A month ago, the concert premiered by Lian Lixin in Asia of "Yang Jingxing Second Symphony" was introduced by the host to create an atmosphere. The conductor did not need to waste time. However, Lian Lixin did not start art when he was on stage. After standing on the podium, he had a majestic review of the orchestra for more than half a minute. The musicians would of course fully understand and respect the conductor's habits and hobbies. He Peiyuan commented that Lian Lixin's brewing was quite imposing and effective, but it was a little risky. If they were to be said to be bluffing, it would drag the composer down.

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Pu Hai's folk musicians had previously informed the composer indirectly in the form of praise and congratulations. This means that Jeromire had a high evaluation of "Yang Jingxing Second Symphony" during the rehearsal, and the musicians also praised and practiced actively. However, it felt that most of the words that Newcomers said were clichés. Although the orchestra attached enough importance to the work, they did not have that kind of strong performance of treasure. This situation was a bit different from the bold and optimistic expectations of folk musicians before going abroad.

Not only are folk musicians not familiar with the conductor, but most of the musicians in Newell who are lifelong contracts did not seem to have expected such a opening remark. Fortunately, everyone is professional and can't wait to turn around and raise the sticks for the conductor. The musicians' reaction is busy but not messy. The cello group, which is the first to bear the brunt of the blow, also seems neat and precise.

According to industry standards, the acoustic effect of Avery Fisher Hall is not ranked among the top few in the world. It is said that all parameters are worse than those of Carnegie Hall in the same city. However, for most listeners and even practitioners, those parameters are also nitpicking. Fisher Hall's actual performance is also very good. The two-second reverberation time is simply clever. The conductor's volume is not high but full of power. The lingering sound of the words has just dissipated. The calm cello notes spread and full at an audible slow speed. Accompanied by the deep plucking of the bass, the smooth melody seems to show some solemnity after full reverberation.

However, no one in the concert hall had a look of fear. Not to mention fear or inability to adapt, the audience could not even mention some symbolic surprises. It seemed that today, the two thousand people who blended races, ethnicities, transformations, and professions all united in tacitly to make the conductor pay the price for his overly confident and generous speech a few seconds ago. There was no response at all. It seemed that the audience was not the audience but a group of people watching coldly.

I believe Jeromire has seen a lot of stability in his decades of artistic career, or he did not care about the situation in the audience after facing the orchestra. Anyway, it seems that the audience's total disrespect for him did not have any impact on him. The trajectory of the baton is calm and steady, allowing the Woodwind Group to speak at the end of the cello phrase in an inconspicuous posture.

The beginning of the straightforward story, if you don't contact me and take it out separately, it's meaningless to see the prelude that is not only unnew, but it's just like the practice homework for the first and second grades of undergraduate degree. It shouldn't appear at the premiere concert of New York. However, just like the film and television industry will joke that there are no bad scripts and only poor directors, and the pop music circle will also say that there are no bad songs and only singers who can't sing. Industry experts are good at turning decay into magic. Through this short opening, Jeromire made the New York Philharmonic show some of his style under his command. The strings are obviously full and positive, while the wind music is a little restrained and persistent.

Jeromire's treatment of the small interval before the harp debut after the opening is also very different from Lian Lixin's style. Lian Lixin fades in and out, feeling that he wants to pursue the light and lofty feeling in folk music. Jeromire's treatment seems more straightforward and straightforward, and this part can save Neuer a second.

The harp musician of Newcomer is a middle-aged woman born in Spain. She got her position in Newcomer more than ten years ago at the age of 30. What is even more rare is that she is still famous in the folk song industry in the United States. It is said that tickets to harp solo concerts are more popular than those of the small venue of Xinting. The players of the Puhai National Orchestra have not inquired about the religious beliefs of this Spanish musician, but everyone has almost always believed that the religious color displayed by Western musicians when playing this strange note in the first movement is indeed much stronger than the attempts of the Puhai Philharmonic's pianist. Indeed, compared to the slightly softness of the harp during the premiere of Puhai, the New York Philharmonic's interpretation is obviously impolite, and the musician's plucking movements are more tough.

