Su Ye hesitated for a moment and said, "...it's called "Little Knife Club".

If you call it "The Overture of the Little Knife", Su Ye was too lazy to do other music in this series, so he might as well have to create a musical drama or something. It's a bit troublesome. So just be simple, just call it "The Little Knife", at least it's more reliable than "Ma Dongmei".

The audience was all holding their breath, looking like we knew you had stock.

Su Ye smashed her mouth: "Uh... I'm a little thirsty."

Audiences: "Hahaha..."

You are so humorous.

Su Ye: My mother and your father are so mom. I am really tired and thirsty! I almost lack oxygen when I played the suona for ten minutes.

Leng Mian immediately walked to the stage with the water he had only drunk a little, unscrewed the bottle cap and handed it on...

Slap sex...

“Woo…”

The audience suddenly started to cheer. Everyone still remembered the amazing thing on the red carpet just now. Isn’t this Su Ye’s little girlfriend?

Really good at playing!

Su Ye squatted down, took the water and poured two large mouthfuls, and handed the bottle back.

Leng Mian's face turned red and fled back to his seat to sit.

The applause and cheering continued.

Li Xixi snorted coldly: "Make a show..."

Chu Xinran said: "He must not be able to produce a good work anymore. What are the first two people bragging about? Humph!"

Li Xixi subconsciously leaned in the opposite direction of Chu Xinran. He now regretted getting involved with these people. As a professional musician, he was afraid of Su Ye's talent.

He was too lazy to pay attention to Chu Xinran. He knew that in addition to "Hundred Birds Paying to the Phoenix", the subsequent "Monkey Playing" and "Ma Dongmei" are also excellent works.

It depends on how this "Little Knife Comes" is like.

It should be worse than the previous works.

The host of Donghai Satellite TV began to find a supplement for Su Ye at this time: "Playing suona is a test of lung capacity, so Su Ye looks a little tired now, and his good friend Leng Mian sent him water..."

Su Ye did not play directly, but said to the microphone: "I didn't want to play "Little Knife Club" here, but you must... If you want to play this song, I must explain the source of his creation and historical background. I will directly describe the following paragraph in English. To some extent, this song was written for the West."

The host of Donghai TV said: "If I guess correctly, "Little Knife Club" should be related to Donghai."

Su Ye switched to English and continued speaking.

The host of the East China Sea translated in real time: "In 1853, the Xiaodao Society, a branch of the Tiandihui Society, revolted in Jiangnan and occupied the East China Sea, and was determined to revive the Qing Dynasty and call themselves the Ming Dynasty. The corrupt Qing Dynasty was unable to eliminate the Xiaodao Society. In order to turn the East China Sea into a colony, countries such as Britain, France, the United States, and Portugal, and the Netherlands jointly sent troops to attack the Xiaodao Society. Seventeen months later, the Xiaodao Society uprising was destroyed, and all the leaders were killed bravely. Although the Xiaodao Society failed, the Chinese spirit of resistance was immortal, and our knees would not bend or kneel. This song was written for the Xiaodao Society and also for the West."

The barrage was praised instantly, but the song was praised directly before it was released.

But the scene was different. Many Chinese musicians frowned. Music has no borders. Doing this at the International Music Festival? Not friendly!

On the contrary, Western music people do not have much resistance.

After saying that, Su Ye began to perform.

Beep beep beep beep...

The first phrase is very majestic and makes people feel bloody!

Those who know music in the audience immediately came to the conclusion that this song is much more mature and exciting than "The Monkey Player" and "Ma Dongmei", and perhaps not inferior to the original "Hundred Birds Paying to the Phoenix".

The suona creates a sense of destruction and destructive picture from the beginning, with a magnificent momentum. Then, it lays the foundation for a fast pace and continuously sublimates the theme.

The audience on the oil tank kept scrutinizing comments, but this first sentence really shocked them, which was far more moving than the previous few songs.

The domestic audience who had been quiet all night was no longer calm:

"Damn!"

"The scalp is numb..."

"Such handsome!"

"The suona is the king of musical instruments!"

"Xiaodao will be so terrifying."

"Su Shen is awesome!!"

"Triad, sad and angry, not afraid of death, move forward bravely! The ancestors of the East China Sea resisted the brutal rule of the Qing Dynasty, were indomitable, and lived in China forever."

"The good guy starts with orgasm."

"Classic! This is the classic."

"Anti-Qing and restoring Ming Dynasty."

"This momentum is overwhelming!"

“Divine Comedy Predestined.”

Dogdogdogdog...

After two more loud and loud waves, the musical tone took a sharp turn.

The tragic feeling of pursuing the uprising bravely searching for light but being strangled repeatedly came to his face, and the sad and tragic description of the uprising's setbacks vividly.

The rhythm in the middle is much soothing, beautiful and gentle, and has a wonderful feeling of the revival of all things in spring, as if it means that the wildfire cannot burn it and the spring breeze will blow and revive again.

In the last part, the rhythm slowly accelerates, sometimes rising, sometimes sluggish, sometimes rushing, sometimes tideful, but in general, it is heading towards orgasm.

The ups and downs of the struggle are described in a very vivid way.

Finally, the suona uses its unique high-pitched and tragic tone to create an epic and magnificent decisive battle with the help of melody.

In the romance of blood and fire, in the ups and downs of life and death, the will to treat death as if it were home and never compromised rushing with the music, drilling into the ears and hearts of every listener.

The whole song is beautiful, majestic, and even more heart-wrenching.

The audience almost didn't know that Xiaodao would do it, but they were still infected by music.

Once this song appears, all evil people will be able to resist!!!

"The Little Knife" has an unparalleled and unshakable sense of justice.

When Su Ye finished playing the last note, there were thunderous applause and no cheers.

Shen Hexuan immediately stood up, looked at the stage and was photographed by the camera.

Diagonally behind, Kitojiro was also worshiping, but he was not photographed.

Kito Taro shouted, "What are you doing?"

Kitojiro: "Kneel down and bow!"

Taro Kito was furious: "You are not standard, your posture is not standard! Look at me."

Sasaki looked at her compatriots who had lost her compatriots in a daze, and she was so dizzy. This time she was scared again, but she was not afraid, but she felt an invincible force from this song.

Is this China?

On the stage, Su Ye said breathlessly: "Thank you! Thank you everyone. China has a history of 5,000 years, and has a backbone that has stood for 5,000 years. Therefore, I feel extremely proud of traditional Chinese musical instruments. I believe that suona is the king of musical instruments."

Su Ye is gone.

There was a thunderous applause from the audience, but no one called Encore again. First, the three return trips were the greatest common divisor, and second, many people were still stuck in the shock of this song and did not come back to their senses.

Su Ye walked off the stage and said to the host: "Is it your turn to now?"

The host came to his senses: "Ah? Oh! OK..."

The artists prepared in the backstage actually waited for a long time. Su Ye's three return delayed their appearance. But at this time, they did not show any impatientness, but stared at Su Ye in admiration. Is this person too strong?

Four consecutive songs...original? They are still suona!-
Chapter completed!