He doesn’t really care about these things, as long as things get done.”

Yes, yes, Kong Yafei's main point is that he could not hold on due to his character at the time. It was Mr. Yang who persuaded him that the project of "A Flying Flaw" was successfully launched. Otherwise, like many movies about fate, it is very likely that

It's a different kind of life.

Regarding movies about destiny, He Peiyuan casually named a dozen classics, but they were too basic in front of Director Kong... By the way, Kong Yafei also had another idea or inspiration, which was the different lives of twins adopted by different families. The theme was old

It should be a good set to express the changing times of the country. If the book is well written, it can produce new ideas and power.

He Peiyuan is very interested, how to compare? If it is simple poverty and affluence, it is not interesting, or rural cities?

Yang Jingxing said yes, so the distance from the idea to the book is further than the distance from the book to the film... and his girlfriend rolled her eyes.

A director who loves his work has as many as eight hundred ideas that can be turned into a film. Kong Yafei also has an even smaller point. Just a sentence he heard in the chat among the elderly made him feel like a thunderbolt, saying, "Martyr"

When he rushed to blow up the bunker, what he shouted was not the country, but mother.

He Peiyuan was also shocked. Nie Shaoying obviously had a solemn expression even though it was not the first time she heard this. Even Yang Jingxing's mouth did not move so fast.

Kong Yafei has even designed several versions of the scene composition. He himself prefers cruel and realistic ones. Pieces of black soil stirred up by artillery shells in the smoke are scattered on the bodies of young soldiers. The soldiers crawl forward in a circuitous way, brave, resolute, decisive and smart, and only have guns.

The sound of cannons and gasps can be seen in four or five minutes of moving shots or even long shots. After the soldier finally arrived in front of the bunker, he rushed forward resolutely without any hesitation and at the same time, he shouted heartbreakingly... Mom is still there.

Which mother is better? Dialect or Mandarin?

The drunk director was doing art, and both women were infected. He Peiyuan was about to shed tears. But after wiping her eyes, He Peiyuan sounded a little questioning: "His mother is so pitiful..."

Kong Yafei also thought about whether it was better to resist the war or the civil war? Is the tone of the film praising or anti-war? The censorship considerations for this kind of film are 10,000 times higher than that of urban films.

He Peiyuan, who was quiet for a while, suddenly interrupted: "Can this be done? A comrade assisted him. After he died, the comrade asked the leader where he was from and whether he had parents or siblings. Only then did he find out that he was actually an orphan without a mother or family.

He was killed by the Japanese. He missed his mother very much..."

The other three people looked at He Peiyuan blankly. As they watched, Kong Yafei really shed tears.

Nie Shaoying observed promptly and patted the director with tears in her smile: "What's wrong, brother?"

"Awesome." Kong Yafei glared at He Peiyuan with blood-red eyes, then put his hands on the edge of the table to take a deep breath, and then spoke loudly like a speech: "That's it...the troops are broken up, and companies are divided into units.

Most of his comrades died, and the protagonist fought with another unit, and then... after the end, this unit found the original unit to mark its martyrs, and the seriously injured company commander of the original unit told them that they were orphans! No more nonsense!"
Chapter completed!