Do you have to thank the musicians and the conductor for adapting to local conditions? The New York audience's reaction to the harp is much more common than that of Pu Hai's audience. Some small body movements and posture adjustments appeared in the audience, which seemed to be a little interested, or saw a glimmer of hope. This harp note is still a bit personal, not as inconspicuous as the opening.

With the addition of the black tube, the notes that were originally cluttered or profound seemed to have a special order and purpose, which would make the audience vaguely notice something, and might even have expectations and thoughts. And when the first violin group started working with the conductor's artistic gymnastics-like upper body movements, the simple melody that soon became strong and vivid will make the audience realize that it was. In fact, all this did not have any meaningful specific starting point, and they were all fabricated out of thin air by the composer, like some suspense detective novels that make people amazed. Although the ending is amazing, it is also a process for purpose, and it is actually completely unavoidable to think about it.

As for religion, although there are 2,000 listeners in the concert hall, both yellow, white, brown, black, men, women, and young, when the violin melody is supported by harp and wooden pipes toward the strange simple and solemnity, the reaction of the audience has become more and more obvious. Some people's solemn appearance is simply thinking of standing or something, which is ridiculous, but no one laughs, and most of them remain calm, and a few people have a slightly happy understanding of the melody of the music.

Just when the violin with rich colors was getting better and better, it was possible to turn the concert hall into a church, the conductor on the stage suddenly made bold moves and ordered who to appear in a high-profile manner. The four yangqin players who had already held the piano and bamboo to be ready for the battle were simply uniform and uniform. Their gestures seemed solemn and powerful, but the notes played were light and soft.

After Pu Hai's performance, experts once commented that Yangqin's appearance made people feel like seeing a huge ink and water landscape painting at the Sistine Chapel. Perhaps because Lian Lixin pursued to a certain extent, he hoped that folk music would make it a stunning debut, so Pu Hai Ai Music had a clear sense of collision when performing the first intersection of Chinese and Western styles in this song. However, this collision is not abrupt under the combination of melody and rhythm and other factors, and domestic audiences would not be surprised.

Jeromire obviously is not optimistic about the acceptance ability of New York audiences. He did some dispensable treatments when Yangqin appeared. First of all, the first two bars of Yangqin are very gentle, and the violin group maintains more of the momentum of the absolute protagonist, as if this can avoid scaring the audience and giving everyone more time to adapt and not seem too sudden.

But the audience had eyes, and the folk musicians on the stage had already taken action. There were not many children in the audience, and everyone was scared, so they saw a piece of desire with their ears pricked up. However, this desire had nothing to do with art at all. Each expression was about freshness, and even Chinese and overseas Chinese were similar. Those faces, no wonder the Chinese like to join in the fun.

Jeromire couldn't hide the yangqin all the time. After two bars, the concert hall became completely clear. The melody of the four yangqins and ten first violins was clearly distinguished, but it was not considered a confrontation. The two sets of melodies seemed quite harmonious. Next, the violin would fade out gradually and the yangqin would become the protagonist.

At this point, the difference between New York Philharmonic and Puhai Philharmonic is already very obvious. Just like this section, Lian Lixin was afraid that the folk music would not be prominent enough in his hands, so he tried straight to the point. Yeromir took it for granted from his own position and tried to proceed step by step. Lian Lixin's treatment was to draw a large piece of the stage and hand it over to the folk music to grow. Jeromir's method was to make Xile seem so fraternal to give up part of the stage to the oriental instruments, and even introduced the other party generously.

After all, the score has the final say. As the melody of the four yangqins becomes more and more vivid, and the violin gradually fades, it seems that only the crispness and brightness of the large beads falling from the jade plate in Avery Fisher Hall. This passage of melody plagiarized from "Bloom" is like a large bead that turns into small beads after falling from the jade plate. Clusters of small beads magically transform into slowly blooming beads between each other like ripples. The flowers should be white, shaped like jasmine or magnolia.

