Next on the TV was a picture of the small square of the Lincoln Center for the Arts. There should be enough light in the afternoon, and the voice of the female anchor: "On the afternoon of February 3rd local time, there were still four hours before the concert started, and the enthusiastic audience was

Come to New York’s Lincoln Center early.”

The scene changed, and it turned into two young Chinese faces, a man and a woman, facing the camera. The subtitles showed Chinese students studying abroad. The boy exhaled enthusiastically: "We came from Cleveland yesterday... I can't wait. We were just here."

When I meet a lot of Chinese people, I feel like I have returned to China..." The picture has obvious editing to save time, and the men and women are paying New Year's greetings to their parents, grandparents, and grandparents together.

The next scene of the interview with the New York audience was obviously darker. A rather elegant middle-aged white woman was talking to the camera, but the voice that came out was the reporter's Mandarin dubbing: "I like Chinese culture very much. Yesterday we

The whole family eats dumplings together during the Chinese New Year, just like Thanksgiving.”

Then the TV screen changed to the exterior of the concert hall, and time was still quite tight. It immediately switched to a concert poster, and the voice changed to the female anchor again: "The main repertoire of this concert is two symphonies, namely

"The Eighth Symphony" by Dvořák, a representative composer of the Czech national music school in the 19th century, and the "Second Symphony" by the famous Chinese composer Yang Jingxing."

The relatives ignored Xiao Shuxia's numbness as she jumped from the left side of the queue to the arms of Yang Chengyi on the far right and continued to stare at the TV.

The erhu and pipa parts of the "Second Symphony" also briefly appeared on the screen: "Yang Jingxing's "Second Symphony" added four pieces of erhu, pipa, dulcimer and sanxian based on the traditional Western orchestral orchestration.

It is a representative national musical instrument and its works have strong and distinctive Chinese characteristics."

"Hey, hey, hey!" Xiao Shuxia was excited again. She knew the Yeromil on the screen, and the subtitles showed "Yeromil, chief conductor of the New York Philharmonic Orchestra" to confirm.

On the screen, Yeromil is sitting with his back to the piano speaking, and a mandarin voice with no emotion is used to dub: "Yang Jingxing's Second Symphony is an amazing work. The composer perfectly combines traditional Chinese elements with contemporary Chinese expressions.

Integrating into the development of the symphony genre... I admire the charm of the intersection of different eras and cultures, and it is also a huge challenge for me, but the audience likes it very much... I like the erhu, three-stringed pipa and dulcimer, which makes me feel a new attraction

." Still the cut didn't quite fit.

The TV changed to a scene of New Zealand rehearsals, and the female anchor's voice sounded again: "In order to better perform the works of Chinese composers, the New York Philharmonic Orchestra, the organizer of the concert, sought cooperation with the Puhai Chinese Orchestra several months ago. Puhai National Orchestra is the earliest large-scale national orchestra established in my country. The sixteen folk musicians sent by the orchestra to participate in this performance have been highly praised by American experts for their superb skills."

Xiao Shuxia, hey, the subtitles show Wilson, the concertmaster of the New York Philharmonic Orchestra, but the Wilson on the screen looks much more artistic and dignified than when he appeared on the American program. He is still the same male voice dubbing: I think they did a very good job.

,,Without the wonderful performance of these national music performers, our display of the power and beauty of the work would be greatly reduced.

The scene turned to the concert hall. The camera looked up at the stage from a relatively close distance. The voice of the female anchor was much better than the dubbing: "At eight o'clock in the evening, the concert will open with the Chinese folk song "Jasmine"..."

Yang Chengyi also criticized Xinwen Network: "It's purely instrumental music, and no one sings it."

The quality of this news recording is really not flattering. Fortunately, it only sounded for a few seconds and then went silent. The anchor continued: "In the second half of the concert, sixteen folk musicians from the Puhai National Orchestra were introduced by the conductor and received a warm welcome.

The audience warmly welcomed us.”

The news flashed for two seconds a picture of the audience on the first floor applauding. It was shot with a bit of technical skill. It looked like the concert hall was packed. There were quite a few Chinese faces, but Hillary was nowhere to be seen.

Oops, this news started with the conductor's hand gesture and played the prelude to the "Second Symphony" for several seconds before starting to cut, and after the anchor started reading the script, he didn't completely mute the music, and you can still hear it vaguely.

One point. The manuscript can barely be called artistic: "As the highlight of this New Year's concert, Chinese and American musicians work together to perfectly blend Chinese and Western classical music, allowing the unique charm of Chinese folk music to slowly travel through the time and space of memory.

The poetry and sentiments of thousands of years of Chinese civilization presented a high-grade, high-level, and high-quality auditory feast to the audience. After the music ended, the audience stood up and applauded the actors for a long time to thank them."

The picture seems to be about the same thing, but the short and partial picture of the fixed camera still cannot keep up with the documentary, and it is not as impressive and convincing as 306's "On the Road".

The news is that the performers of the Puhai National Orchestra also presented the classic traditional music "Horse Racing" and "Autumn Moon over the Pinghu" to the audience. After the performance, the audience expressed that the traditional Chinese music is like poetry and song and has endless charm. Chinese musical instruments are so popular

It was an eye-opener, the whole performance was very shocking, and I was still not satisfied after watching it.

However, there are only four short paragraphs of audience comments as supporting evidence. Most of them are emotional scenes. Chinese people still regard New Year greetings as a top priority. Only the last one, a white man who seems to know more about music, said what emotional position he was in the first movement.

The sudden appearance of Eastern music shows what...

Yang Jingxing seemed to be about to make a phone call, but Xiao Shuxia refused: "It's not over, it's not over!"

It’s not over yet. The folk music performer appeared, and the subtitles showed Wang Yaming, the pipa principal of the Puhai National Orchestra. This was not an interview. The performer said directly: We are very happy to present beautiful Chinese music to the New York audience on this special day.

Presenting the style of Chinese composers and performers, allowing people from different regions and countries to share the beauty of our Chinese national music.

Time was running out, and when the scene changed, Wen Fujiang, the leader of the Puhai National Orchestra, could only say one thing: Music has no borders, and good music will surely impress people from all over the world.

The TV has turned into a single screen for the male anchor: New Year’s Eve is celebrated every year, and this year’s New Year’s Eve is even more festive...

Xiao Shuxia was the first to react and asked her son: "No phone?"

Yang Jingxing helped his mother save face: "How many have been hung up? I'll give Yuanyuan one."

It seemed like that was all. Yang Chengyi simply returned disappointed: "Eat."

Xiao Chen suddenly started and rushed towards his room: "Hahaha, I bet 80,000 gold coins!"

Grandma didn’t seem satisfied either: “There are no photos? Jiuchun didn’t even say anything?”

When Yang Jingxing closed the balcony door, Yang Chengyi's phone rang. Xiao Shuxia seemed unhappy that she had not yet found her place. The composer hung up Lu Kaiping's phone again and called He Peiyuan, but found that he was on the phone and did not answer his call.
Chapter completed!