" He Peiyuan was disgusted and resisted, "You are a bit sick. I think you should take a good look at yourself and find out the root cause..." Her tone was anxious, wishing to stay away from the feeling of infectious disease.

Yang Jingxing was startled: "It's not that serious, is it?"

He Peiyuan sighed again with disappointment: "How could you do this!?"

Yang Jingxing said: "I can do this now, so it won't be a big problem."

He Peiyuan seemed to think for a while before she understood: "So you don't want to get along?"

Yang Jingxing said: "I don't want to, I don't dare, and I don't have the chance."

After a period of clear breathing, He Peiyuan looked for the last glimmer of hope: "Does Lao Qi know your attitude?"

Yang Jingxing: "I know."

He Peiyuan laughed: "No wonder... thanks to a group of us..."

Yang Jingxing said: "I'm sorry."

He Peiyuan scolded: "You have not sorry for me, you have sorry for others...and even more sorry for yourself, you are not responsible for yourself."

Yang Jingxing: "Everyone has shortcomings...will we still be friends in the future?"

He Peiyuan said: "You are not a defect, you are a pervert!"

Yang Jingxing understood: "It seems there is no chance."

He Peiyuan couldn't wait any longer: "I won't tell you anymore. I still want to eat. My mother called me."

Yang Jingxing said goodbye and the call was hung up without saying anything.

The music is simpler, so Yang Jingxing continues to study. On the whole, "Han Yue Nears" does not seem to have anything outstanding. It has no innovation and pioneering, no complex structure, and is not difficult and obscure. The technical and theoretical level is not even as good as "Yun Kai"

"The Fog", not to mention "Harmony and Piano Heart", even have relatively low requirements for musicians.

Qi Qingnuo's great thing is that he very cleverly used the little material provided by his partners, developed it just right, and combined it fully and exquisitely in the process.

"The Cold Moon Approaches the Man" is not a profound but extremely detailed piece of work, because the composer relied on the organic combination of countless inconspicuous details to make the three instruments work together to create a strange scene in the seemingly ordinary world.

music scene.

The piece does not flaunt traditional performance techniques, nor does it have a typical antique melody, but if it is rehearsed well, the final performance will definitely be full of unique charm. It will be a new and familiar presentation, which may make people feel...

There are ancient and modern elements, but they are so integrated that one cannot find iconic elements or dividing points.

Reminiscent of Qi Qingnuo's feelings, "The Cold Moon is Near" really seems like a work that modern people use to communicate in a musical language that the ancients can understand, or that several musicians have returned to ancient times and fully experienced the ancients' music.

After elegance and life, I use modern thinking to master an occasional piece of work.

Of course, it is impossible for a folk music trio with more than 100 measures to be a perfect combination of nature and skill. Although it is surprising, it is still possible for Qi Qingnuo. If you guess, the most likely thing is that Qi Qingnuo played in national instrumental music.

A sudden inspiration or a coincidence between pop music and western music found such a point, and then wrote such a work.

Although Qi Qingnuo has been studying and practicing in many aspects, her original works, folk music, pop music and Western music are very clearly separated from each other, and they do not interfere with each other.

Same, but this time, Qi Qingnuo did a much smarter job than Yang Jingxing.

"The Cold Moon Is Near" is a piece that is difficult to adapt. Juniors and juniors from various majors in the school will intercept the melody from "It's Us" and have a lot of fun adapting it. However, "The Cold Moon Is Near" is not an option. The tune has a different timbre.

It can be said that the use and dependence of the folk music ensemble has reached a new height. If the guzheng is replaced with the pipa, it will be greatly reduced.

However, "The Cold Moon is Near" has no reference value for peers. If you want to learn from it and imitate it, most of the songs you make will be another "The Moon is Near".

Yang Jingxing couldn't wait to see the two works, hahaha, okay, okay, it was a false alarm, and his title of melodic upstart and genius can still be retained.

Qi Qingnuo's other pipa, erhu and dulcimer trio "Hui Jinzhao" is more of a theoretical and technical product. The idea is to try to imagine how the ancients would view modern people's lives, so the song is to change some of the iconic things of the past.

Or after the combination is developed, it can be used to express something with a youthful and fashionable feel.

"Hui Jin Zhao" is also a good piece, but the attempt to express the intention is not very successful, at least to the ears of the audience, it is far worse than "The Cold Moon is Near".

Qi Qingnuo's team ensemble work is called "Snow City". Snow is something that can easily evoke feelings, even in the city. In terms of music material, there are some musical ideas from the two trios, but it is more of the composer's self.

Express.

"Snow City" is technically more mature than "He Le Qin Xin", but it looks much more relaxed and comfortable. The structure is not as complex as "He Le Qin Xin", but the musical emotion is not thin, and it is even better than "He Le Qin Xin".

"Heart" is richer and more reasonable, with proper priorities. In terms of listenability, "Snow City" is also obviously better than "He Yue Qin Xin".

Judging from the three works combined, Qi Qingnuo once again surpassed himself and made great progress. "The Clouds Clear and the Fog Scatters" is an attempt and creation, and "He Yue Qin Xin" is an exploration and development and has achieved considerable artistic achievements and experience.
Chapter completed!