Everyone should have heard it clearly and understood it. Obviously, most of the listeners do not recognize Yangqin, but at least they lack basic understanding, because so many people have made expressions of a little surprised and so it turns out that they are like this. Most of them are novel. A small number seems to have begun to like it, and some are still adapting, but fortunately, there are not obvious discomforts.

The Chinese and overseas Chinese no longer seem to join in the fun, of course there is no new surprise. I feel that the Chinese are not very united, and their various performances are not unified. Some are suspicious and some seem to be moved, while some are worried and some are not sure what to grin. Looking at the woman who is a couple quietly looking around, it seems that she still wants to turn back, but the man looks at the stage with a serious and heavy look. The young man in his thirties and forties wants to lie in a chair and sits like a bell instead. In short, the mental outlook of his compatriots is really not very neat, and he doesn't look like he has had prior communication and organization. The alumni of Shangpu are quite loyal, and most of them are appreciating music quietly and even steadily.

In fact, the Yangqin section of the first movement is also lacking sincerity. In addition, the same is true for the folk music crew. There are only a few sections. I guess I just found a little taste when I listen to the fresh ones, and I am far from satisfied with the feeling and family affection. With the addition of the brass and percussion music again, the Yangqin melody with very bright colors and simple lines retreated in a conscious and humble manner.

After the stranger outsiders disappeared in the concert hall, the local orchestra quickly took out two tubes of the composition as they should have. As the various parts began to act, it seemed to clarify the style of the music that had been covered in clouds. It was necessary to admit that the New York audience had two tricks before the music began to transform into secular music. Some people in the audience had already made the expected appearance, and the more informative music critics even nodded with satisfaction to make some face-saving expressions.

Of course, Newcomer's audience will be familiar with the music of the Renaissance, so when the music is increasingly showing the characteristics of that period, more and more people in the audience are surprised. The strangely bony white faces or big and thick black faces can even see the intimacy and gratitude, probably this is what they expect. Even some Chinese audiences seem to be more at ease than when they listened to the yangqin in the past. This is the dawn. If the music can continue to develop according to the current momentum, if the composer can try to maintain this state instead of just making some gimmicks in the first movement, then the second half will be safe, and at least qualified to be on the same level as the first half.

However, not long after the concert hall entered the Renaissance, at an opportunity that was completely unexpected and could not find any theoretical support but could not find any fault. With the movement of Jeromire's arms similar to Chang'e's flight to the moon, four almost cold-faced pipa players on the stage raised their hands and fell, and their expressions and music occurred at the same time.

Unlike the general audience's impression of the appearance of the chuckling clang, Pipa's performance here is a bit shy, which is really half-covered. However, the audience saw it, so they all pricked up their ears. Even Teacher You, who went to support Pu Hai's premiere, was trying his best to capture the notes.

It didn't take the audience's effort. The Pipa group used only two bars to over-render the music color changed drastically and almost 180 degrees. The audience who was still in the nostalgic Renaissance just now was caught off guard, and many people were beaten back to being raided by the yangqin. It was indeed unfamiliar with the instruments, and as the Pipa stood out from Western orchestra with a pleasant melody, the tone and rhythm were tough that did not show mercy to other parts. It was understandable that the New York audience was not as calm as Pu Hai music fans.

Fortunately, the Pipa didn't last long, and it came to an abrupt end before annoying the stranger's audience. It suddenly disappeared from the western orchestra of the period Ai Ai Ai at the overwhelming advantage. However, this disappearance seemed to make people feel more unsure and it was very likely that it would suddenly appear again. Jeromire's words seemed to be effective, and a few listeners seemed to be really not scared, at least with a surprised expression.

However, the composer did not intend to play with the audience, and the direction of the music was a bit flattering, and the color of the baroque quickly became richer. The composer's two or three minutes of baroque imitation please more ordinary music fans. This is a familiar and liked taste. Who wouldn't like Baroque? However, music critics or peers may have some opinions. Their professional minds will reflexively judge which composers are paid tribute to the analytical songs. To be more deeply involved, you should also think about how the composers appropriately connect these personal styles, while professional and proficient professors like professors should analyze the advantages and disadvantages and significance of similar shapes and differences here. So for professionals, there is already a major suspicion of showing off or even malicious embarrassment here. Maybe it's a provocation!

But it was only two or three minutes, and most professionals did not experience obvious discomfort. Some looked a little nervous and finally stabilized. Especially when the music was in the chorus of the brass and percussion, it seemed that it was obviously about to enter the **. Insiders in the industry seemed to temporarily put aside the prejudice between their peers, and were more serious expressions and postures, while more listeners were much more stateful than the Renaissance.

It felt like the wind percussion was about to reach its peak and was coming soon. The audience was ready, and someone adjusted his posture to welcome him. The composer was humble again. The conductor on the stage commanded the musician with his left hand and his brakes suddenly while his right hand was rising up. The Erhu group, who had already set up a bow, suddenly appeared, and sounded the melody that was beyond the scope of pop music and serious music understanding, instantly swept away the previous lingering sound, allowing the concert hall to enter another world.

Two or three seconds later, in the unique high-pitched and beautiful Erhu group, there was almost a commotion in the concert hall. A series of not too serious but definitely rude voices sounded in the audience, not only the tone and even words, but also the voices seemed to complain, protest, sigh, and more fussy actions such as raising hands and stretching their necks to cover their mouths. Even the people in the ticket box were not so calm and noble, and the politician's wife was almost stunned.

Not to mention the slap in the fuck, Newcomer's performances should never be even instable. Although the situation is not very serious at present, for Newcomer, who is playing at home in Newcomer, the audience's abnormal reactions should at least be written into the annual log. If this continues, Jeromire may not be safe in the evening, and he may become a big joke in the industry in half an hour because of the information society he advocates.

Fortunately, there were many professional contestants on stage, and Jeromire was still immersed in his enthusiasm. He completely withstood the pressure. At this moment, his body and gestures continued to look towards the Erhu group, and his movements seemed to be more chic and bold. The musicians who had been rehearsing for more than four hours also performed steadily. The most important thing to praise were the folk music performers, who were all so calm and calm, and the Erhu group continued to devote themselves to their hearts. At this moment, they seemed to have only music. In addition to love, they also expressed perseverance and courage. Several other groups of folk music contestants also encouraged the Erhu group with warm attention. These performers even dared to look straight into the commotion audience, so calm and calm, and there seemed to be a little pride that the artist could not erase.

Fortunately, at this moment, the black hair and yellow skin scattered in the concert hall did not react abnormally. Most Chinese are focusing on projecting their likes, sorrow, heavy, intoxicated, and even touched, moved, and excited to the stage. Most Chinese seem to have no concern or found that the white people are not fussing, but there are also a few sensitive compatriots who cast some ambiguous eyes at those restless listeners. They can be understood as friendly, but they also look a bit contempt and a bit complicated.

Fortunately, although Erhu's appearance was too high-profile, its subsequent performance was worthy of this high-profile and powerful. Although Puhai's sour and smelly expert's evaluation of "every note is amazing" was too loud, He Hongchui also admitted that there is indeed a little tendency. I wonder if New York audiences also have Puhai's aesthetic standards, or the Americans are really a little tolerant. Anyway, after only a little commotion in the concert hall, it has returned to basic stability, and most people still continue to maintain the peace of mind.

The Erhu is getting better. Against the backdrop of the copper tube, the melody is getting more and more pleasing to the ears, satisfying the audience's expectations again and again. At least some people told the composer that it was beyond expectations. Unfortunately, this good momentum did not persist until the final harvest. When the audience once again raised their expectations and felt that another phrase was about to end, while everyone was focused on waiting for the answers to the few notes at the end of the phrase to reveal the answers, even the musicians who were fine were paying close attention. The conductor on the stage suddenly seemed to twitch, and the four Erhu players seemed to be crazy. Then the musical atmosphere that had already begun to become harmonious and strong in the concert hall was impacted by the string of extremely twisted and torn notes of the Erhu next, which was simply a disaster.

The four Erhu players tried their best to tear the last few notes, and they gritted their teeth and hated each other. They almost left the chair. It can be said that they deserved the composer and completed the task successfully. So after stopping the bow, they raised their faces to face the front, facing the conductor and the audience.

The audience continued to stabilize and there was no commotion, but seeing many people seemed to be out of their anger, they were simply shocked, or they felt that it was not worthy of being a witness with such a psychopathic composer. Some people were not so open-minded, and they looked at each other in exchange for opinions. They even cooled down the expressions on the faces of many Chinese people. Some simply looked at the composer in question as if they wanted to seek justice, but found that the composer was dull.

The stage continued, and the conductor led the orchestra to advance rapidly with the desperate momentum of Erhu to enter the classical period. The classical period was indeed a wealth of human beings, and today it is a little bit proof that the listeners who were repeatedly provocative and teased were comforted by the imitation of Haydn's things in several sections. The expressions of each of them quickly relaxed, and then they pricked their ears without long memory.

The composer put Beethoven in the end to pay tribute. It seemed that most listeners had heard some tricks. Under the excitement of the song, some energy appeared in the audience. However, after the strong emotional statement and brilliant passion, the song began to slowly calm down and seemed to return to dullness. Just as the music was about to reach the state of gentleness, Sanxian took a gentle step.

This time it didn't happen suddenly. Sanxian could be said to appear very gentle, giving the audience two or three bars to adapt to it. After walking gently, he said softly, "I'm here," his attitude is very friendly and tender."

However, the audience had been accumulating a long time ago, and this was the last straw that broke the camel's back. For such a gentle Sanxian, the audience replied with a louder noise than before. It was buzzing for several seconds, almost covering the music. If there were live recordings today, the small commotion in front was reasonable. This just now would probably have made the recording lose its commercial value. It was far-fetched to say that it was a surprise and amazement, and it felt more like many people were trying to make trouble on purpose. Moreover, these New Yorkers were quite united, and the sounds they made began to be a bit neat and unified.

Fortunately, the trouble was just a little bit, and the New York audience stopped when they were good. In fact, this was already intimidating enough. If it were a newcomer, it would definitely be scared. Examples of performances being completely destroyed by a little overturned color. These New York audiences are pretty good, and they give them a candy after a stick. Next, they also acted with relish for Sanxian's performance. However, there were also many people who were increasingly vigilant, and seemed to no longer believe in the composer's people.

Fortunately, the four groups of folk music were released after Sanxian, and the music entered the period of romanticism. The beautiful cello melody was very significant, which made the audience heal quickly and forget the pain. In the last two or three minutes of the first movement of "Yang Jingxing Second Symphony", the concert hall returned to the quiet and elegant classical concert atmosphere.

As the cello group gradually moved away with the trembling baton, the first movement of the North American premiere of "Yang Jingxing Second Symphony" was completed. The audience obviously relaxed with the music. At this time, no one had negative expressions, and no one had any big moves. Everyone continued to sit quietly and look at the stage, as if they were to be generous and ignore the past and listen to the subsequent movements. A few Chinese compatriots looked at the composer, and their expressions were quite encouraging, and even clapped their hands.

However, the conductor on the stage suddenly became wrong again. He made an action that was not in line with the professional traditions and was not his habit. He twisted his neck and looked back at the audience. It was rumored between the lines that Jeromire had a bad temper, and he did his own things and was even a little arrogant and arrogant, as if it was true. The old man looked back at the audience, but his expression was far less friendly than when he was speaking before. He had no smile at all. His eyes were a bit like patrol and warning, full of the prestige of the conductor. But it was best to click until it was, so Jeromire looked at it and turned over to face the orchestra, raising his hand to turn the score in front of him.
Chapter completed!